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Cited by 353

The DOI matches its Crossref record; 5 of the 5 references it cites were found in a registry or an index.

Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music

Iyer, Vijay·2002·Music Perception
DOI 10.1525/mp.2002.19.3.387
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Abstract

The dual theories of embodied mind and situated cognition, in which physical/temporal embodiment and physical/social/cultural environment contribute crucially to the structure of mind, are brought to bear on issues in music perception. It is argued that cognitive universals grounded in human bodily experience are tempered by the cultural specificity that constructs the role of the body in musical performance. Special focus is given to microrhythmic techniques in specific forms of African-American music, using audio examples created by the author or sampled from well-known jazz recordings.

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Metadata

Authors
Iyer, V.
Venue
Music Perception
Publisher
University of California Press
Published
2002
Volume
19
Issue
3
Pages
387-414
ISSN
0730-7829 (ISSN-L)
DOI
10.1525/mp.2002.19.3.387
OpenAlex
W2000292233
Cited by
353
References
5
FWCI
1.29
Type
journal article
Language
en
Open access
closed

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CoChat. (2026). Citation check: Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music. https://app.cochat.ai/papers/10.1525/mp.2002.19.3.387
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Iyer, V. (2002). Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music. Music Perception. https://doi.org/10.1525/mp.2002.19.3.387

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Bibliographic data: Semantic Scholar, OpenAlex, Crossref.

Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).

Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.