Cited by 209Diverse Music Education InsightsMusicians’ Health and PerformanceSport Psychology and Performance

The DOI matches its Crossref record, with a small difference in title or year; 72 of the 74 references it cites were found in a registry or an index.

Perceived performance anxiety in advanced musicians specializing in different musical genres.

Open access
Papageorgi, Ioulia, Creech, Andrea, Welch, Graham·2013·Psychology of Music

Abstract

Most research on musical performance anxiety has focused on musicians coming from a classical background, and performance anxiety experiences of musicians outside the western classical genre remain under-researched. The aim of this study was to investigate perceived performance anxiety experiences in undergraduate and professional musicians and to explore whether musical genre specialization (Western classical, jazz, popular, Scottish traditional) affected musicians’ performance anxiety experiences. The study addressed questions exploring the perceived intensity of performance anxiety, the perceived contributing factors, changes in perceived anxiety levels as performances approached (one hour before, immediately before and during performance) and the perceived impact of performance on the quality of performance. Participants were 244 musicians, 170 undergraduates and 74 portfolio career musicians. Data were collected through a questionnaire survey. Findings suggested that performance anxiety was of concern for a significant majority of undergraduate and professional musicians. Musicians from all participating musical genres shared similar perceptions and concerns. Anxiety appeared to have negative connotations, although it was also reported as beneficial. Solo performance generated more anxiety compared to group performance. Overall, the impact of anxiety on performance was related to its perceived severity during performance, and was mediated by musicians’ performance experience and their general susceptibility to anxiety. The musical genre in which participants specialized affected their perceived anxiety levels. Western classical musicians were generally found to report higher levels of performance anxiety. This study has provided indications that musicians specializing in different musical genres may experience performance anxiety in quantitatively and qualitatively different ways. Further research would benefit from investigating factors contributing to these variations.

Overview

The claims and statistics of this paper haven’t been checked yet.

Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.

A few free checks a day · papers already verified open instantly · results are public

Integrity signals

Registry

Crossref · 10.1177/0305735611408995

Cites

72 of 72 references verified0 citation errors · 0 not checkable

Statistics

Verification

Claims the paper makes

The claims and statistics of this paper haven’t been checked yet.

Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.

A few free checks a day · papers already verified open instantly · results are public

Self-check

Percentages, sums and reported differences re-computed from the paper’s own numbers.

The self-check needs the paper’s full text.

Citations

Cites

Flagged first, then by citations

Show all 74 references

2 of the 74 references couldn’t be matched to a known paper.

Research works printed but not linked: 12

  1. Barlow D. H., 1988, Anxiety and its disorders
  2. Fishbein M., 1988, Medical Problems of Performing Artists, 3, 1
  3. 10.1037/0022-3514.50.5.992 · DOI
  4. Gruber H., 2004, Current issues in adult learning and motivation, 222
  5. Gustafson E., Rawson D. (1983). Rambfeber hos strakmusiker [Stage fright in string players]. Unpublished Masters Thesis, Uppsala University, Uppsala, Sweden.
  6. Hallam S., 1998, Instrumental teaching: A practical guide to better teaching and learning
  7. Hargreaves D., 2003, Effective teaching in secondary school music: Teacher and pupil identities
  8. LeBlanc A., 1994, The Quarterly Journal of Music Teaching and Learning, 5, 60
  9. Leglar M. P., 1978, Dissertations Abstracts International, 39, 5201A
  10. Reubart D., 1985, Anxiety and musical performance: On playing the piano from memory
  11. Salmon P., 1989, Medical Problems of Performing Artists, 4, 77
  12. Wolfe M. L., 1990, Medical Problems of Performing Artists, 5, 33

Cited by

Sorted by citations

Items 101–200 of 209

Metadata

Authors
Papageorgi, I., Creech, A., & Welch, G.
Affiliations
University of London (GB)
Venue
Psychology of Music
Published
2011-07-04
Volume
41
Issue
1
Pages
18-41
ISSN
  • 0305-7356 (ISSN-L)
  • 1741-3087
OpenAlex
W2129062198
Cited by
209
References
74
Citations by year
2026: 30 · 2025: 21 · 2024: 10 · 2023: 19 · 2022: 32 · 2021: 28 · 2020: 14 · 2019: 12 · 2018: 8 · 2017: 8 · 2016: 6 · 2015: 8 · 2014: 6 · 2013: 4 · 2012: 3
FWCI
128.09
Type
journal article
Language
en
Open access
Locations
  • Psychology of Music (publishedVersion)
  • UCL Discovery (University College London) (submittedVersion)
Topics
  • Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
  • Health Sciences › Medicine › Rehabilitation › Musicians’ Health and Performance
  • Social Sciences › Psychology › Developmental and Educational Psychology › Sport Psychology and Performance
Keywords
performance anxiety, musicians, music genres, classical music, jazz, popular music, Scottish traditional music, performance experience, performance quality, professional musicians

About these checks

Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.

Statistics and arithmetic are recomputed, not judged.

Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.

What counts as a claim ›How we measure confidence ›How we check this ›

Are you an author, or do you see a problem with this page? Request a review