Cited by 44Narrative Theory and AnalysisMemory Processes and InfluencesVisual and Cognitive Learning Processes

The Coherence of Visual Narratives

KRAFT, ROBERT N., CANTOR, PHILLIP, GOTTDIENER, CHARLES·1991·Communication Research

Abstract

Memory for visual narratives was examined as a function of cinematic structure. Four visual narratives were constructed, with each narrative taking place within a single location and presenting an interaction between two main characters. Two separate experiments examined the influence of establishing shots and directional continuity on subjects' memory for the depicted events. In a 2 × 2 design, the narratives began with or without an establishing shot and preserved or violated directional continuity. Experiment 1 showed that subjects can accurately recognize the flow of action in visual narratives, even without establishing shots, as long as directional continuity is preserved, but that establishing shots allow the viewer to construct a comprehensive representation of spatial layout. Experiment 2 introduced a reconstruction task to assess memory for the narratives, showing not only that directional continuity provided a framework for establishing spatial coherence but that this spatial framework enhanced subjects' ability to remember the depicted activities in the appropriate sequence. In general, these experiments identified two important psychological principles for restructuring real-world activities into coherent filmed sequences.

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Crossref · 10.1177/009365091018005002

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  • The tensions within film theory can be surmounted by avoiding an essentializing conception of the cinema and by employing a correspondence-based model of cinematic representation.

    “The tensions within film theory can be surmounted by avoiding an essentializing conception of the cinema stressing unique, fundamental properties23 and by employing, in place of indexically based notions of film realism, a correspondence-based model of cinematic representation.”

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Authors
KRAFT, R. N., CANTOR, P., & GOTTDIENER, C.
Venue
Communication Research
Published
1991-10
Volume
18
Issue
5
Pages
601-616
ISSN
  • 0093-6502 (ISSN-L)
  • 1552-3810
OpenAlex
W2104091773
Cited by
44
References
1
Citations by year
2025: 1 · 2024: 2 · 2021: 20 · 2019: 2 · 2017: 2 · 2014: 3 · 2013: 1 · 2012: 2
FWCI
0.00
Type
journal article
Language
en
Open access
closed
Locations
Communication Research (publishedVersion)
Topics
  • Social Sciences › Arts and Humanities › Literature and Literary Theory › Narrative Theory and Analysis
  • Life Sciences › Neuroscience › Cognitive Neuroscience › Memory Processes and Influences
  • Social Sciences › Psychology › Experimental and Cognitive Psychology › Visual and Cognitive Learning Processes
Keywords
visual narrative, spatial coherence, film structure, narrative sequence, spatial configuration, film editing

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