The DOI matches its Crossref record; 3 of the 3 references it cites were found in a registry or an index.
Working Between two Worlds: New Roles for Traditional Thai Dance and Dancers
Open accessAbstract
Thailand’s financial collapse and new constitution in 1997 brought issues of commercialization, education reform, and decentralization to the forefront of arts and culture. The paper focuses on three aspects of the current situation of the traditional arts and artists in Thailand.
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Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
In the citing paper
“classical 'royal' dance-dramas are often seen as highly technical yet rigid, constrained by strict conventions that feel disconnected from contemporary storytelling, while popular folk forms such as Likay are sometimes stigmatised as unsophisticated or vulgar entertainment, viewed as inferior to the 'high art' associated with elite or intellectual theatre (Damrhung, 2005;sompiboon, 2021).”
From Exploring the integration of cultural roots in contemporary Thai actor training using the Delphi method (2025) · cites this paper as Damrhung, 2005
In the citing paper
“classical 'royal' dance-dramas are often seen as highly technical yet rigid, constrained by strict conventions that feel disconnected from contemporary storytelling, while popular folk forms such as Likay are sometimes stigmatised as unsophisticated or vulgar entertainment, viewed as inferior to the 'high art' associated with elite or intellectual theatre (Damrhung, 2005;sompiboon, 2021).”
From Exploring the integration of cultural roots in contemporary Thai actor training using the Delphi method (2025) · cites this paper as Damrhung, 2005
In the citing paper
“Prevailing attitudes among students and teachers continue to deepen the divide between traditional forms and modern theatre in thailand.”
From Exploring the integration of cultural roots in contemporary Thai actor training using the Delphi method (2025) · cites this paper as Damrhung, 2005
Citations
Cites
Le théâtre au croisement des cultures
Pavis, P. (1990) · Cited by 31
Dance, drama, and theatre in Thailand: The process of development and modernization
Rutnin, M. M. (1993) · Andalas University Repository (Andalas University) · Cited by 23
Traditional Theatre in Southeast Asia
Diamond, C., & Chua, S. P. (1996) · Asian Theatre Journal · doi:10.2307/1124533 · Cited by 8
Cited by
Sorted by citations
Punpeng, G. (2025) · Cogent Arts & Humanities · doi:10.1080/23311983.2025.2570062 · Cited by 1
“…sometimes stigmatised as unsophisticated or vulgar entertainment, viewed as inferior to the ‘high art’ associated with elite or intellectual theatre (Damrhung, 2005; sompiboon, 2021). these cultural hierarchies have fostered the perception that Western dramatic literature and methodologies are…”
Prakasiwi, G., Sasongkroh, N., & Nurvijayanto, R. (2025) · Gelar Jurnal Seni Budaya · doi:10.33153/glr.v23i1.7046
Metadata
- Authors
- Damrhung, P.
- Affiliations
- Chulalongkorn University (TH)
- Corresponding author
- Damrhung, Pornrat
- Venue
- MANUSYA
- Published
- 2005
- Volume
- 8
- Issue
- 2
- Pages
- 44-57
- ISSN
- 0859-9920 (ISSN-L)
- 2665-9077
- OpenAlex
- W2943871541
- Cited by
- 2
- References
- 3
- Citations by year
- 2025: 1 · 2019: 1
- FWCI
- 0.00
- Type
- journal article
- Language
- en
- Open access
- diamond
- doi.org
- Locations
- Manusya Journal of Humanities (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Arts and Performance Studies
- Social Sciences › Cultural Studies › Cultural and Artistic Studies
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Theatre and Performance Studies
- Keywords
- dancers, art education reform, decentralization, new constitution, traditional artists, cultural policy
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