Reaction time and musical expectancy: Priming of chords.

Cited by (352)

Items 101–200 of 352

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17. Musical Syntax II: Empirical Perspectives
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19. Expectations
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20. Cognitive and sensory expectations independently shape musical expectancy and pleasure
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21. Reaction Time Data in Music Cognition: Comparison of Pilot Data From Lab, Crowdsourced, and Convenience Web Samples
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27. Development of Pitch and Music Perception
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28. Memory for musical tones: the impact of tonality and the creation of false memories
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29. Memory-Prediction Errors and Their Consequences in Schizophrenia
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31. Learning unfamiliar pitch intervals: A novel paradigm for demonstrating the learning of statistical associations between musical pitches
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42. Tonal Modulation and Subjective Time
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48. A quantitative, parametric model of musical tension
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49. Musical Emotions Explained
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51. Melodic patterns and tonal cadences: Bayesian learning of cadential categories from contrapuntal information
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54. The Influence of Voice Leading on Harmonic Priming
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56. Auditory cortex and beyond: Deficits in congenital amusia
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57. Repetition priming in music.
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60. Laterality effects for musical structure processing: A dichotic listening study.
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61. Acquiring New Musical Grammars – a Statistical Learning Approach
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62. Preserved processing of musical structure in a person with agrammatic aphasia
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63. A comparative review of priming effects in language and music
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64. Accounting for expressions of curiosity and enjoyment during music listening.
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65. Maximum key-profile correlation (MKC) as a measure of tonal structure in music
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66. Ratio dependence in small number discrimination is affected by the experimental procedure
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68. Domain-specific learning of grammatical structure in musical and phonological sequences
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69. Musical expectancy: The influence of musical structure on emotional response
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70. Event-Related Potentials to Expectancy Violation in Musical Context
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71. The Impact of Voice Leading and Harmony on Musical Expectancy
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