Let There Be Cain: A Clash of Imaginations in Genesis 4
Abstract
This article contributes to the ongoing discussion of the story of Cain by exploring the speeches within Genesis 4 as speech acts. The investigation will focus on two narrative levels of analysis, the story level (the viewpoint of the characters) and the storyteller level (the presentation of the narrative to the audience). The speech acts in this story display a clash of imaginations, with Eve and Yhwh on one side and Cain and Lamech on the other. On the story level, Eve and Yhwh imagine the world in ways that resist human sin and violence and that celebrate God’s relationship with humanity. Cain and Lamech reject this notion and choose to focus only on themselves. On the storyteller level, the speech acts of Genesis 4 invite the audience to adopt and celebrate the imaginations of Eve and Yhwh and to reject the imaginations of Cain and Lamech.
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Eve's assertive at the opening of Genesis 4 invites readers to imagine the identity and authority of women in ways that counter the world on display in Genesis 3.
“Mann concludes,”
From Reframing Genesis 3:16: Eve’s Creation Memoir (2024) · cites this paper as Mann 2021
Eve's speeches in Gen 4 are illocutionary acts with declarative, assertive, and performative force on two levels: the story level and the storyteller level.
“Mann's study concludes that Eve's speeches are illocutionary acts (that is, actions carried out through speech) with a declarative, assertive, and performative force on two levels: the story level and the storyteller level.”
From Reframing Genesis 3:16: Eve’s Creation Memoir (2024) · cites this paper as Mann 2021
Eve's relationship with Yhwh does not rely on her connection with a man.
“Finally,”
From Reframing Genesis 3:16: Eve’s Creation Memoir (2024) · cites this paper as Mann 2021
At the story level, Eve's speech imagines herself as partner of Yahweh, not of ha'adam, and creates a human individual/man (ish), not a baby.
“At the story level, Mann shows the imaginative force in Eve's speech by considering herself as partner of Yahweh, not of ha'adam, and creating a human individual/man (ish), not a baby (Mann 2021, p. 83).”
From Reframing Genesis 3:16: Eve’s Creation Memoir (2024) · cites this paper as Mann 2021
Eve provides an alternative depiction of childbearing: in contrast to Genesis 3 where childbearing is distressing, Eve presents it as an act of creation with no mention of emotional strain.
“Second, Mother Eve”
From Reframing Genesis 3:16: Eve’s Creation Memoir (2024) · cites this paper as Mann 2021
Eve's speech at the birth of Cain resists male authority over women (patriarchy).
“First, she”
From Reframing Genesis 3:16: Eve’s Creation Memoir (2024) · cites this paper as Mann 2021
The narrator looks out at the audience as a woman who can successfully utter this assertive without a 'she said' to demarcate her speech.
“Here, Mann argues,”
From Reframing Genesis 3:16: Eve’s Creation Memoir (2024) · cites this paper as Mann 2021
Cited by
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Reframing Genesis 3:16: Eve’s Creation Memoir
Frey, M. (2024) · Religions · doi:10.3390/rel15091115
- Authors
- Mann, S. T.
- Affiliations
- Azusa Pacific University (US)
- Corresponding author
- Mann, Steven T.
- ORCID
- Mann, Steven T.
- Venue
- Journal for the Study of the Old Testament
- Publisher
- SAGE Publications
- Published
- 2021-09
- Volume
- 46
- Issue
- 1
- Pages
- 79-95
- ISSN
- 0309-0892 (ISSN-L)
- 1476-6728
- OpenAlex
- W3196513546
- Cited by
- 2
- References
- 0
- Citations by year
- 2024: 2
- FWCI
- 4.07
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Journal for the Study of the Old Testament (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Religious studies › Biblical Studies and Interpretation
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Narrative Theory and Analysis
- Social Sciences › Arts and Humanities › Religious studies › Contemporary Christian Leadership and Education
- Keywords
- Genesis 4, Cain, Lamech, Eve, YHWH, speech acts, narrative perspective, imagination, sin, violence, Genesis narrative
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