The DOI matches its Crossref record.
Fascist Spectacle: The Aesthetics of Power in Mussolini’s Italy
Overview
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
The Valley is an excellent example of the architectural sublime, which awes and inspires terror, and of carefully planned fascist spectacles.
“It is an excellent example of the architectural sublime, which awes and inspires terror at the same time (Burke, 1958), and of the carefully planned fascist spectacles (Falasca-Zamponi, 1997).”
From Excavating Europe’s last fascist monument: The Valley of the Fallen (Spain) (2022) · cites this paper as Falasca-Zamponi, 1997
Citations
Cited by
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The Context of Social Identity: Domination, Resistance, and Change
Reicher, S. (2004) · Political Psychology · doi:10.1111/j.1467-9221.2004.00403.x · Cited by 559
Excavating Europe’s last fascist monument: The Valley of the Fallen (Spain)
González-Ruibal, A. (2022) · Journal of Social Archaeology · doi:10.1177/14696053211061486 · Cited by 8
Metadata
- Authors
- Falasca-Zamponi, S.
- Publisher
- University of California Press
- Published
- 1997-12-31
- Cited by
- 270
- References
- 0
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
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