The DOI matches its Crossref record; 1 of the 1 references it cites were found in a registry or an index.
Interactive sonification of synchronisation of motoric behaviour in social active listening to music with mobile devices
Overview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cites
Gestural Control of Sound Synthesis
Wanderley, M. M., & Depalle, P. (2004) · Proceedings of the IEEE · doi:10.1109/jproc.2004.825882 · Cited by 196 · cited 2×
“Gesture control has been applied widely in musical sound synthesis, as Paradiso [3] and Wan-derley and Depalle [4] show in their tutorial reviews.”
Method
Flagged first, then by citations
Research works printed but not linked: 36
- Mathews MV (1991) The Radio Baton and conductor program, or: pitch, the most important and least expressive part of music. Comput Music J 15(4):37–46 · DOI
- Ilmonen T, Takala T (1999) Conductor following with artificial neural networks. In: Proceedings of the 1999 international computer music conference, Beijing, China, pp 367–370
- Paradiso JA (1997) Electronic music: new ways to play. IEEE Spectr 34(12):18–30 · DOI
- Karjalainen M, Mäki-Patola T, Kanerva A, Huovilainen A (2006) Virtual air guitar. J Audio Eng Soc 54(10):964–980
- Pakarinen J, Puputti T, Välimäki V (2008) Virtual slide guitar. Comput Music J 32(3):42–54 · DOI
- Huovilainen A (2004) Non-linear digital implementation of the Moog ladder filter. In: Proceedings of the 7th international conference on digital audio effects (DAFx’04), Naples, Italy, pp 61–64
- Moog RA (1965) A voltage-controlled low-pass high-pass filter for audio signal processing. In: Proceedings of the 17th audio engineering society convention
- Stilson T, Smith JO (1996) Analyzing the Moog VCF with considerations for digital implementation. In: Proceedings of the 1996 international computer music conference, Hong Kong, pp 398–401
- Välimäki V, Huovilainen A (2006) Oscillator and filter algorithms for virtual analog synthesis. Comput Music J 30(2):19–31 · DOI
- Varni G, Volpe G, Camurri A (2010) A System for real-time multimodal analysis of nonverbal affective social interaction in user-centric media. IEEE Trans Multimed 12(6):576–590 · DOI
- Volpe G, Camurri A (2011) A system for embodied social active listening to sound and music content. J Comput Cult Heritage 4:2:1–2:23 · DOI
- Marwan N, Romano MC, Thiel M, Kurths J (2007) Recurrence plots for the analysis of complex systems. Phys Rep 438:237–329 · DOI
- Varni G, Mancini M, Volpe G, Camurri A (2010) A system for mobile active music listening based on social interaction and embodiment. Mob Netw Appl 16(3):375–384 · DOI
- Bingham GP, Schmidt RC, Turvey MT, Rosenblum LD (1991) Task dynamics and resource dynamics in the assembly of coordinated rhythmic activity. J Exp Psychol Hum Percept Perform 17(2):359–381 · DOI
- Richardson MJ, Marsh KL, Schmidt RC (2005) Effects of visual and verbal interaction on unintentional interpersonal coordination. J Exp Psychol Hum Percept Perform 31(1):62–79 · DOI
- Thiel M, Romano MC, Kurths J, Rolfs M, Kiegl R (2006) Twin surrogates to test for complex synchronisation. Europhys Lett 75:535–541 · DOI
- Gaye L, Mazé R, Holmquist LE (2003) Sonic city: the urban environment as a musical interface. In: Proceedings of the 2003 international conference on new interfaces for musical expression
- Östergren M, Juhlin O (2004) Sound pryer: truly mobile joint listening. In: Proceedings of the 1st international workshop on mobile music technology
- Anttila A (2006) SonicPulse: exploring a shared music space. In: Proceedings of the 3rd international workshop on mobile music technology
- Rohs M, Essl G, Roth M (2006) CaMus: live music performance using camera phones and visual grid tracking. In: Proceedings of the 2006 international conference on new interfaces for musical expression, pp 31–36
- Leman M, Demey M, Lesaffre M, van Noorden L, Moelants D (2009) Concepts, technology and assessment of the social music game Sync-in Team. In: Proceedings of the 12th IEEE international conference on computational science and engineering
- Marsh K, Richardson M, Schmidt R (2009) Social connection through joint action and interpersonal coordination. Top Cogn Sci 1(2):320–339 · DOI
- Wallis I, Ingalls T, Rikakis T, Olsen L, Chen Y, Xu W, Sundaram H (2007) Real-time sonification of movement for an immersive stroke rehabilitation environment. In: Proceedings of the 13th international conference on auditory display
- Godbout A, Boyd JE (2010) Corrective sonic feedback for speed skating: a case study. In: Proceedings of the 16th international conference on auditory display
- Effenberg AE (2005) Movement sonification: effects on perception and action. IEEE Multimed 12(2):53–59 · DOI · Paper page
- Schaffert N, Mattes K, Effenberg AE (2010) Listen to the boat motion: acoustic information for elite rowers. In: Proceedings of 3rd interactive sonification workshop
- Dubus G, Bresin R (2010) Sonification of sculler movements, development of preliminary methods. In: Proceedings of the 3rd interactive sonification workshop
- Barrass S, Schaffert N, Barrass T (2010) Probing preferences between six designs of interactive sonifications for recreational sports, health and fitness. In: Proceedings of the 3rd interactive sonification workshop
- Fabiani M, Dubus G, Bresin R (2010) Interactive sonification of emotionally expressive gestures by means of music performance. In: Proceedings of the 3rd interactive sonification workshop
- Friberg A, Bresin R, Sundberg J (2006) Overview of the KTH rule system for musical performance. Adv Cogn Psychol 2(2):145–161 · DOI
- Friberg A (2006) pDM: an expressive sequencer with real-time control of the KTH music-performance rules. Comput Music J 30(1):37–48 · DOI
- Kessous L, Jacquemin C, Filatriau JJ (2008) Real-time sonification of physiological data in an artistic performance context. In: Proceedings of the 14th international conference on auditory display
- Barrass S, Kramer G (1999) Using sonification. Multimed Syst 7:23–31 · DOI
- Hermann T (2008) Taxonomy and definitions for sonification and auditory display. In: Proceedings of the 14th international conference on auditory display
- Goebl W (2001) Melody lead in piano performance: expressive device or artifact? J Acoust Soc Am 110(1):563–572 · DOI
- Bresin R, Friberg A (2011) Emotion rendering in music: range and characteristic values of seven musical variables. Cortex 47(9):1068–1081 · DOI
Cited by
Sorted by citations
Augmented visual, auditory, haptic, and multimodal feedback in motor learning: A review
Sigrist, R., Rauter, G., Riener, R., & Wolf, P. (2013) · Psychonomic Bulletin & Review · doi:10.3758/s13423-012-0333-8 · Cited by 1,416
Metadata
- Authors
- Varni, G., Dubus, G., Oksanen, S., Volpe, G., Fabiani, M., Bresin, R., Kleimola, J., Välimäki, V., & Camurri, A.
- Affiliations
- University of Genoa (IT)
- KTH Royal Institute of Technology (SE)
- Aalto University (FI)
- Corresponding author
- Volpe, Gualtiero
- Venue
- Journal on Multimodal User Interfaces
- Published
- 2011-12-13
- Volume
- 5
- Issue
- 3-4
- Pages
- 157-173
- ISSN
- 1783-7677 (ISSN-L)
- 1783-8738
- OpenAlex
- W2052698845
- Cited by
- 32
- References
- 1
- Citations by year
- 2025: 1 · 2024: 1 · 2023: 2 · 2022: 3 · 2021: 2 · 2020: 2 · 2018: 4 · 2017: 4 · 2016: 2 · 2015: 2 · 2014: 3 · 2013: 2 · 2012: 3
- FWCI
- 3.10
- Type
- journal article
- Language
- en
- Open access
- closed
- Licence
- www.springer.com/tdm (tdm)
- Locations
- Journal on Multimodal User Interfaces (publishedVersion)
- CINECA IRIS Institutial Research Information System (University of Genoa) (submittedVersion)
- Institutional Research Information System (Università degli Studi di Trento) (submittedVersion)
- Topics
- Social Sciences › Arts and Humanities › Music › Music Technology and Sound Studies
- Social Sciences › Psychology › Social Psychology › Action Observation and Synchronization
- Physical Sciences › Computer Science › Human-Computer Interaction › Innovative Human-Technology Interaction
- Keywords
- interactive sonification, phase synchronization, motor coordination, music listening, mobile devices, dyadic coordination
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review