The DOI matches its Crossref record; 5 of the 5 references it cites were found in a registry or an index.
Film-induced affect as a witness emotion
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Citations
Cites
The Ecological Approach to Visual Perception
Bornstein, M. H., & Gibson, J. J. (1980) · The Journal of Aesthetics and Art Criticism · doi:10.2307/429816 · Cited by 22,935
Lazarus, R. S. (1991) · doi:10.1093/oso/9780195069945.001.0001 · Cited by 12,691
Rosch, E. (1988) · Readings in Cognitive Science · doi:10.1016/b978-1-4832-1446-7.50028-5 · Cited by 946
Oatley, K. (1995) · Poetics · doi:10.1016/0304-422x(94)p4296-s · Cited by 555
Perceiving the Language of Films
Frith, U., & Robson, J. E. (1975) · Perception · doi:10.1068/p040097 · Cited by 56
Flagged first, then by citations
Research works printed but not linked: 17
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- Bordwell, 1989, A case for cognitivism, Iris, 9, 11
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Cited by
Sorted by citations
Why Fiction May be Twice as True as Fact: Fiction as Cognitive and Emotional Simulation
Oatley, K. (1999) · Review of General Psychology · doi:10.1037/1089-2680.3.2.101 · Cited by 585
Metadata
- Authors
- Tan, E. S.-H.
- Affiliations
- University of Amsterdam (NL)
- Corresponding author
- Tan, Ed S.-H.
- ORCID
- Tan, Ed S.-H.
- Venue
- Poetics
- Publisher
- Elsevier BV
- Published
- 1995-01
- Volume
- 23
- Issue
- 1-2
- Pages
- 7-32
- ISSN
- 0304-422X (ISSN-L)
- OpenAlex
- W2084109964
- Cited by
- 221
- References
- 5
- Citations by year
- 2025: 20 · 2024: 28 · 2023: 20 · 2022: 8 · 2021: 5 · 2020: 5 · 2019: 10 · 2018: 27 · 2017: 12 · 2016: 4 · 2015: 5 · 2014: 4 · 2013: 4 · 2012: 7
- FWCI
- 10.70
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Poetics (publishedVersion)
- UvA-DARE (University of Amsterdam) (submittedVersion)
- Data Archiving and Networked Services (DANS) (submittedVersion)
- Topics
- Social Sciences › Arts and Humanities › Philosophy › Ethics, Aesthetics, and Art
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Narrative Theory and Analysis
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema History and Criticism
- Keywords
- emotion in film, affect, empathy, sympathy, interest, film narration, illusion of presence, viewer attitudes, narrative film
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