Cited by 0Classical Antiquity StudiesClassical Philosophy and ThoughtClassical Studies and Philology

The DOI matches its Crossref record; none of the 60 sources its claims cite is checked for support yet.

In Search of Present Time

Open access
Robert A. Rohland·2022·Carpe Diem

Abstract

The Introduction has three aims. First, it offers a new interpretation of the Seikilos epitaph, one of the most important musical documents from the ancient world. The chapter shows that we can use the Seikilos epitaph as a model for reading carpe diem . Second, the Introduction offers a short history of the carpe diem motif from Homer to late antiquity, analysing its key features and function. Third, the Introduction lays out the methodological framework of the thesis: it is argued that close analysis of the carpe diem motif can advance our understanding of presence, performance, and textuality. These themes have been central to literary studies in Classics and beyond.

Overview

AI snapshot

Written from the paper’s full text.

TL;DR

This introduction argues that the ancient carpe diem motif—defined as insight into human mortality plus an admonition to present enjoyment—is central to understanding how poetry evokes presence, performance, and textuality. Using the Seikilos epitaph as a model, it previews a thematic study of Greek and Latin lyric, epigram, Horace, objects, and later receptions.

Key findings

  • Defines carpe diem as a combination of insight into human mortality and an admonition to present enjoyment; the prescription can be implicit, and mortality can be implied by references to old age or grievous cares.
  • Reads the Seikilos epitaph (second century AD, Tralleis) as both song and stone: its notation marks the central section as performed song, evoking symposium enjoyment and its loss; text and notation together convey carpe diem and a silent requiem for it.
  • Argues the motif belongs to banquet poetry, especially lyric and epigram, not philosophy; Epicureans such as Lucretius and Philodemus explicitly disassociate carpe diem from true Epicureanism, while Horace makes carpe diem central to his lyric.
  • The book’s period runs from Alexander the Great to Juvenal; Chapter 4 analyses epigrams and objects between 100 BC and AD 100, and Chapter 5 examines carpe diem passages within longer texts and their reception.

Methods

  • Thematic, non-chronological literary and cultural analysis of Greek and Latin texts and material objects, combining philology, epigraphy, art history, music, ancient linguistics, and critical theory.
  • Case studies include the Seikilos epitaph, archaic lyric (Alcaeus, Mimnermus, Theognis, Anacreon), Hellenistic epigrams, Horace, Catullus, Martial, Petronius, Seneca, and later receptions.
  • Analyses how texts evoke presence through performance, notation, address, tense, and objects, drawing on Austin’s performative utterances, Culler, Gumbrecht, Lowrie, and Barchiesi.

Limitations

  • The text states that the selection of material is necessarily selective, not every occurrence of the carpe diem motif in the ancient world will be discussed, and there is no space for a comprehensive interpretation of popular carpe diem songs.
  • It also states that the term carpe diem is anachronistic for archaic Greek poetry and strongly associated with Horace, risking a search for the most “Horatian” forms; dating many inscriptions precisely is difficult.
  • Evident from the text: this is an introduction/prospectus, so many claims are programmatic and detailed evidence appears in later chapters; some arguments, such as the programmatic status of Archestratus fr. 60 or Seikilos as a professional musician, are presented as possible or speculative.

Model-written summary. Check it against the paper before relying on it.

Integrity signals

Registry

Crossref · 10.1017/9781009039789.001

Cites

Statistics

Nothing to recompute.

Verification

Claims the paper makes

64 Own interpretation · 50 Sources not found · 27 No basis given · 2 Not checked yet · 2 Own result

  • Probably not a substantial claim. 113
  • It may state two separate claims as one. 40
122 of 122
  • The paper relies on this without support.

    The inclusion of a song on a tombstone is unparalleled.

    “while the inclusion of a song on a tombstone is unparalleled and requires explanation”
  • The paper relies on this without support.

    In archaic Greece, songs at banquets expressed the sentiment of carpe diem; such songs simultaneously praised and created present enjoyment.

    “In archaic Greece, songs at banquets expressed the sentiment of carpe diem; such songs simultaneously praised and created present enjoyment.”
  • The paper relies on this without support.

    No monographic treatment of the ancient carpe diem motif exists yet.

    “To my knowledge, no monographic treatment of the ancient carpe diem motif exists yet”
  • The authors state this as an assumption.

    Sympotic elegy was musically performed.

    “I follow Bowie (1986) in assuming that sympotic elegy was musically performed.”
  • The paper relies on this without support.

    The carpe diem motif is naturally paramount for any question concerning presence.

    “although this motif is naturally paramount for any question concerning presence.”
  • The paper relies on this without support.

    Greeks were fascinated with the foreign carpe diem text of Sardanapallus, which seemed to precede their own history.

    “Greeks were fascinated with this foreign carpe diem text, which seemed to precede their own history.”
  • The paper relies on this without support.

    Rich Romans possessed thousands of wine amphorae, and consular dates marked the age of each amphora.

    “Rich Romans possessed thousands of wine amphorae, and consular dates marked the age of each amphora.”
  • The paper relies on this without support.

    Carpe diem is a universally used and recognised term by scholars.

    “Carpe diem is a universally used and recognised term by scholars”
8 of 8

Citations

Cites

Still being checked.

Research works printed but not linked: 1

  1. Also see Alc. fr. 347 reworking Hesiod's didactic Op. 582-96 to a sympotic call to drinking, which may have included the carpe diem motif, and its adaption at Verg. G. 3.323-38 (Hunter (2014) 123-66 with bibliography, and see Chapter 5); Ov. Ars 3.59-80.

Cited by

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Metadata

Authors
Rohland, R. A.
Affiliations
University of Cambridge (GB)
Corresponding author
Robert A. Rohland
Venue
Carpe Diem
Published
2022-12-01
Pages
1-37
OpenAlex
W4309402421
Cited by
0
References
0
FWCI
0.00
Type
book chapter
Language
en
Open access
Locations
Cambridge University Press eBooks (publishedVersion)
Topics
  • Social Sciences › Arts and Humanities › Classics › Classical Antiquity Studies
  • Social Sciences › Arts and Humanities › Philosophy › Classical Philosophy and Thought
  • Social Sciences › Arts and Humanities › Language and Linguistics › Classical Studies and Philology
Keywords
carpe diem, presence, performance, textuality, Greek lyric poetry, Homer, late antiquity, ancient music

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