Cited by 31Cinema and Media StudiesCultural Identity and RepresentationCinema History and Criticism

Reel Inequality: Hollywood Actors and Racism

Yuen, Nancy Wang·2019·Rutgers University Press eBooks

Abstract

When the 2016 Oscar acting nominations all went to whites for the second consecutive year, #OscarsSoWhite became a trending topic. Yet these enduring racial biases afflict not only the Academy Awards, but also Hollywood as a whole. Why do actors of color, despite exhibiting talent and bankability, continue to lag behind white actors in presence and prominence? Reel Inequality examines the structural barriers minority actors face in Hollywood, while shedding light on how they survive in a racist industry. The book charts how white male gatekeepers dominate Hollywood, breeding a culture of ethnocentric storytelling and casting. Nancy Wang Yuen interviewed nearly a hundred working actors and drew on published interviews with celebrities, such as Viola Davis, Chris Rock, Gina Rodriguez, Oscar Isaac, Lucy Liu, and Ken Jeong, to explore how racial stereotypes categorize and constrain actors. Their stories reveal the day-to-day racism actors of color experience in talent agents’ offices, at auditions, and on sets. Yuen also exposes sexist hiring and programming practices, highlighting the structural inequalities that actors of color, particularly women, continue to face in Hollywood. This book not only conveys the harsh realities of racial inequality in Hollywood, but also provides vital insights from actors who have succeeded on their own terms, whether by sidestepping the system or subverting it from within. Considering how their struggles impact real-world attitudes about race an…

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Crossref · 10.36019/9780813586328

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  • Stories that encompass all racial experiences in an appropriate manner are typically marginalised under a profitability-driven economic model that tends to give higher priority to stories that appeal to a larger audience and in most cases predominantly White.

    “Stories that encompass all these racial experiences in an appropriate manner are typically marginalised under such economic model that is often largely profitability driven and tends to give a higher priority to the stories that appeal to a larger audience and in most cases predominantly White (Yuen, 2019).”

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Authors
Yuen, N. W.
Corresponding author
Yuen, Nancy Wang
Venue
Rutgers University Press eBooks
Published
2019-08-20
OpenAlex
W4245047602
Cited by
31
References
0
Citations by year
2026: 1 · 2025: 3 · 2024: 2 · 2023: 3 · 2022: 4 · 2021: 4 · 2020: 5 · 2019: 4 · 2018: 1 · 2017: 4
FWCI
6.79
Type
book
Language
en
Open access
closed
Locations
Rutgers University Press eBooks (publishedVersion)
Topics
  • Social Sciences › Economics, Econometrics and Finance › Economics and Econometrics › Cinema and Media Studies
  • Social Sciences › Arts and Humanities › Philosophy › Cultural Identity and Representation
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema History and Criticism
Keywords
Hollywood, racial inequality, casting, racial stereotypes, gender discrimination, women in Hollywood, talent agents, auditions, structural barriers, diversity in film

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