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The mass production of celebrity: ‘Celetoids’, reality TV and the ‘demotic turn’

Turner, Graeme·2006·International Journal of Cultural Studies

Abstract

In Understanding Celebrity, I coined the term ‘the demotic turn’ as a means of characterizing the increasing production of ‘ordinary’ celebrities through reality TV and DIY celebrity websites. Refusing the idea that this necessarily constituted a democratizing process - hence the term ‘demotic’ - I wanted to examine the role that the access to mass-mediated fame plays within the construction of cultural identities. In this article, I develop this idea a little further by asking whether the shrinking distance between TV and ‘reality’, and between the famous and the ‘ordinary’, means that we need to reconsider our understandings of what kind of cultural apparatus the media has become.

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Metadata

Authors
Turner, G.
Venue
International Journal of Cultural Studies
Published
2006-06
Volume
9
Issue
2
Pages
153-165
ISSN
  • 1367-8779 (ISSN-L)
  • 1460-356X
OpenAlex
W2119066835
Cited by
261
References
0
FWCI
19.60
Type
journal article
Language
en
Open access
closed

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CoChat. (2026). Citation check: The mass production of celebrity: ‘Celetoids’, reality TV and the ‘demotic turn’. https://app.cochat.ai/papers/10.1177/1367877906064028
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Turner, G. (2006). The mass production of celebrity: ‘Celetoids’, reality TV and the ‘demotic turn’. International Journal of Cultural Studies. https://doi.org/10.1177/1367877906064028

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Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.