The DOI matches its Crossref record; 23 of the 23 references it cites were found in a registry or an index.
Organizing K-Pop: Emergence and Market Making of Large Korean Entertainment Houses, 1980–2010
Overview
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
In the citing paper
“Three main Korean entertainment companies shape K-pop's global image and centrally control the artist training process that cultivates K-pop idol groups (Shin and Kim 2013).”
From Between Cultural Appreciation and Cultural Appropriation: Self-Authorizing the Consumption of Cultural Difference (2024) · cites this paper as Shin and Kim 2013
In the citing paper
“K-pop content embodies a Korean flavor: song lyrics are mostly in Korean; almost all idols are Korean and have Korean names; narrative themes reflect popular tropes from Korean media culture; and dance choreographies privilege synchronized collective precision over individualized expression (Shin and Kim 2013).”
From Between Cultural Appreciation and Cultural Appropriation: Self-Authorizing the Consumption of Cultural Difference (2024) · cites this paper as Shin and Kim 2013
In the citing paper
“Moreover, the Korean government actively promotes K-pop as a nationalistic platform for maintaining Korea's position at the forefront of regional globalization from Asia (Shin and Kim 2013).”
From Between Cultural Appreciation and Cultural Appropriation: Self-Authorizing the Consumption of Cultural Difference (2024) · cites this paper as Shin and Kim 2013
Citations
Cites
Embedded Autonomy: States and Industrial Transformation
Evans, P. B. (1995) · doi:10.1515/9781400821723 · Cited by 4,238
Asia's Next Giant: South Korea and Late Industrialization
Diebold, W., & Amsden, A. H. (1990) · Foreign Affairs · doi:10.2307/20044328 · Cited by 3,903
Embedded autonomy: states and industrial transformation
(1995) · Choice Reviews Online · doi:10.5860/choice.33-1763 · Cited by 3,611
Commodity Chains and Global Capitalism.
McMichael, P., Gereffi, G., & Korzeniewicz, M. (1995) · Contemporary Sociology · doi:10.2307/2076496 · Cited by 2,322
Gereffi, G. (2018) · Cambridge University Press eBooks · doi:10.1017/9781108559423.003 · Cited by 1,932
Commodity Chains and Global Capitalism.
Roberts, J. T., Gereffi, G., & Korzeniewicz, M. (1995) · Social Forces · doi:10.2307/2580602 · Cited by 1,724
Amsden, A. H. (1992) · doi:10.1093/0195076036.001.0001 · Cited by 1,222
(1999) · Cornell University Press eBooks · doi:10.7591/9781501720383 · Cited by 1,064
Berríos, G. E., & Hodges, J. (2000) · Cited by 864
Woo‐Cumings, M. (1999) · Project Muse (Johns Hopkins University) · Cited by 859
Research works printed but not linked: 2
- Kim, J. (2009). ‘taegiŏp chungshimŭi ŭmaksanŏp sujik t’onghabi ŭmak’sijang’e mich’inŭn yŏngyange kwanhan yŏn’gu’, Unpublished Master’s thesis, Jung-ang University.
- Lee, D. Y., Moon-Kang, H.J., Kang, H.K., Han, J.Y., and Cha, W.J. (2011). Idol: H.O.Tesŏ sonyŏsidaekkaji: aidol munhwa pogosŏ.Seoul: Imaejin.
Cited by
Cruz, A. G. B., Seo, Y., & Scaraboto, D. (2024) · Journal of Consumer Research · doi:10.1093/jcr/ucad022 · Cited by 77
“Nadia, who identifies as Indonesian Australian, draws on a shared Asian regional consciousness to create a “we” that allows her to enfold Korean media into her self-identity.”
BackgroundInfluentialYoon, K. (2022) · East Asian popular culture · doi:10.1007/978-3-030-94964-8_4 · Cited by 1
Metadata
- Authors
- Shin, S. I., & Kim, L.
- Affiliations
- University of Washington (US)
- Corresponding author
- Shin, Solee I.
- Venue
- East Asia
- Published
- 2013-12
- Volume
- 30
- Issue
- 4
- Pages
- 255-272
- ISSN
- 1096-6838 (ISSN-L)
- 1874-6284
- OpenAlex
- W2021052021
- Cited by
- 57
- References
- 23
- Citations by year
- 2026: 2 · 2025: 5 · 2024: 10 · 2023: 7 · 2022: 9 · 2021: 8 · 2020: 5 · 2019: 3 · 2018: 4 · 2017: 4
- FWCI
- 0.00
- Type
- journal article
- Language
- en
- Open access
- closed
- Licence
- www.springer.com/tdm (tdm)
- Locations
- East Asia (publishedVersion)
- Topics
- Social Sciences › Cultural Studies › Asian Culture and Media Studies
- Social Sciences › Political Science and International Relations › Asian Industrial and Economic Development
- Social Sciences › Urban Studies › Cultural Industries and Urban Development
- Keywords
- K-pop, Korean entertainment industry, market making, marketing intermediaries, SM Entertainment, cultural industries, music charts, music revenue
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
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How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: Organizing K-Pop: Emergence and Market Making of Large Korean Entertainment Houses, 1980–2010. https://app.cochat.ai/papers/10.1007/s12140-013-9200-0
- The paper
- Shin, S. I., & Kim, L. (2013). Organizing K-Pop: Emergence and Market Making of Large Korean Entertainment Houses, 1980–2010. East Asia. https://doi.org/10.1007/s12140-013-9200-0
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.
