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Cited by 107Archaeological and Geological StudiesArchaeology and Rock Art StudiesAncient and Medieval Archaeology Studies

The DOI matches its Crossref record.

Image and Audience: Rethinking Prehistoric Art

Bradley, Richard·2009
DOI 10.1093/oso/9780199533855.001.0001
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Abstract

There have been many accounts of prehistoric ‘art’, but nearly all of them begin by assuming that the concept is a useful one. In this extensively illustrated study, Richard Bradley asks why ancient objects were created and when and how they were used. He considers how the first definitions of prehistoric artworks were made, and the ways in which they might be related to practices in the visual arts today. Extended case studies of two immensely popular and much-visited sites illustrate his argument: one considers the megalithic tombs of Western Europe, whilst the other investigates the decorated metalwork and rock carvings of Bronze Age Scandinavia.

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Metadata

Authors
Bradley, R.
Corresponding author
Bradley, Richard
ORCID
Bradley, Richard
Publisher
Oxford University PressOxford
Published
2009-03-12
DOI
10.1093/oso/9780199533855.001.0001
OpenAlex
W4388434824
Cited by
107
References
0
Citations by year
2026: 3 · 2025: 6 · 2024: 3 · 2023: 2 · 2022: 3 · 2021: 7 · 2020: 19 · 2019: 30 · 2018: 2 · 2017: 8 · 2016: 2 · 2015: 2 · 2014: 6 · 2013: 8 · 2012: 3
FWCI
8.48
Type
book
Language
en
Open access
closed
Topics
  • Social Sciences › Arts and Humanities › Archeology (arts and humanities) › Archaeological and Geological Studies
  • Social Sciences › Archeology › Archaeology and Rock Art Studies
  • Social Sciences › Arts and Humanities › Archeology (arts and humanities) › Ancient and Medieval Archaeology Studies
Keywords
prehistoric art, concept of art, megalithic tombs, Western Europe, petroglyphs

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