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Cited by 1,957

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Creative industries: contracts between art and commerce

·2000·Choice Reviews Online

Abstract

Preface Introduction: Economic Properties of Creative Activities Part I: Supplying Simple Creative Goods 1. Artists as Apprentices 2. Artists, Dealers, and Deals 3. Artist and Gatekeeper: Trade Books, Popular Records, and Classical Music 4. Artists, Starving and Well-Fed Part II: Supplying Complex Creative Goods 5. The Hollywood Studios Disintegrate 6. Contracts for Creative Products: Films and Plays 7. Guilds, Unions, and Faulty Contracts 8. The Nurture of Ten-Ton Turkeys 9. Creative Products Go to Market: Books and Records 10. Creative Products Go to Market: Films Part III: Demand for Creative Goods 11. Buffs, Buzz, and Educated Tastes 12. Consumers, Critics, and Certifiers 13. Innovation, Fads, and Fashions Part IV: Cost Conundrums 14. Covering High Fixed Costs 15. Donor-Supported Nonprofit Organizations in the Performing Arts 16. Cost Disease and Its Analgesics Part V: The Test of Time 17. Durable Creative Goods: Rents Pursued through Time and Space 18. Payola 19. Organizing to Collect Rents: Music Copyrights 20. Entertainment Conglomerates and the Quest for Rents 21. Filtering and Storing Durable Creative Goods: Visual Arts 22. New versus Old Art: Boulez Meets Beethoven Epilogue Notes Index

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Metadata

Venue
Choice Reviews Online
Published
2000-11-01
Volume
38
Issue
03
Pages
38-1661-38-1661
ISSN
  • 0009-4978 (ISSN-L)
  • 1523-8253
OpenAlex
W1964875616
Cited by
1,957
References
0
Type
book review
Language
en
Open access
closed

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CoChat. (2026). Citation check: Creative industries: contracts between art and commerce. https://app.cochat.ai/papers/10.5860/choice.38-1661
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Creative industries: contracts between art and commerce. (2000). Choice Reviews Online. https://doi.org/10.5860/choice.38-1661

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