Cited by 0Cinema History and CriticismCinema and Media StudiesEthics, Aesthetics, and Art

The DOI matches its Crossref record, with a small difference in title or year; the references it cites are not checked yet.

Film Criticism and Theory

Abstract

Dudley Andrew CONCEPTS IN FILM THEORY (New York: Oxford University Press, 1984—$7.95, paper). Phil Hardy THE WESTERN: THE COMPLETE FILM SOURCEBOOK (New York: William Morrow and Company, 1983—$25.00). Donald P. Costello FELLINI'S ROAD (Notre Dame, Indiana: University of Notre Dame Press, 1983—$16.95/$9.95). Gaia Servadio LUCHINO VISCONTI: A BIOGRAPHY (New York: Franklin Watts, 1984—$17.50). Anthony Slide SELECTED FILM CRITICISM: FOREIGN FILMS 1930-1950 (Metuchen, New Jersey: Scarecrow Press, 1984—$17.50). Douglas Street CHILDREN'S NOVELS AND THE MOVIES (New York: Frederick Ungar Publishing, 1984—$19.50/$8.95). Seth Cagin and Philip Dray HOLLYWOOD FILMS OF THE SEVENTIES: SEX, VIOLENCE, ROCK & ROLL & POLITICS (New York: Harper & Row, 1984—$9.95, paperback). Timothy Corrigan THE NEW GERMAN FILM: THE DISPLACED IMAGE (Austin, Texas: The University of Texas Press, 1984—$19.95/$8.95).

Overview

Integrity signals

Registry

Crossref · 10.1080/10948008409489137

Cites

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Claims the paper makes

This paper’s full text isn’t openly available, so its claims and self-check weren’t run. The registry and citation checks still apply.

Claims other papers make about this one

Each is checked against this paper’s own text: does it say what the citing paper says it does?

  • Contemporary film theory has preserved the realism/formalism dichotomy while recasting one set of its terms.

    “contemporary theory has preserved the dichotomy even while recasting one set of its terms.”
  • Today, indexically based notions of cinema realism exist in tension with a semiotic view of the cinema as discourse and of realism as one discourse among others.

    “Today, indexically based notions of cinema realism exist in tension with a semiotic view of the cinema as discourse and of realism as one discourse among others.”

Metadata

Authors
Andrew, D., Hardy, P., Costello, D. P., Servadio, G., Slide, A., Street, D., Cagin, S., Dray, P., & Corrigan, T.
Venue
Communication Booknotes
Published
1984-07
Volume
15
Issue
7
Pages
72-73
ISSN
0748-657X (ISSN-L)
OpenAlex
W2273848337
Cited by
0
References
0
Type
book review
Language
en
Open access
closed
Locations
Communication Booknotes (publishedVersion)
Topics
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema History and Criticism
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema and Media Studies
  • Social Sciences › Arts and Humanities › Philosophy › Ethics, Aesthetics, and Art
Keywords
film theory, film criticism, Western films, Federico Fellini, Luchino Visconti, film politics

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