Metamorphosis in the culture market of Niger
Abstract
The banner of authenticity is falling in the contemporary market for non‐Western culture. Taking Tuareg artisanry in Niger as a case study, I show that the neocolonial Western habit of collecting “exotic” art objects is giving way to a more collaborative proclivity toward Western objects produced in “traditional” Tuareg style. While Tuareg artisans—adjusting to social and cultural upheavals attending the urbanization of their practice and the recent Tuareg separatist rebellion—are producing such hybrid “modern” objects, some Tuareg nobles, impoverished by those same changes, have begun painting representational images of a more “authentic” Tuareg culture. The nature of the competition between Tuareg artisans and nobles, as well as the complex cross‐identification between Tuaregs and their Western expatriate customers, illuminate a general perplexity about modernity in the contemporary Third World and indicate a transformation in the terms of its encounter with the West. [Tuaregs, art and artisanry, authenticity, expatriates, and modernity and tradition]
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As in other parts of the world, Tongan women adapt the objects in size, style, and function to what tourists expect, can carry away, and find use for.
“As in other parts of the world (e.g. Davis 1999 ; Rasmussen 2003 ), T ongan women adapt the objects in size, style, and function to what tourists expect, can carry away, and find use for: for instance, table mats, baskets, and fans decorated with turtles and dolphins, maps of Tonga, and stylized figures drinking kava.”
From When gifts become commodities: pawnshops, valuables, and shame in Tonga and the Tongan diaspora (2008) · cites this paper as Davis 1999
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When gifts become commodities: pawnshops, valuables, and shame in Tonga and the Tongan diaspora
Addo, P., & Besnier, N. (2008) · Journal of the Royal Anthropological Institute · doi:10.1111/j.1467-9655.2007.00477.x · Cited by 55 · see citing works
Rasmussen, S. J. (2003) · Anthropological Quarterly · doi:10.1353/anq.2003.0014 · Cited by 23 · see citing works
- Authors
- Davis, E. A.
- Affiliations
- University of California, Berkeley (US)
- Corresponding author
- Davis, Elizabeth A.
- Venue
- American Anthropologist
- Publisher
- Wiley
- Published
- 1999-09
- Volume
- 101
- Issue
- 3
- Pages
- 485-501
- ISSN
- 0002-7294 (ISSN-L)
- 1548-1433
- OpenAlex
- W2125509518
- Cited by
- 22
- References
- 21
- Citations by year
- 2021: 2 · 2016: 1 · 2014: 1 · 2012: 3
- FWCI
- 3.60
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- American Anthropologist (publishedVersion)
- Topics
- Social Sciences › Anthropology › African Studies and Geopolitics
- Social Sciences › Anthropology › Anthropological Studies and Insights
- Social Sciences › Arts and Humanities › Archeology › Cultural Identity and Heritage
- Keywords
- authenticity, exoticism, figurative painting, urbanization, tradition and modernity, East-West encounter
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