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Cognitive Foundations of Musical Pitch
Abstract
1. Objectives and Methods 2. Quantifying Tonal Hierarchies and Key Distances 3. Musical Correlates of Perceived Tonal Hierarchies 4. A Key-Finding Algorithm Based on Tonal Hierarchies 5. Perceived Relations Between Musical Tones 6. Perceptual Organization and Pitch Memory 7. Quantifying Harmonic Hierarchies and Key Distances 8. Perceived Harmonic Relations 9. Perceiving Multiple Keys: Modulation and Polytonality 10. Tonal Hierarchies in Atonal and Non-Western Tonal Music 11. Music Cognition: Theoretical and Empirical Generalizations
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Citations
Cited by
Emotional responses to music: The need to consider underlying mechanisms
Juslin, P. N., & Västfjäll, D. (2008) · Behavioral and Brain Sciences · doi:10.1017/s0140525x08005293 · Cited by 1,914
Blood, A. J., Zatorre, R. J., Bermudez, P., & Evans, A. C. (1999) · Nature Neuroscience · doi:10.1038/7299 · Cited by 1,097
Modularity of music processing
Peretz, I., & Coltheart, M. (2003) · Nature Neuroscience · doi:10.1038/nn1083 · Cited by 769
Levitin, D. (2003) · NeuroImage · doi:10.1016/j.neuroimage.2003.08.016 · Cited by 348
Auditory imagery: Empirical findings
Hubbard, T. L. (2010) · Psychological Bulletin · doi:10.1037/a0018436 · Cited by 310
Metadata
- Authors
- Krumhansl, C. L.
- Venue
- Oxford University Press eBooks
- Publisher
- Oxford University Press
- Published
- 2001-11-29
- OpenAlex
- W2024595034
- Cited by
- 1,235
- References
- 0
- FWCI
- 17.48
- Type
- book
- Language
- en
- Open access
- closed
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