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I am Don Quixote the Trio Likay: A Soul-searching Content within Thai Popular Performance
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“classical 'royal' dance-dramas are often seen as highly technical yet rigid, constrained by strict conventions that feel disconnected from contemporary storytelling, while popular folk forms such as Likay are sometimes stigmatised as unsophisticated or vulgar entertainment, viewed as inferior to the 'high art' associated with elite or intellectual theatre (Damrhung, 2005;sompiboon, 2021).”
From Exploring the integration of cultural roots in contemporary Thai actor training using the Delphi method (2025) · cites this paper as sompiboon, 2021
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Research works printed but not linked: 10
- Barber, R. H. (2007). Performing praxis, community culture, and neo-traditionism: A study of Thailand's Makhampom Theatre Group (Unpublished doctoral dissertation). Monash University, Australia.
- Bates, S. & Ferri, A. J. (2010). What's entertainment? Notes toward a definition. Studies in Popular Culture, 33(1), 1-20.
- Mckee, A., Collis, C., Nitins, T., Ryan, M., Harrington, S., Duncan, B., Carter, J., Luck, E., Neale, L., Butler, D., & Backstrom, M. (2014). Defining entertainment: An approach. Creative Industries Journal, 7(2), 108-120.
- Pronko, L. C. (1967). Theater East and West: Perspectives toward a total theater. Berkeley, CA: University of California Press.
- Reynolds, C. J. (2002). Introduction: national identity and its defenders. In C. J. Reynolds (Ed.). National identity and its defenders: Thailand today (pp. 1-32). Chiang Mai, Thailand: Silkworm Books.
- Schechter, J. (2003). Back to the popular source: Introduction to part I. In J. Schechter (Ed.). Popular theatre: A source book (pp. 3-11). New York, NY: Routledge.
- Scolari, C. A. (2014). Don Quixote of La Mancha: Transmedia storytelling in the grey zone. International Journal of Communication, 8, 2382-2405.
- Shusterman, R. (2003). Entertainment: A question for aesthetics. British Journal of Aesthetics, 43(3), 289-307.
- Sompiboon, S. (2012). The reinvention of Thai traditional-popular theatre: Contemporary likay praxis (Unpublished doctoral dissertation). University of Exeter, UK.
- Tungtang, P. (2015). Yes, we fully realize that we're watching a play. We just don't realize that it's Brecht: An analysis of Brecht's V- effect technique used in Thai likay theater. Journal of Humanities and Social Sciences, 32(2), 12-58.
Cited by
Punpeng, G. (2025) · Cogent Arts & Humanities · doi:10.1080/23311983.2025.2570062 · Cited by 1
Metadata
- Authors
- Sompiboon, S.
- Venue
- Chulalongkorn University
- Publisher
- Chulalongkorn University
- Published
- 2021
- References
- 0
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- CoChat. (2026). Citation check: I am Don Quixote the Trio Likay: A Soul-searching Content within Thai Popular Performance. https://app.cochat.ai/papers/10.14456/cmap.2021.10
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- Sompiboon, S. (2021). I am Don Quixote the Trio Likay: A Soul-searching Content within Thai Popular Performance. Chulalongkorn University. https://doi.org/10.14456/cmap.2021.10
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Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.