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Cited by 259Music History and CulturePosthumanist Ethics and ActivismMusicology and Musical Analysis

The DOI matches its Crossref record; 38 of the 38 references it cites were found in a registry or an index.

“Feenin”

Weheliye, Alexander G.·2002·Social Text
DOI 10.1215/01642472-20-2_71-21
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Abstract

Research Article| June 01 2002 “Feenin”: POSTHUMAN VOICES IN CONTEMPORARY BLACK POPULAR MUSIC Alexander G. Weheliye Alexander G. Weheliye Search for other works by this author on: This Site Google Social Text (2002) 20 (2 (71)): 21–47. https://doi.org/10.1215/01642472-20-2_71-21 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Alexander G. Weheliye; “Feenin”: POSTHUMAN VOICES IN CONTEMPORARY BLACK POPULAR MUSIC. Social Text 1 June 2002; 20 (2 (71)): 21–47. doi: https://doi.org/10.1215/01642472-20-2_71-21 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter Books & JournalsAll JournalsSocial Text Search Advanced Search The text of this article is only available as a PDF. Duke University Press2002 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

Overview

Integrity signals

Registry

Crossref · 10.1215/01642472-20-2_71-21

Cites

38 of 38 references verified0 citation errors · 0 not checkable

Statistics

Recomputing p-values needs the paper’s full text.

Verification

Claims the paper makes

We couldn’t retrieve this paper’s full text, so its claims and self-check weren’t run. The registry and citation checks still apply.

Claims other papers make about this one

Each is checked against this paper’s own text: does it say what the citing paper says it does?

Citations

Cites

Show all 37 references

Cited by

Items 101–200 of 259

Related

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Metadata

Authors
Weheliye, A. G.
Corresponding author
Weheliye, Alexander G.
Venue
Social Text
Publisher
Duke University Press
Published
2002
Volume
20
Issue
2
Pages
21-47
ISSN
  • 0164-2472 (ISSN-L)
  • 1527-1951
DOI
10.1215/01642472-20-2_71-21
OpenAlex
W2077856107
Cited by
254
References
37
Citations by year
2026: 20 · 2025: 38 · 2024: 34 · 2023: 7 · 2022: 14 · 2021: 17 · 2020: 5 · 2019: 13 · 2018: 7 · 2017: 8 · 2016: 5 · 2015: 9 · 2014: 18 · 2013: 8 · 2012: 2
FWCI
105.98
Type
journal article
Language
en
Open access
closed
Locations
  • Social Text (publishedVersion)
  • Project Muse (Johns Hopkins University) (submittedVersion)
  • HighWire Press Open Archive (submittedVersion)
  • Social Text
Topics
  • Social Sciences › Arts and Humanities › Music › Music History and Culture
  • Social Sciences › Cultural Studies › Posthumanist Ethics and Activism
  • Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
Keywords
posthumanism, Black popular music, hip hop

About these checks

Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.

Statistics and arithmetic are recomputed, not judged.

Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.

What counts as a claim ›How we measure confidence ›How we check this ›

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Data sources

Bibliographic data: Semantic Scholar, OpenAlex, Crossref.

Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).

Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.