African American Youth and the Artist’s Identity: Cultural Models and Aspirational Foreclosure
Abstract
The decision to participate in visual arts studies in college and visual arts professions in adult life is the product of multiple factors, including the influences of family, community, peer group, mass culture, and K-12 schooling. Recognizing African American underrepresentation in visual arts studies and professions, this article explores how African American youth conceptualize art as a pursuit, and “artist” as a possible identity. Aspects of the identity development process that are particularly salient to minority youth are found to play a significant role in African Americans’ commitment to pursue a path to visual arts studies.
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Teaching strategies in art classes that do not leave space for self-expression may discourage students from understanding themselves as artists, engaging in visual art, and further exploring their artist identities.
“Based on interviews with 58 African-American students in art classes, this study suggests that teaching strategies in art classes that do not leave space for self-expression may discourage students to understand themselves as artists, to engage in visual art, and to further explore their artist identities.”
From The Role of School in Adolescents’ Identity Development. A Literature Review (2019) · cites this paper as Charland 2010
Some psychosocial researchers are concerned with educational activities and strategies that either foster or hinder exploration and commitment processes.
“With regard to the role of school in adolescents ' identity development, some researchers who employ a psychosocial perspective are concerned with educational activities and strategies that either foster or hinder exploration and commitment processes.”
From The Role of School in Adolescents’ Identity Development. A Literature Review (2019) · cites this paper as Charland 2010
Adolescents' exploration of artist identities may be hindered when peers reinforce the norm among themselves that visual arts is for 'nerds' or 'sissy's'.
“In addition to the other studies, though, Charland ' s (2010) interview and focus group study indicates that adolescents ' exploration of, in this case, artist identities, may be hindered when peers reinforce the norm among themselves that visual arts is for B nerds ^ or B sissy ' s ^ (Charland 2010, p. 122).”
From The Role of School in Adolescents’ Identity Development. A Literature Review (2019) · cites this paper as Charland 2010
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- Authors
- Charland, W.
- Affiliations
- Western Michigan University (US)
- Corresponding author
- Charland, William
- Venue
- Studies in Art Education
- Publisher
- Informa UK Limited
- Published
- 2010-01
- Volume
- 51
- Issue
- 2
- Pages
- 115-133
- ISSN
- 0039-3541 (ISSN-L)
- 2325-8039
- OpenAlex
- W41418445
- Cited by
- 27
- References
- 54
- Citations by year
- 2023: 2 · 2022: 1 · 2021: 6 · 2020: 2 · 2019: 2 · 2018: 6 · 2017: 2 · 2016: 3 · 2014: 1 · 2013: 2
- FWCI
- 16.68
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Studies in Art Education (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art Education and Development
- Social Sciences › Safety Research › Career Development and Diversity
- Social Sciences › Sociology and Political Science › Critical Race Theory in Education
- Keywords
- African American youth, artistic identity, identity construction, visual arts education, aspiration, cultural models, minority youth, college choice, artistic career
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