Cited by 1Classical Antiquity StudiesDeath, Funerary Practices, and MourningAncient Mediterranean Archaeology and History

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Introduction: Art, Identity, and Funerary Religion

Riggs, Christina·2006·The Beautiful Burial in Roman Egypt

Abstract

Abstract One of the challenges facing historians of ancient art is to view it with the eyes of its original audience in so far as that is possible. Our own eyes, accustomed to the aftermaths of the Renaissance and the photographic age, must be trained to see in unfamiliar ways, and our minds to appreciate the difference.

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Crossref · 10.1093/oso/9780199276653.003.0001

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  • Abusir el-Meleq was inhabited from at least 3250BCE until about 700CE and was of great religious significance because of its active cult to Osiris, the god of the dead, which made it an attractive burial site for centuries.

    “The archaeological site Abusir el-Meleq was inhabited from at least 3250BCE until about 700CE and was of great religious significance because of its active cult to Osiris, the god of the dead, which made it an attractive burial site for centuries2.”
  • It is arguable that the complete spectrum of society is represented at Abusir el-Meleq, ranging from Late Period priests' burials to simple inhumations.

    “Rather it seems arguable that the complete spectrum of society is represented, ranging from Late Period priests' burials that stand out by virtue of their size and contents to simple inhumations that are buried with little to no grave goods2.”

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Metadata

Authors
Riggs, C.
Corresponding author
Riggs, Christina
Venue
The Beautiful Burial in Roman Egypt
Published
2006-01-05
Pages
1-40
OpenAlex
W4388392609
Cited by
0
References
0
FWCI
0.00
Type
book chapter
Language
en
Open access
closed
Topics
  • Social Sciences › Arts and Humanities › Classics › Classical Antiquity Studies
  • Social Sciences › Anthropology › Death, Funerary Practices, and Mourning
  • Social Sciences › Arts and Humanities › Archeology (arts and humanities) › Ancient Mediterranean Archaeology and History
Keywords
ancient art, identity, visual perception

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