The DOI matches its Crossref record.
The end of the Global South and the cultures of the South
Abstract
As the Global South is increasingly interpenetrated by neoliberal and authoritarian regimes, the idea of the South as a site of emancipatory resistance and exotic cultural difference has ended. This article offers an alternative route into the cultures of the South. It focuses on the shifting forms of the South in contemporary visual art and outlines the possibilities of the non-coercive forms of cultural exchange and the cartographies of a cosmopolitanism from below. This perspective on the South is most evident in in the stories of embodied solidarity that stand in contrast to the top-down visions of socio-economic development and cultural homogenization.
Overview
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
In the citing paper
“Notably, there are further aspects the Global South can offer quantum diplomacy, such as their distinct histories, cultures, and geopolitical circumstances (Papastergiadis, 2017).”
From Quantum technology for development framework as a tool for science diplomacy (2023) · cites this paper as Papastergiadis, 2017
Citations
Cites
No references could be resolved yet.
Research works printed but not linked: 41
- Beilharz P, 2015, Thinking the Antipodes
- Belting H, 2009, The Global Art World: Audiences, Markets and Museums
- Connell R, 2007, Southern Theory
- 10.2307/2022937 · DOI
- De Beukelaer C, 2016, Globalization, Culture and Development
- Enwezor O, 2002, Documenta 11 _ Platform 5: Exhibition Catalogue
- Enwezor O, 2004, Manifesta Journal, 2, 9
- Enwezor O, 2005, Empires, Ruins + Networks
- Enwezor O, 2015, Artforum, 53
- Esche C, 2005, Modest Proposals
- Figari P, 2004, Readings in Latin American Modern Art
- Gardner A, 2013, Mapping South: Journeys in South–South Cultural Relations
- Gramsci A, 1994, Pre-Prison Writings
- 10.5130/978-0-9872369-9-9.l · DOI
- Kiefer A, 1992, Art and Australia, 30, 3
- Lee W-C, 2011, Third Text, 25
- McQuire S, 2005, Empires, Ruins + Networks: The Transcultural Agenda in Art
- Medina C, 2010, South, South, South, South
- 10.5130/978-0-9872369-9-9.h · DOI
- Meyer D, 1990, Victoria Ocampo: Against the Wind and the Tide
- Mosquera G, 2003, Complex Entanglements: Art, Globalization and Cultural Difference
- Murray K (2008) Keys to the South. Australian Humanities Review 44. Available at: http://www.australianhumanitiesreview.org/archive/Issue-March-2008/murray.html (accessed 2 March 2016). · DOI
- Nancy J-L, 2006, Multiple Arts: The Muses II, 10.1515/9781503618923 · DOI
- 10.1080/14747731.2013.806746 · DOI
- Papastergiadis N, 1996, Jimmie Durham on Becoming Authentic
- Papastergiadis N, 2003, Complex Entanglements: Art, Globalisation and Cultural Difference
- Papastergiadis N, 2011, Festivals and the Cultural Public Sphere
- Papastergiadis N, 2012, Discipline, 2, 152
- 10.1080/09528822.2012.663977 · DOI
- Petersen AR (2015) Global art history: A view from the North. Journal of Aesthetics & Culture 7. Available at: http//dx.doi.org/10.3402/jac.v7.28154 (accessed 2 March 2016). · DOI
- Roberts BR, 2013, Artistic Ambassadors
- Rosler M (2013) English and all that. e-flux Journal 45. Available at: http://www.e-flux.com/journal/english-and-all-that/ (accessed 11 July 2015).
- Smith B, 1945, Place, Taste and Tradition: A Study of Australian Art since 1788
- Smith B, 1960, European Vision and the South Pacific, 1788–1850: A Study in the History of Art and Ideas
- Stengers I, 2011, Cosmopolitics II
- Steyerl H (2013) International Disco Latin. e-flux Journal 45. Available at: http://www.e-flux.com/journal/international-disco-latin/ (accessed 11 July 2015).
- 10.1057/9780230370043 · DOI
- Strano C, 1991, Il Sud del Mondo: L’Altra Arte Contemporanea
- Vattimo G, 1992, The Transparent Society, trans
- Wedde I, 1991, Il Sud del Mondo: L’Altra Arte Contemporanea
- Wedde I, 1995, How to Be Nowhere: Essays and Texts, 1971–1994
Cited by
Sorted by citations
Quantum technology for development framework as a tool for science diplomacy
Mafu, M., & Senekane, M. (2023) · Frontiers in Research Metrics and Analytics · doi:10.3389/frma.2023.1279376 · Cited by 13
“Notably, there are further aspects the Global South can offer quantum diplomacy, such as their distinct histories, cultures, and geopolitical circumstances (Papastergiadis, 2017).”
Background
Metadata
- Authors
- Papastergiadis, N.
- Affiliations
- The University of Melbourne (AU)
- Corresponding author
- Papastergiadis, Nikos
- Venue
- Thesis Eleven
- Publisher
- SAGE Publications
- Published
- 2017-06-20
- Volume
- 142
- Issue
- 1
- Pages
- 69-90
- ISSN
- 0725-5136 (ISSN-L)
- 1461-7455
- OpenAlex
- W2712276974
- Cited by
- 12
- References
- 0
- Citations by year
- 2026: 1 · 2024: 2 · 2023: 1 · 2022: 3 · 2021: 1 · 2020: 1 · 2019: 1 · 2018: 1 · 2017: 1
- FWCI
- 20.78
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Thesis Eleven (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art, Politics, and Modernism
- Social Sciences › Anthropology › Latin American Cultural Politics
- Social Sciences › Anthropology › Decolonial Thought and Epistemologies
- Keywords
- Global South, neoliberalism, authoritarianism, contemporary visual art, cultural exchange, cultural homogenization, exoticism
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
