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Communication of emotions in vocal expression and music performance: Different channels, same code?
Abstract
Many authors have speculated about a close relationship between vocal expression of emotions and musical expression of emotions. but evidence bearing on this relationship has unfortunately been lacking. This review of 104 studies of vocal expression and 41 studies of music performance reveals similarities between the 2 channels concerning (a) the accuracy with which discrete emotions were communicated to listeners and (b) the emotion-specific patterns of acoustic cues used to communicate each emotion. The patterns are generally consistent with K. R. Scherer's (1986) theoretical predictions. The results can explain why music is perceived as expressive of emotion, and they are consistent with an evolutionary perspective on vocal expression of emotions. Discussion focuses on theoretical accounts and directions for future research.
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The same pattern of high, loud, fast prosody for happiness and opposite for sadness is true for the expression of these emotions in music.
“The same is true for the expression of these two emotions in music (Juslin and Laukka, 2003).”
From A Joint Prosodic Origin of Language and Music (2017) · cites this paper as Juslin and Laukka, 2003
Affective prosody is conveyed in a parallel manner in speech and music, capitalizing on the same types of dynamic cues.
“For example, much research has shown that affective prosody is conveyed in a parallel manner in speech and music, capitalizing on the same types of dynamic cues (Juslin and Laukka, 2003).”
From A Joint Prosodic Origin of Language and Music (2017) · cites this paper as Juslin and Laukka, 2003
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Coutinho, E., Deng, J., & Schuller, B. (2014) · 2014 International Joint Conference on Neural Networks (IJCNN) · doi:10.1109/ijcnn.2014.6889814 · Cited by 36
Nazarov, A., Frewen, P., Oremus, C., Schellenberg, E. G., McKinnon, M. C., & Lanius, R. (2015) · Acta Psychiatrica Scandinavica · doi:10.1111/acps.12364 · Cited by 30
The InBoard Emotional Contagion Model
Haag, C., & Getz, I. (2016) · Emotions and Organizational Governance · doi:10.1108/s1746-979120160000012005 · Cited by 4
Metadata
- Authors
- Juslin, P. N., & Laukka, P.
- ORCID
- Laukka, Petri
- Venue
- Psychological Bulletin
- Published
- 2003
- Volume
- 129
- Issue
- 5
- Pages
- 770-814
- ISSN
- 1939-1455
- 0033-2909
- Cited by
- 1,273
- References
- 23
- Language
- en
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
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