Reaction time and musical expectancy: Priming of chords.

Bharucha, Jamshed J., Stoeckig, Keiko·1986·Journal of Experimental Psychology: Human Perception and Performance

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Items 301–352 of 352

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  3. How are Music and Emotion Links Studied?
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  4. Aesthetics and Affect in Broader Perspective
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  5. The Prevalence of Emotional Reactions
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  6. Beyond Perception
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  7. Setting the Stage
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  8. Does Music Arouse Emotions? How do We Know?
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  10. Aesthetic Criteria
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  11. The Book’s Composition
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  12. Coda
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  16. Investigation of Multisensory Harmonic Priming: Audiovisual Integration in Chord Perception
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  17. An Intelligent System to Assist Piano Composition and Chords Generation using AI and Machine Learning
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  18. Reviews
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  20. References
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  21. Copyright Page
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  22. The Lens Model Equation and Its Use in Modeling Musical Communication
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  23. Preface
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  25. Editorial
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  26. Effect of timbre on Goodness-of-Fit ratings of short chord sequences
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  30. Preface to the revised and updated English edition
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  31. Processes of auditory organization during music listening
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  32. Copyright Page
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  33. The perception of musical timbre
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  34. Preface to the original French edition
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  35. Dedication
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  36. The temporality of music listening
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  37. Figures and tables
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  38. Notes
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  39. Accessing the Remainders of Mental Representations and Filling in the Gaps
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  40. Beyond Pitch Expectation: Rhythm and Harmony
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  41. Emotional and Aesthetic Experience
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  42. Predictive Processing of Melody
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  43. Musical Enculturation
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  44. Introduction
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  45. Beyond Expectation
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  46. A Computational Model
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  47. Future Perspectives
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  48. Musical Training and Expertise
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  49. Preface
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  50. Copyright Page
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