Cited by 1Chinese history and philosophyClassical Studies and PhilologyLibraries, Manuscripts, and Books

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Fan Ye and the Hou Hanshu: Introduction to the Paris Workshop, 2017

Open access
L’Haridon, Béatrice, van Ess, Hans·2019·Monumenta Serica

Abstract

This special issue on Fan Ye’s Hou Hanshu is the result of a workshop held in Paris in 2017, organized by Béatrice L’Haridon, Université Paris Diderot and Anne Cheng, Collège de France. The idea to...

Overview

AI snapshot

Written from the paper’s full text.

TL;DR

This introduction to a *Monumenta Serica* special issue frames Fan Ye’s *Hou Hanshu* as a neglected “Third History” and previews workshop papers on its historiography. It highlights Fan Ye’s private composition, his planned 100-chapter structure, and his distinctive Introductions, Disquisitions, and Eulogies.

Key findings

  • The *Hou Hanshu* belongs to the canon of the “Three Histories” (*san shi*) with the *Shiji* and *Hanshu*, yet Western Sinology has largely neglected it; the workshop aimed to treat it as a piece of writing with specific historiographical issues, not merely as a source for Eastern Han history.
  • Fan Ye wrote the *Hou Hanshu* as a private endeavor, not by imperial order; he originally intended 100 chapters like the *Hanshu*: 10 “Basic Annals” (*benji*), 80 “Traditions/Biographies” (*liezhuan*), and 10 “Monographs” (*zhi*). He died before writing the Monographs, which later editors supplemented with Sima Biao’s monographs.
  • Fan Ye was especially proud of his Introductions (*xu*), Disquisitions (*lun*), and Eulogies (*zan*), which make up a much greater share of the *Hou Hanshu* than the historical comments of his predecessors.
  • Summarized workshop contributions include: Loewe argues Eastern Han imperial power was more limited and its decline began at the dawn of the 2nd century; Morgan examines a solar eclipse of 201 in Fan Ye’s “Basic Annals” that lacks historiographical comment and concludes Fan Ye omits existing omenological interpretations; Eicher shows Fan Ye followed the *Dongguan Hanji* on the Gengshi emperor’s legitimacy.

Methods

  • Design: editorial introduction to a special issue of *Monumenta Serica*, resulting from a Paris 2017 workshop organized by Béatrice L’Haridon and Anne Cheng, following a 2016 EACS panel titled “Looking for the ‘Third History’.”
  • Data/sample: contributions presented at the 2016 Saint Petersburg panel and 2017 Paris workshop, plus invited articles by Michael Loewe and Rafe de Crespigny.
  • Main analysis: thematic synthesis of the articles, focusing on compilation, spatial representations, legitimacy, moral values, imperial power, women, and Fan Ye’s historiographical methods.

Limitations

  • The paper states that some earlier perspectives from the 2016 panel were impossible to include in the special issue.
  • It states that Fan Ye’s “Preface on the Principles of History Writing” (“Xuli”) is largely lost and that a more thorough study of his writing style remains worthwhile.
  • Evident from the text: as an introduction, it does not present new primary evidence or a formal analysis; its findings are summaries of the special issue’s contributions.

Model-written summary. Check it against the paper before relying on it.

Integrity signals

Registry

Crossref · 10.1080/02549948.2019.1603427

Cites

Statistics

Nothing to recompute.

Verification

Claims the paper makes

0 of 1 cited sources checked · 0 supported · 0 flagged

  • Findingnone given
    § FAN YE AND THE HOU HANSHU · p. 3

    Fan Ye's Introductions, Disquisitions, and Eulogies make up a much greater share of the Hou Hanshu than the comments on history written by his predecessors.

    “They make up a much greater share of the Hou Hanshu than the comments on history written by his predecessors.”
    Quote in the paperSubstantial claim
  • Interpretationreasoning
    § FAN YE AND THE HOU HANSHU · p. 3

    Unlike the Shiji and Hanshu, the Hou Hanshu does not display the degree of involvement of a history describing a contemporaneous situation.

    “Thus, it does not display the degree of involvement of a history describing a contemporaneous situation, as is partly the case with the Shiji , or with the Hanshu , which deals with the history of a fairly recent past.”
    Quote in the paperSubstantial claim
  • Premisecitation
    § FAN YE AND THE HOU HANSHU · p. 2

    Fan Ye's 'Letter from Prison to My Nephews' has been transmitted to us in addition to his biography in the Songshu.

    “Fortunately, Fan Ye ' s famous ' Letter from Prison to My Nephews ' ( ' Yuzhong yu zhu shengzhi shu ' 獄 中 與 諸 甥 侄 書 ) has been passed down to us in addition to this biography.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Egan, ' The Prose Style of Fan Yeh, ' HJAS 39 (1979) 2

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Interpretationreasoning
    § FAN YE AND THE HOU HANSHU · p. 3

    Fan Ye began writing his Hou Hanshu as a private endeavor, not by imperial order.

    “Like his two predecessors, therefore, Fan Ye began writing his Hou Hanshu not by imperial order, but as a private endeavor.”
    Quote in the paperNot a substantial claim
  • Premisereasoning
    § FAN YE AND THE HOU HANSHU · p. 5

    During long stretches of the Eastern Han dynasty, the emperor could not be considered the pivot of the imperial system.

    “During long stretches of the Eastern Han dynasty, the emperor could not be considered the pivot of the imperial system.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim. 14
  • It may state two separate claims as one. 4
  • Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.

    Findingnone given
    § FAN YE AND THE HOU HANSHU · p. 3

    The Hou Hanshu narrates a period of unity for the first three or four Later Han emperors and then the decline of the dynasty.

    “At least as far as the reign of the first three or four emperors of the Later Han period is concerned, it tells the story of a period of unity, but then it deals with the decline of a dynasty.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim. The paper’s conclusions may not depend on it.

    Premisenone given
    § FAN YE AND THE HOU HANSHU · p. 3

    Fan Ye was most proud of his Introductions, Disquisitions, and Eulogies.

    “Fan Ye was most proud of his Introductions ( xu 序 ), Disquisitions ( lun 論 ) and Eulogies ( zan 贊 ).”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.

    Interpretationnone given
    § FAN YE AND THE HOU HANSHU · p. 6

    Although mainly a compilation of earlier sources, the Hou Hanshu was successful enough to almost entirely erase all predecessors.

    “Although mainly a compilation of earlier sources, the Hou Hanshu was successful enough to almost entirely erase all predecessors.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim.

    Interpretationreasoning
    § FAN YE AND THE HOU HANSHU · p. 5

    The Hou Hanshu reflects how a medieval historiographer dealt with an era haunted by problems similar to those of his own age.

    “Written during a long period of Chinese political division more than two hundred years after the fall of the Han dynasty, the Hou Hanshu also reflects how a medieval historiographer dealt with an era haunted by problems similar to those of his own age.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.

    Premisenone given
    § FAN YE AND THE HOU HANSHU · p. 7

    Fan Ye paid close attention to his writing's accuracy and word choice.

    “Moreover, despite the fact that his ' Preface on the Principles of History Writing ' ( ' Xuli ' 序 例 ) is largely lost, we know that Fan Ye paid close attention to his writing ' s accuracy and word choice, and it would be worthwhile to devote a more thorough study to his writing style.”
    Quote in the paperNot a substantial claim
  • It may state two separate claims as one.

    Interpretationreasoning
    § FAN YE AND THE HOU HANSHU · p. 3

    The Hou Hanshu presents many original aspects, largely because it was written centuries after the events it reports.

    “From a historiographical point of view, Fan Ye ' s work presents many original aspects -largely because it was written centuries after the events it reports took place.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim.

    Premisenone given
    § FAN YE AND THE HOU HANSHU · p. 5

    The Hou Hanshu was written during a long period of Chinese political division more than two hundred years after the fall of the Han dynasty.

    “Written during a long period of Chinese political division more than two hundred years after the fall of the Han dynasty, the Hou Hanshu also reflects how a medieval historiographer dealt with an era haunted by problems similar to those of his own age.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim.

    Interpretationreasoning
    § FAN YE AND THE HOU HANSHU · p. 3

    The Hou Hanshu offers an unprecedented development of the historiographical paratext.

    “Moreover, it offers an unprecedented development of what we may call the ' historiographical paratext. '”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.

    Interpretationnone given
    § FAN YE AND THE HOU HANSHU · p. 7

    Fan Ye developed further historiographical tools that his predecessors Sima Qian and Ban Gu had invented.

    “Fan Ye obviously developed further historiographical tools that his predecessors Sima Qian and Ban Gu had invented.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim. The paper’s conclusions may not depend on it.

    Interpretationnone given
    § FAN YE AND THE HOU HANSHU · p. 3

    The Hou Hanshu relies on previously existing histories rather than imperial archives.

    “The Hou Hanshu relies on a number of previously existing histories, and apparently not on imperial archives.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim.

    Premisecitation
    § FAN YE AND THE HOU HANSHU · p. 5

    The influence at court of the Empress Dowager and regents from her family, and at local level of land holders and local strong men, played a much more dominant role than imperial power during the Eastern Han.

    “As previous scholarship has shown, the influence at court of the Empress Dowager and regents from her family, or at a more local level of the land holders and local strong men, played a much more dominant role than imperial power.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim. It may be too vague to check against evidence.

    Interpretationnone given
    § FAN YE AND THE HOU HANSHU · p. 5

    Despite historiographical distortion in the representation of women, their representation in the Hou Hanshu can still yield interesting conclusions about their role in society.

    “While the representation of women has particularly been subject to historiographical distortion, by making use of their representation in the Hou Hanshu we may still be able to arrive at some interesting conclusions about the role they played in society.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim. The paper may give no reason why it holds.

    Interpretationnone given
    § FAN YE AND THE HOU HANSHU · p. 7

    Fan Ye was eager to intertwine the words of sources, historical actors, writers, people in the streets, and himself in the Hou Hanshu.

    “whose author was eager to intertwine the words of sources, historical actors, writers, people in the streets and himself.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim. It may state two separate claims as one.

    Interpretationreasoning
    § FAN YE AND THE HOU HANSHU · p. 5

    The decline of the dynasty is the main topic of the Hou Hanshu and preoccupied Fan Ye's mind.

    “Hence, the dynasty ' s decline still seems to be the main topic, and it more particularly appears to be the subject that preoccupied the historiographer ' s mind.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim. The paper’s conclusions may not depend on it.

    Premisenone given
    § FAN YE AND THE HOU HANSHU · p. 7

    Fan Ye's 'Preface on the Principles of History Writing' is largely lost.

    “despite the fact that his ' Preface on the Principles of History Writing ' ( ' Xuli ' 序 例 ) is largely lost”
    Quote in the paperNot a substantial claim
15 of 15
  • The paper relies on this without support.

    There is a relative lack of research into Fan Ye's Hou Hanshu compared with the Shiji and Hanshu.

    “the relative lack of research into this chef d ' oeuvre of medieval Chinese scholarship”
    “researchers have focused predominantly on Sima Qian ' s Shiji and Ban Gu ' s Hanshu , while by and large neglecting Fan Ye ' s Hou Hanshu .”
  • The paper relies on this without support.

    Traditional Chinese scholarship included Fan Ye's Hou Hanshu in the canon of the 'Three Histories' and it belongs to the foundational works of Chinese historiographical writing.

    “Traditional Chinese scholarship has included Fan Ye ' s Hou Hanshu , together with the Shiji and the Hanshu , in the canon of the ' Three Histories ' ( san shi 三 史 ) and as such, of course, it belongs to the foundational works of Chinese historiographical writing.”
  • The paper relies on this without support.

    Fan Ye's biography in Shen Yue's Songshu is dubious and cannot be fully trusted.

    “How much can we trust such a dubious biographical account?”
    “According to his incredibly incriminating biography 1 in Shen Yue ' s 沈 約 Songshu 宋 書 , Fan Ye was completely devoid of morality: greedy and easily resentful, lacking any respect for his superiors and parents, but sharing loving relationships with his sisters and concubines.”
3 of 3

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Metadata

Authors
L’Haridon, B., & van Ess, H.
Affiliations
  • Collège de France (FR)
  • Ludwig-Maximilians-Universität München (DE)
Venue
Monumenta Serica
Published
2019-01-02
Volume
67
Issue
1
Pages
1-6
ISSN
  • 0254-9948 (ISSN-L)
  • 2057-1690
OpenAlex
W3016998590
Cited by
0
References
0
Type
book review
Language
en
Open access
Locations
  • Monumenta Serica (publishedVersion)
  • HAL (submittedVersion, other-oa)
Topics
  • Social Sciences › Arts and Humanities › History › Chinese history and philosophy
  • Social Sciences › Arts and Humanities › Language and Linguistics › Classical Studies and Philology
  • Social Sciences › Arts and Humanities › History › Libraries, Manuscripts, and Books
Keywords
Fan Ye, Hou Hanshu, Six Dynasties historiography, Chinese historiography, Wei-Jin historiography, Northern Dynasties

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