Cited by 11Theatre and Performance StudiesArts and Performance StudiesPosthumanist Ethics and Activism

The DOI matches its Crossref record; 1 of the 1 references it cites were found in a registry or an index.

Of Hybrids and the Posthuman: Performer Training in the 21st Century

Camilleri, Frank·2015·TDR/The Drama Review

Abstract

A post-psychophysical theoretical and practical framework for performer training is evolving in response to sociological theories of material and immaterial labor, the formulation of “dynamic hybridity” from the field of human geography, and contemporary posthuman thought.

Overview

Integrity signals

Registry

Crossref · 10.1162/dram_a_00473

Cites

1 of 1 references verified0 citation errors · 0 not checkable

Statistics

Recomputing p-values needs the paper’s full text.

Verification

Claims the paper makes

We couldn’t retrieve this paper’s full text, so its claims and self-check weren’t run. The registry and citation checks still apply.

Claims other papers make about this one

Each is checked against this paper’s own text: does it say what the citing paper says it does?

  • The closer association between autonomous/ethical and institutional/ideological approaches became more pronounced in the second decade of the new century.

    “First, the closer association between autonomous/ethical and institutional/ideological approaches that became more pronounced in the second decade of the new century.”

    From Evolving landscapes of performer training in the twenty-first century (2026) · cites this paper as Camilleri 2015

Citations

Cites

Flagged first, then by citations

Research works printed but not linked: 5

  1. 10.1080/13528160903319232 · DOI · Paper page
  2. 10.1080/10486801.2013.806314 · DOI
  3. 10.1080/19443927.2014.985334 · DOI
  4. 10.1080/14649360600825703 · DOI
  5. 10.1080/19443927.2014.925486 · DOI

Cited by

Sorted by citations

  • Evolving landscapes of performer training in the twenty-first century

    Camilleri, F. (2026) · Theatre, Dance and Performance Training · doi:10.1080/19443927.2026.2652839 · Cited by 1

    “…kind of performer training that characterises institutional and autonomous approaches – increasingly face in the twenty-first century: ‘A post-psychophysicality that actively embraces rather than resists an intensified coexistence with technological advancement’ (Camilleri 2015: 112, 116, 120–21).”
    InfluentialSelf-citation

Metadata

Authors
Camilleri, F.
Affiliations
University of Huddersfield (GB)
Corresponding author
Camilleri, Frank
Venue
TDR/The Drama Review
Published
2015-09
Volume
59
Issue
3
Pages
108-122
ISSN
  • 1054-2043 (ISSN-L)
  • 1531-4715
OpenAlex
W1675566700
Cited by
11
References
1
Citations by year
2026: 1 · 2021: 1 · 2020: 4 · 2018: 5
FWCI
37.83
Type
journal article
Language
en
Open access
closed
Locations
  • TDR/The Drama Review (publishedVersion)
  • Project Muse (Johns Hopkins University) (submittedVersion)
Topics
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Theatre and Performance Studies
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Arts and Performance Studies
  • Social Sciences › Cultural Studies › Posthumanist Ethics and Activism
Keywords
performer training, posthumanism, human geography, actor training

About these checks

Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.

Statistics and arithmetic are recomputed, not judged.

Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.

What counts as a claim ›How we measure confidence ›How we check this ›

Are you an author, or do you see a problem with this page? Request a review