The DOI matches its Crossref record; 35 of the 35 references it cites were found in a registry or an index.
Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience
Abstract
Nine professional musicians were instructed to perform short melodies using various instruments - the violin, electric guitar, flute, and singing voice - so as to communicate specific emotional characters to listeners. The performances were first validated by having listeners rating the emotional expression and then analysed with regard to their physical characteristics, e.g. tempo, dynamics, timing, and spectrum. The main findings were that (a) the performer's expressive intention had a marked effect on all analysed variables; (b) the performers showed many similarities as well as individual differences in emotion encoding; (c) listeners were generally successful in decoding the intended expression; and (d) some emotional characters seemed easier to communicate than others. The reported results imply that we are unlikely to find performance rules independent of instrument, musical style, performer, or listener.
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Cites
A Mathematical Theory of Communication
Shannon, C. E. (1948) · Bell System Technical Journal · doi:10.1002/j.1538-7305.1948.tb00917.x · Cited by 48,949
An argument for basic emotions
Ekman, P. (1992) · Cognition and Emotion · doi:10.1080/02699939208411068 · Cited by 9,646
Perception and the Representative Design of Psychological Experiments
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Blizek, W., & Berlyne, D. E. (1973) · The Journal of Aesthetics and Art Criticism · doi:10.2307/429334 · Cited by 1,930
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Kraehenbuehl, D., & Meyer, L. B. (1957) · Journal of Music Theory · doi:10.2307/843099 · Cited by 1,026
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Hevner, K. (1936) · The American Journal of Psychology · doi:10.2307/1415746 · Cited by 930
The Musical Mind: The Cognitive Psychology of Music
Shields, A., & Sloboda, J. A. (1987) · Leonardo · doi:10.2307/1578337 · Cited by 800
The language of emotions: An analysis of a semantic field
Johnson-laird, P. N., & Oatley, K. (1989) · Cognition & Emotion · doi:10.1080/02699938908408075 · Cited by 736
Cited by
Communication of emotions in vocal expression and music performance: different channels, same code?
Juslin, P. N., & Laukka, P. (2003) · Psychological Bulletin · doi:10.1037/0033-2909.129.5.770 · Cited by 1,273
Self-citationMusic and emotion: perceptual determinants, immediacy, and isolation after brain damage
Peretz, I. (1998) · Cognition · doi:10.1016/s0010-0277(98)00043-2 · Cited by 580
Metadata
- Authors
- Gabrielsson, A., & Juslin, P. N.
- Venue
- Psychology of Music
- Publisher
- SAGE Publications
- Published
- 1996-04
- Volume
- 24
- Issue
- 1
- Pages
- 68-91
- ISSN
- 0305-7356 (ISSN-L)
- 1741-3087
- OpenAlex
- W2166345358
- Cited by
- 533
- References
- 35
- FWCI
- 3.89
- Type
- journal article
- Language
- en
- Open access
- closed
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Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
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