Monstrous Inventions: Caricature and the Grotesque in Early Modern Art
Abstract
The introduction outlines the relationship between the grotesque and caricature. Initially inspired by the fashion for grotesque ornament, grotesque heads make frequent appearance in paintings, drawings, and prints over the course of the sixteenth century. Grotesque heads gave way to caricature, a graphic practice that flourished in the following century. As related forms of graphic representation that exaggerate physical features such as large noses, the practice of disfiguration raises questions about contemporary discourse on fantasy, invention and decorum in art.
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- Authors
- Cheng, S.
- Corresponding author
- Cheng, Sandra
- Venue
- Grotesque and Caricature
- Publisher
- BRILL
- Published
- 2023-12-13
- Pages
- 1-12
- OpenAlex
- W4390125525
- Cited by
- 0
- References
- 0
- FWCI
- 0.00
- Type
- book chapter
- Language
- en
- Open access
- closed
- Locations
- BRILL eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Architecture and Art History Studies
- Social Sciences › Arts and Humanities › Classics › Renaissance Literature and Culture
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Visual Culture and Art Theory
- Keywords
- grotesque, caricature, disfigurement, early modern art, 16th-century painting, prints, fantasy, inventions
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