Exploring the low enrolment of music as a subject within Hong Kong senior secondary school education
Open accessAbstract
Although studying music at school can be an enriching and enjoyable experience, it is an unpopular choice for many Hong Kong senior secondary students. The purpose of this study was to examine the rationale behind the low enrolment of music as a Hong Kong Diploma of Secondary Education (HKDSE) subject. A questionnaire was conducted among senior secondary school students ( N = 121) studying music at the HKDSE level, collecting information about their learning experiences and their perceptions of the curriculum. The results provided evidence supporting the difficulties and struggles faced by the students, including degrees of familiarity with, and confidence about, subject matters of different musical cultures, which subjects were prioritised when it came to studying, and the amount of prior specialist knowledge needed as part of the decision-making process. Tensions were revealed between the driving forces behind curriculum change and the readiness of students to cope with these changes, along with perceptions of music as an elitist subject with low utilitarian value. Socio-cultural interventions, such as making music education more accessible for all, while simultaneously ensuring that stakeholders’ voices are heard as part of the decolonisation process, remain fundamental challenges facing the curriculum.
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As students progress academically, increased pressures and a shift toward abstract reasoning diminish their engagement.
“As students progress academically, increased pressures and a shift toward abstract reasoning diminish their engagement [52].”
From Attitudes and Behaviors toward traditional music among Chinese students: the role of individual, family, and school factors (2026) · cites this paper as [52]
Cites
Exploring the global decline of music education
Aróstegui, J. L. (2016) · Arts Education Policy Review · doi:10.1080/10632913.2015.1007406 · Cited by 133 · see citing works
Tam, G. A. (2016) · The Chinese Historical Review · doi:10.1080/1547402x.2016.1223949 · cited 1×
“Some of these factors are also applicable to Cantonese opera, which has an advantage for its relevance to students’ local culture because it shares the same roots, including the Hong Kong dialect (W. C. Ng, 2015).”
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Luo, N., & Guan, T. (2025) · Journal of Research in Music Education · doi:10.1177/00224294241257154 · Cited by 9 · see citing works
- Authors
- Cheng, L.
- Affiliations
- Anglia Ruskin University (GB)
- Corresponding author
- Cheng, Lee
- ORCID
- Cheng, Lee
- Venue
- International Journal of Music Education
- Publisher
- SAGE Publications
- Published
- 2022-08-02
- Volume
- 41
- Issue
- 3
- Pages
- 413-427
- ISSN
- 0255-7614 (ISSN-L)
- 1744-795X
- OpenAlex
- W4289522126
- Cited by
- 9
- References
- 2
- Citations by year
- 2026: 1 · 2025: 4 · 2024: 4
- FWCI
- 19.02
- Type
- journal article
- Language
- en
- Open access
- hybrid
- doi.org
- Locations
- International Journal of Music Education (publishedVersion, cc-by)
- Anglia Ruskin Research Online (Anglia Ruskin University) (submittedVersion)
- Figshare (submittedVersion, cc-by-nc-nd)
- Topics
- Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
- Social Sciences › Education › Music Education and Analysis
- Social Sciences › Sociology and Political Science › Educational Theory and Curriculum Studies
- Keywords
- music education, high school students, student perceptions of curriculum, curriculum change, music culture, student self-confidence, decolonization of curriculum, student decision-making
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