The DOI matches its Crossref record, with a small difference in title or year; 33 of the 34 references it cites were found in a registry or an index.
Excessively Asian: crying, Crazy Rich Asians, and the construction of Asian American audiences
Abstract
Amidst the outpouring of conversation surrounding the popular romantic comedy Crazy Rich Asians (2018), a common response by Asian American audience members centered on the experience of crying at the theater. This article asks what provoked this particular discourse and how it is related to broader issues around Asian American media and representation. It triangulates a complex portrait of meaning surrounding Crazy Rich Asians, including the arrival of an Asian American entertainment boom, the targeted marketing of the film, and the activist campaign that accompanied its release. It then analyzes writing from journalists and tweets with gifs, arguing that from assessing this multifaceted portrait we can see how Asian Americans are fighting to exceed and resist the limits of various communication platforms in order to more fully express their frustrations with our current media landscape.
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In the citing paper
“Films such as Crazy Rich Asians and The Farewell introduce female characters who are independent, autonomous, and multidimensional, breaking away from traditional stereotypes to some extent [4].”
From From Dragon Lady to Authentic Representation: The Evolution and Cultural Impact of Asian Female Stereotypes in American Film (2025) · cites this paper as [4]
In the citing paper
“For instance, Rachel Chu in Crazy Rich Asians (2018) is an independent, ambitious economics professor, challenging traditional gender stereotypes [4].”
From From Dragon Lady to Authentic Representation: The Evolution and Cultural Impact of Asian Female Stereotypes in American Film (2025) · cites this paper as [4]
Citations
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Cited by
Sorted by citations
Chen, R., & Liu, Y. (2023) · Behavioral Sciences · doi:10.3390/bs13020135 · Cited by 33
Media Representation and Cultural Identity
Wheatley, M. C. (2024) · Premier journal of social science. · doi:10.70389/pjss.100004 · Cited by 29
Celebrity memes, audioshop, and participatory fan culture: a case study on Keanu Reeves memes
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Mapping tropicality in the masculinities and femininities of global Singapore in Crazy Rich Asians
Lowe, J. (2022) · Gender Place & Culture · doi:10.1080/0966369x.2022.2035698 · Cited by 10
Health via Art, Media, Storytelling: Design Implications of a Freirean Framework
Hayvon, J. C. (2024) · American Journal of Health Education · doi:10.1080/19325037.2023.2297277 · Cited by 8
Metadata
- Authors
- Lopez, L. K.
- Affiliations
- University of Wisconsin–Madison (US)
- Corresponding author
- Lopez, Lori Kido
- ORCID
- Lopez, Lori Kido
- Venue
- Critical Studies in Media Communication
- Publisher
- Informa UK Limited
- Published
- 2021-02-14
- Volume
- 38
- Issue
- 2
- Pages
- 141-154
- ISSN
- 1479-5809 (ISSN-L)
- 1529-5036
- OpenAlex
- W3131241413
- Cited by
- 14
- References
- 34
- Citations by year
- 2026: 1 · 2025: 2 · 2024: 3 · 2023: 3 · 2022: 5
- FWCI
- 15.03
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Critical Studies in Media Communication (publishedVersion)
- Topics
- Social Sciences › Cultural Studies › Asian American and Pacific Histories
- Social Sciences › Cultural Studies › Cultural Identity and Representation
- Social Sciences › Cultural Studies › Asian Culture and Media Studies
- Keywords
- Crazy Rich Asians, targeted marketing, activist campaigns, audience discourse, GIF, romantic comedy, media representation
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