The cultural biography of urnfields and the long-term history of a mythical landscape

Abstract

In modern Western culture, thinking and attitudes related to the landscape are dominated by a rational-economic and profane perception of space. We are so familiar with this that we tend to attach a universal, absolute character to this way of thinking. However, research undertaken within various social disciplines in the last decennia increasingly emphasises the specific cultural character of this Western line of thought. The profanisation, rationalisation and commodification of space appear to be processes belonging to the general development of Western culture since the Renaissance, and in particular since the Enlightenment. If we wish to gain insight into the ordering and meaning given to space in other cultures, we have to distance ourselves from these specific Western values. The landscape is not a simple objective fact; each culture has its own specific pair of glasses, through which the surrounding physical space is named, ordered and interpreted. The classification of space and the attachment of meanings to it are therefore pre-eminently cultural constructs. According to Lemaire (1970, 14), space and the perception of space in a culture are not a feature of minor importance, but they express the identity of that culture in a privileged way; if one wants to grasp a culture in its real dimension, one should look to identify the perception and organisation of its space.