"Coming to Terms with the Past": Illusions of Remembering, Ways of Forgetting Nazism in West Germany
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Public attention to ways of coping with the Nazi past in Germany tends to focus on gestures or speeches by representatives of the state and society.However, this view "from above" ascribes nothing but a passive role to the audiences of such representational politics.The sentiments, opinions, and practices of "the masses" play no active role in these accounts.Therefore, the range and impact of messages from the seeming centers of the polity are not explored but assumed.More important, this approach ignores the stimuli affecting formal and public politics that originate from society and its classes, milieus, and groups.Practices of remembering and forgetting both allow and preclude the reading of past experiences as history.However, distinct experiences intricately shape memory and, in turn, are shaped by ever-changing hindsight.Remembrance and forgetting cannot be disconnected from momentary feelings of physical pleasure or pain: notions and images inscribe their traces into one's own body.Here, the recollections of two women may illuminate the intricate "bodily" connectedness that links past experiences with actual well-being or misery.They will also show the gulf that separates these experiences of suffering because one of the women was a member of the dominant "German Herrenrasse," albeit in a subordinate position."At the time of the liberation I was only a skeleton, lousy, with swollen legs and abscesses all over my body.After a while I overcame the physical This content downloaded from 193.175.204.10 on Sat, 02 Apr 2016 18:46:59 UTC All use subject to http://about
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In West Germany, Holocaust had even greater resonance than in the US; in 1979, an estimated 20 million people watched the series, about half of the entire population.
“In West Germany, Holocaust had an even greater resonance than in the US. In 1979, an estimated 20 million people watched the series, about half of the entire population (Lüdtke 1993).”
From Cold War cinema and the traumatic turn in Europe:<i>Fact</i>(1980) as a Soviet mirror of the Holocaust film (2020) · cites this paper as Lüdtke 1993
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- Authors
- Lüdtke, A.
- Affiliations
- Max Planck Society (DE)
- Corresponding author
- Lüdtke, Alf
- Venue
- The Journal of Modern History
- Publisher
- University of Chicago Press
- Published
- 1993-09
- Volume
- 65
- Issue
- 3
- Pages
- 542-572
- ISSN
- 0022-2801 (ISSN-L)
- 1537-5358
- OpenAlex
- W2033440451
- Cited by
- 70
- References
- 0
- Citations by year
- 2026: 18 · 2025: 1 · 2022: 2 · 2020: 1 · 2019: 1 · 2017: 3 · 2016: 4 · 2013: 3 · 2012: 2
- FWCI
- 16.26
- Type
- journal article
- Language
- en
- Open access
- bronze
- doi.org
- Locations
- The Journal of Modern History (publishedVersion)
- Common Library Network (Der Gemeinsame Bibliotheksverbund) (submittedVersion)
- Topics
- Social Sciences › Arts and Humanities › History › German History and Society
- Social Sciences › Psychology › Social Psychology › Memory, Trauma, and Commemoration
- Social Sciences › Sociology and Political Science › German legal, social, and political studies
- Keywords
- coming to terms with the Nazi past, collective memory, forgetting, West Germany, Holocaust survivors, liberation, politics of representation, postwar Germany
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