The DOI matches its Crossref record; 2 of the 2 references it cites were found in a registry or an index.
Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes
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Citations
Cites
Maximum Likelihood from Incomplete Data Via the EM Algorithm
Dempster, A. P., Laird, N. M., & Rubin, D. B. (1977) · Journal of the Royal Statistical Society Series B: Statistical Methodology · doi:10.1111/j.2517-6161.1977.tb01600.x · Cited by 50,444
Bozdogan, H. (1987) · Psychometrika · doi:10.1007/bf02294361 · Cited by 4,468
Cited by
Automatic Extraction of Tempo and Beat From Expressive Performances
Dixon, S. (2001) · Journal of New Music Research · doi:10.1076/jnmr.30.1.39.7119 · Cited by 366
Perception of material from contact sounds
Klatzky, R. L., Pai, D. K., & Krotkov, E. P. (2000) · Presence: Teleoperators and Virtual Environments · doi:10.1162/105474600566907 · Cited by 187
Eerola, T., Ferrer, R., & Alluri, V. (2012) · Music Perception · doi:10.1525/mp.2012.30.1.49 · Cited by 122
Metadata
- Authors
- McAdams, S., Winsberg, S., Donnadieu, S., De Soete, G., & Krimphoff, J.
- Venue
- Psychological Research
- Published
- 1995-12
- Volume
- 58
- Issue
- 3
- Pages
- 177-192
- ISSN
- 0033-3026 (ISSN-L)
- 0340-0727
- 1430-2772
- OpenAlex
- W1966365432
- Cited by
- 601
- References
- 2
- FWCI
- 1.04
- Type
- journal article
- Language
- en
- Open access
- closed
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Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
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How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes. https://app.cochat.ai/papers/10.1007/bf00419633
- The paper
- McAdams, S., Winsberg, S., Donnadieu, S., De Soete, G., & Krimphoff, J. (1995). Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes. Psychological Research. https://doi.org/10.1007/bf00419633
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.