CoChat
Sign Up
Cited by 179Neuroscience and Music PerceptionLanguage and cultural evolutionMusicology and Musical Analysis

The DOI matches its Crossref record.

The Prehistory of Music: Human Evolution, Archaeology, and the Origins of Musicality

Morley, Iain·2013·Oxford University Press eBooks
DOI 10.1093/acprof:osobl/9780199234080.001.0001
Open this paper in CoChat — free account

Abstract

Abstract Music is possessed by all human cultures, and archaeological evidence for musical activities pre-dates even the earliest-known cave art. Music has been the subject of keen investigation across a great diversity of fields, from neuroscience and psychology to ethnography, archaeology, and its own dedicated field, musicology. Despite the great contributions that these studies have made towards understanding musical behaviours, much remains mysterious about this ubiquitous human phenomenon — not least, its origins. This book brings together evidence from these fields, and more, in investigating the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. It seeks to understand the true relationship between our unique musical capabilities and the development of the remarkable social, emotional, and communicative abilities of our species.

Overview

Integrity signals

Registry

Crossref · 10.1093/acprof:osobl/9780199234080.001.0001

Cites

Statistics

Recomputing p-values needs the paper’s full text.

Verification

Claims the paper makes

This paper’s full text isn’t openly available, so its claims and self-check weren’t run. The registry and citation checks still apply.

Claims other papers make about this one

Each is checked against this paper’s own text: does it say what the citing paper says it does?

Citations

Cited by

Sorted by citations

Items 101–179 of 179

Related

See all

Metadata

Authors
Morley, I.
Corresponding author
Morley, Iain
Venue
Oxford University Press eBooks
Publisher
Oxford University Press
Published
2013-10-24
DOI
10.1093/acprof:osobl/9780199234080.001.0001
OpenAlex
W4244911669
Cited by
179
References
0
Citations by year
2026: 11 · 2025: 34 · 2024: 35 · 2023: 11 · 2022: 6 · 2021: 12 · 2020: 13 · 2019: 7 · 2018: 24 · 2017: 9 · 2016: 4 · 2015: 12 · 2014: 1
FWCI
2.16
Type
book
Language
en
Open access
closed
Locations
Oxford University Press eBooks (publishedVersion)
Topics
  • Life Sciences › Neuroscience › Cognitive Neuroscience › Neuroscience and Music Perception
  • Social Sciences › Cultural Studies › Language and cultural evolution
  • Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
Keywords
origins of music, prehistoric music, cave art, music and communication, music and emotion, human evolution

About these checks

Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.

Statistics and arithmetic are recomputed, not judged.

Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.

What counts as a claim ›How we measure confidence ›How we check this ›

Are you an author, or do you see a problem with this page? Request a review