The DOI matches its Crossref record; 9 of the 9 references it cites were found in a registry or an index.
Behind the “AI slop”: exploring the AI-generated viral short video production in China
Abstract
As generative AI becomes embedded in platform-based cultural production, new forms of creative labour are emerging that challenge established understandings of what it means to be a “creator.” This article examines AI slop creators in China, a group that uses generative tools to benchmark viral content, test formats, operate matrix account systems, and formalise production, transforming virality from an unpredictable outcome into an object of systematic management. Drawing on ethnographic research conducted between 2023 and 2025 in China, this study shows AI enables a cohort of “Internet entrepreneurs” to enter cultural production, driven by a “money hustling culture” that encourages formerly idle and low-skilled individuals to pursue rapid monetisation. The findings suggest that AI slop creators organise production less around authorship, identity and aspiration, and more around operational mastery, strategic disposability, and algorithmic opportunism. Rather than cultivating personal brands, they prioritise speed, scale and adaptability, pointing toward a post-creator mode of cultural labour in contemporary platform economies.
Overview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cites
Playing the visibility game: How digital influencers and algorithms negotiate influence on Instagram
Cotter, K. (2019) · New Media & Society · doi:10.1177/1461444818815684 · Cited by 1,025
(Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work
Duffy, B. E. (2017) · Yale University Press · doi:10.12987/yale/9780300218176.001.0001 · Cited by 931
Internet Celebrity: Understanding Fame Online
Abidin, C. (2018) · doi:10.1108/9781787560765 · Cited by 788
Mapping Internet Celebrity on TikTok: Exploring Attention Economies and Visibility Labours
Abidin, C. (2020) · Cultural Science Journal · doi:10.5334/csci.140 · Cited by 564
Mears, A. (2023) · Social Media + Society · doi:10.1177/20563051231193027 · Cited by 52
Huang, Y., & Ye, W. (2024) · Convergence: The International Journal of Research into New Media Technologies · doi:10.1177/13548565231211117 · Cited by 37
Borderline practices on Douyin/TikTok: Content transfer and algorithmic manipulation
Su, C., & Valdovinos Kaye, B. (2023) · Media, Culture & Society · doi:10.1177/01634437231168308 · Cited by 26
Hou, J., & Zhang, Y. (2022) · Global Media and China · doi:10.1177/20594364221095895 · Cited by 23
Learning to Like the Likes and the Hate: The Labor of Internet Fame in the New Attention Economy
Mears, A., & Beauvais, T. (2026) · Social Problems · doi:10.1093/socpro/spaf028 · Cited by 14
Research works printed but not linked: 42
- Abidin C (2016) Visibility labour: engaging with influencers’ fashion brands and #OOTD advertorial campaigns on Instagram. Media Int Aust Inc Cult Policy 161(1):86–100. https://doi.org/10.1177/1329878X16665177 · DOI · Paper page
- Are C, Briggs P, Brown R (2025) Content creators’ hopes and fears about artificial intelligence. Convergence 31(6):1901–1925 · DOI
- Arriagada A, Bishop S (2021) Between commerciality and authenticity: the imaginary of social media influencers in the platform economy. Commun Cult Crit 14(4):568–586. https://doi.org/10.1093/ccc/tcab050 · DOI
- Arrieta A (2025) The limits of virality: music creators and platform negotiation in the era of short-form video. Soc Media + Soc 11(4):1-13. https://doi.org/10.1177/20563051251388000. (Original work published 2025) · DOI
- Bishop S (2020) Algorithmic experts: selling algorithmic lore on YouTube. Soc Media + soc 6(1): 1-11
- Bucher T (2018) Cleavage-control: stories of algorithmic culture and power in the case of the YouTube “Reply Girls”. In Z. Papacharissi (Ed.), A Networked Self and Platforms, Stories, Connections (pp. 125-143). Routledge · DOI
- Burgess J (2021) Platform studies. In Cunningham, Stuart & Craig, David (Eds.) Creator Culture: An Introduction to Global Social Media Entertainment. NYU Press, New York, NY, pp. 21-38 · DOI
- Chen JY, Sun P (2020) Temporal arbitrage, fragmented rush, and opportunistic behaviors: the labor politics of time in the platform economy. New Media Soc 22(9):1561–1579 · DOI
- Craig D, Lin J, Cunningham S (2021) Wanghong as social media entertainment in China. Palgrave Macmillan, New York · DOI · Paper page
- Crawford K (2016) Can an algorithm be agonistic? Ten scenes from life in calculated publics. Sci Technol Hum Values 1:77–92 · DOI · Paper page
- Cunningham S, Craig D, Lv J (2019) China’s livestreaming industry: platforms, politics, and precarity. Int J Cult Stud 22(6):719–736 · DOI
- Duester E (2024) Digital art work and AI: a new paradigm for work in the contemporary art sector in China. Eur J Cult Manag Policy 14:12470. https://doi.org/10.3389/ejcmp.2024.12470 · DOI
- Duffy BE (2016) The romance of work: gender and aspirational labour in the digital culture industries. Int J Cult Stud 19(4):441–457. https://doi.org/10.1177/1367877915572186 · DOI · Paper page
- Duffy BE (2020) Algorithmic precarity in cultural work. Commun Public 5(3–4):103–107. https://doi.org/10.1177/2057047320959855 · DOI
- Duffy BE, Pinch A, Sannon S, Sawey M (2021) The nested precarities of creative labor on social media. Soc Media + Soc 7(2):1-12. https://doi.org/10.1177/20563051211021368 · DOI
- Fung A, He W, Cao S (2023) Cultural capitals and creative labour of short video platforms: a study of wanghong on Douyin. Cult Trends 32(3):264–279. https://doi.org/10.1080/09548963.2022.2082862 · DOI · Paper page
- Glaser B, Strauss A (1967) Grounded theory: the discovery of grounded theory. Sociology 12(1):27–49
- Hallinan B, Striphas T (2016) Recommended for you: the Netflix prize and the production of algorithmic culture. New Media Soc 18(1):117–137 · DOI
- Kaye DBV, Chen X, Zeng J (2021) The co-evolution of two Chinese mobile short video apps: parallel platformization of Douyin and TikTok. Mob Media Commun 9(2):229–253 · DOI · Paper page
- Leaver T, Highfield T, Abidin C (2020) Instagram: visual social media cultures. Wiley
- Lee H-K (2024) Reflecting on cultural labour in the time of AI. Media Cult Soc 46(6):1312–1323 · DOI
- Li, M., Tan, C. K. K., & Yang, Y. (2020). Shehui Ren: cultural production and rural youths’ use of the Kuaishou video-sharing app in Eastern China. Information, Communication & Society, 23(10), 1499–1514. https://doi.org/10.1080/1369118X.2019.1585469 · DOI
- Liang M (2022) The end of social media? How data attraction model in the algorithmic media reshapes the attention economy. Media Cult Soc 44(6):1110–1131. https://doi.org/10.1177/01634437221077168. (Original work published 2022) · DOI
- Liang F, Ji L (2024) Manufacturing influencers: the gatekeeping roles of MCNs (multi-channel networks) in cultural production. Inf Commun Soc 27(12):2297–2313 · DOI
- Lin J (2023) Chinese creator economies: labor and bilateral creative workers. NYU Press. http://www.jstor.org/stable/jj.13944192 · DOI
- Lin, J., & Craig, D. (2026). Dialogue on creator and wanghong studies: Conceptual challenges and global approach. International Journal of Cultural Studies, 29(2), 344-353 · DOI
- Lin J, de Kloet J (2019) Platformization of the unlikely creative class: Kuaishou and Chinese digital cultural production. Soc Media + soc 5(4):1–12
- Lobato R, Thomas J (2015) The informal media economy. Wiley
- Lu IF, Wang L (2022) Relational platform entrepreneurs: live commerce and the 818 Jiazu. Glob Media China 7(3):283–302 · DOI
- Madsen D, Puyt R (2025) When AI turns culture into slop. AI Soc. https://doi.org/10.1007/s00146-025-02630-1 · DOI
- Mejias UA, Couldry N (2019) Datafication. Internet Policy Rev 8(4) · DOI · Paper page
- Nieborg DB, Poell T (2018) The platformization of cultural production: theorizing the contingent cultural commodity. New Media Soc 20(11):4275–4292 · DOI · Paper page
- Sun Q (2026) Pawns in the power struggle: navigating creative labor precarity across MCNs, platforms, and state regulation in China. Int J Cult Stud 29(3):509–526 · DOI
- Sun P, Chen JY (2021) Platform labour and contingent agency in China. China Perspect 2021(1):19–27 · DOI
- Tang J, Liu X (2025) ‘NO TO AI GENERATED IMAGES’: fan art creators contesting AI integration on social media platforms. Media Int Aust 197(1):137–151 · DOI
- Tang J, Wikström P (2024) Side job, self-employed, high-paid: behind the AI slop flooding TikTok and Facebook. Conversation · DOI
- Ting, T.-Y. (2026). Unequal pathways to digital self-entrepreneurship: Class-inflected orientations regarding vlogging as a career. New Media & Society, 28(2), 793-810 · DOI
- Wan F, Yang T, Shi X, Rong K, Ansari S (2026) Scaling high and wide: how firms leverage AI and organizational design to overcome the scale-scope trade-off. Strateg Manag J. https://doi.org/10.1002/smj.70090 · DOI
- Xiao X, Tan B, Leong C, Tan FTC (2021) Powered by “Qinghuai”: the melding of traditional values and digital entrepreneurship in contemporary China. Inf Syst J 31(6):769–802. https://doi.org/10.1111/isj.12301 · DOI
- Yu X (2025) Satellite intermediaries: media management and entrepreneurial labour in the Chinese Wanghong livestream guilds. Glob Media China 10(3):372–390 · DOI
- Zhang G, Hjorth L (2019) Live-streaming, games and politics of gender performance: the case of Nüzhubo in China. Convergence 25(5–6):807–825 · DOI
- Zheng S (Sharon), Ewen N (2025) Chinese celebrity and Wanghong economy: diversification, motivation and capitalisation. Celebr Stud 16(2):280–283. https://doi.org/10.1080/19392397.2025.2484101 · DOI
Metadata
- Authors
- Tang, J., Yu, X., Wikström, P., & Pappalardo, K.
- Venue
- AI & SOCIETY
- Published
- 2026-08-12
- Volume
- 41
- Issue
- 10
- Pages
- 9795-9807
- ISSN
- 0951-5666
- 1435-5655
- Cited by
- 1
- References
- 9
- Language
- en
- Licence
- creativecommons.org/licenses/by/4.0 (tdm)
- creativecommons.org/licenses/by/4.0 (vor)
- Funders
- Queensland University of Technology
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: Behind the “AI slop”: exploring the AI-generated viral short video production in China. https://app.cochat.ai/papers/10.1007/s00146-026-03254-9
- The paper
- Tang, J., Yu, X., Wikström, P., & Pappalardo, K. (2026). Behind the “AI slop”: exploring the AI-generated viral short video production in China. AI & SOCIETY. https://doi.org/10.1007/s00146-026-03254-9
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.