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Communication of emotions in vocal expression and music performance: Different channels, same code?

Juslin, Patrik N., Laukka, Petri·2003·Psychological Bulletin

Abstract

Many authors have speculated about a close relationship between vocal expression of emotions and musical expression of emotions. but evidence bearing on this relationship has unfortunately been lacking. This review of 104 studies of vocal expression and 41 studies of music performance reveals similarities between the 2 channels concerning (a) the accuracy with which discrete emotions were communicated to listeners and (b) the emotion-specific patterns of acoustic cues used to communicate each emotion. The patterns are generally consistent with K. R. Scherer's (1986) theoretical predictions. The results can explain why music is perceived as expressive of emotion, and they are consistent with an evolutionary perspective on vocal expression of emotions. Discussion focuses on theoretical accounts and directions for future research.

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  • The same pattern of high, loud, fast prosody for happiness and opposite for sadness is true for the expression of these emotions in music.

    “The same is true for the expression of these two emotions in music (Juslin and Laukka, 2003).”

    From A Joint Prosodic Origin of Language and Music (2017) · cites this paper as Juslin and Laukka, 2003

  • Affective prosody is conveyed in a parallel manner in speech and music, capitalizing on the same types of dynamic cues.

    “For example, much research has shown that affective prosody is conveyed in a parallel manner in speech and music, capitalizing on the same types of dynamic cues (Juslin and Laukka, 2003).”

    From A Joint Prosodic Origin of Language and Music (2017) · cites this paper as Juslin and Laukka, 2003

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Metadata

Authors
Juslin, P. N., & Laukka, P.
Venue
Psychological Bulletin
Published
2003
Volume
129
Issue
5
Pages
770-814
ISSN
  • 1939-1455
  • 0033-2909
Cited by
1,273
References
23
Language
en

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