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In pots we trust. The processing of clay and symbols in sub-Saharan Africa
Abstract
Previous studies have illustrated the symbolic prominence of pottery making in sub-Saharan Africa. In many parts of the continent, the craft is explicitly connected to a series of other production activities and parts of the technical process often serve as a metaphor for explaining aspects of the human experience and to structure certain rituals. Barley goes as far as to speak of a ‘potting model’, one of many ways available to a culture to think about itself. It remains to be known, however, why African people specifically chose pottery making as a way to act upon/explain the world and why the activity is connected to specific realms of the human experience throughout the continent. Also, one may wonder whether potters’ behaviour could in turn be influenced by metaphors, with steps of the chaîne opératoire becoming the locus of a symbolic discourse. In an effort to answer these questions, I attempted a systematic comparison of prohibitions and rituals connected to pottery in 102 sub-Saharan societies.
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“some moulded rib or lug decorations (mitwi) on small-sized necked pots are metaphorically regarded as breasts whilst the incised triangle motifs are associated with elegance”
From Nyanga pottery and the Manyika ethnohistory: towards a decolonised archaeology of the Nyanga agricultural complex (2021) · cites this paper as Gosselain, 1999
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Nyamushosho, R. T., Chipangura, N., Pasipanodya, T. B., Bandama, F., Chirikure, S., & Manyanga, M. (2021) · Heliyon · doi:10.1016/j.heliyon.2021.e06609 · Cited by 10
Metadata
- Authors
- Gosselain, O. P.
- Affiliations
- University of Brussels,
- Venue
- Journal of Material Culture
- Publisher
- SAGE Publications
- Published
- 1999-07
- Volume
- 4
- Issue
- 2
- Pages
- 205-230
- ISSN
- 1359-1835
- 1460-3586
- Cited by
- 88
- References
- 0
- Language
- en
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