Cited by 0Classical Philosophy and ThoughtClassical Antiquity StudiesCultural and Mythological Studies

The DOI matches its Crossref record; 18 of the 18 references it cites were found in a registry or an index; none of the 53 sources its claims cite is checked for support yet.

Medea: Greek myth and peculiar identity

Open access
Plecas, Tamara, Djordjevic, Ana·2023·Glasnik Etnografskog instituta

Abstract

This paper will primarily focus on the philosophical depictions of Medea’s character and actions. The following identities will be examined: gender (which...

Overview

AI snapshot

Written from the paper’s full text.

TL;DR

This paper reads Medea’s identity through three frames—gender/marriage, foreignness/political belonging, and excessive emotion/psyche—using Euripides and Seneca alongside ancient philosophy. It argues Medea’s identity is unstable and excessive, eluding fixed determination, and that her self-becoming as “Medea” is tied to violence, especially killing her children.

Key findings

  • The paper examines three identities: gender (roles defining women in antiquity), political (what it means to be a foreigner outside a political community), and psychological (whether passions split or constitute the psyche), treating Medea as an exceptional “(in)humanness” in Greco-Roman society.
  • On marriage, Medea is in a state of ἀπορία—both married and unmarried—after Jason abandons her; her marriage, born from a heroic but criminal act, can only be resolved through crime or violence, and she cannot recover the dowry she brought.
  • On foreignness, Medea is a barbarian, foreigner, and refugee; Greeks projected undesirable qualities onto outsiders, making her a mirror/renegade, while Stoic cosmopolitanism would make her a citizen of the world, though as a fugitive she acts against nature.
  • On emotion, Euripides’ Medea knows the evil she is about to do but says her raging heart is stronger than her plans; Stoics see her as a unified rational soul out of control, Plato as split between reason and passion, and recent readings see a complex interplay. She becomes Medea by killing her children, ceasing to be a mother.

Methods

  • Philosophical and classical textual analysis, not empirical research; it interprets Euripides’ and Seneca’s *Medea* in parallel with ancient sources (Plato, Aristotle, Stoics, Epictetus, Seneca, etc.) and modern scholarship.
  • The analysis is organized around three identity frames: Medea as a married woman, as a female foreigner, and as someone prone to excessive emotions or passions; it also compares Greek and Roman social/legal positions, such as Roman women’s greater rights and dowry rules.
  • No sample, dataset, or quantitative analysis is reported; evidence is literary, philosophical, and legal texts.

Limitations

  • The authors state that their analyses “remain deficient in their attempt to substantiate all the complexity of her case” and suggest future frameworks such as intersectionality and Karen Barad’s interference patterns.
  • Evident from the text: the study is interpretive and text-based, with no empirical data or systematic sampling, relying on ancient literary/philosophical sources and secondary scholarship.
  • Evident from the text: the authors note they deal with Medea while she is still in a relationship with Jason, not after she left him, as that is a different story and myth.

Model-written summary. Check it against the paper before relying on it.

Integrity signals

Registry

Crossref · 10.2298/gei2301045p

Cites

18 of 18 references verified0 citation errors · 0 not checkable

Statistics

Nothing to recompute.

Verification

Claims the paper makes

41 Sources not found · 24 Own interpretation · 6 No basis given · 5 No full text of the sources · 2 Not checked yet

Show all 7 claims

  • It may state two separate claims as one. 60
  • Probably not a substantial claim. 41
71 of 71
  • The paper relies on this without support.

    In Ancient Greece, women were defined by characteristics such as invisibility, domestic confinement, silence, ignorance, servitude, passivity, and being subjects of contract and social arrangement.

    “In Ancient Greece, though not exclusively there and then, a woman was defined by a number of characteristics, including being invisible, in the house, on the margins, on the sidelines, out of the way of curious eyes, ignorant, silent, the one who gives birth, a slave, a servant, endurant, a subject of contract 2 and social arrangement, an outcast, passive, the one who dies young, a girl but still”
  • The paper relies on this without support.

    Divorce was more common among Roman women than among women in Euripides' time, especially among Roman aristocratic women.

    “Divorce was more common among Roman women than among women in Euripides' time, especially among Roman aristocratic women (and we could imagine Medea as an aristocrat; after all, she is the daughter of a king).”
  • The authors state this as an assumption.

    In accordance with being a barbarian, Medea's actions are quite the opposite to those of a typical Greek woman, and similar to the actions of barbarian women.

    “If we recall the definition of a typical Greek woman at the beginning of the previous section (housebound, invisible, silent, and at disposal of the familial and societal need), we very much assume that, in accordance with being a barbarian, Medea's actions are quite the opposite to those of a typical Greek woman, and similar to the actions of barbarian women.”
  • The paper relies on this without support.

    Foreign women bring with them a risk; in certain societies, they cannot even produce children who can be full members of society, including Sparta and Athens during some periods.

    “Foreign women bring with them a risk.In certain societies, they cannot even produce children who can be full members of society.Such societies include that of Sparta, and also of Athens during some periods.”
  • The paper relies on this without support.

    Seneca forbids a woman from taking her children with her, which is in conformity with Roman law, because the father, not the mother, decided on the fate of the children.

    “Seneca forbids a woman from taking her children with her, which is in conformity with Roman law, because the father, not the mother, decided on the fate of the children.”
5 of 5

Citations

Cites

Show all 16 references

Research works printed but not linked: 13

  1. Annas, Julia. 1993. The Morality of Happiness. Oxford. Oxford University Press.
  2. Aristotle. 1944. Aristotle in 23 Volumes. Cambridge, MA and London: Harvard University Press and William Heinemann Ltd.
  3. Aurelius, Marcus. 2006. Meditations. Transl. Martin Hammond. Penguin Classics.
  4. Barad, Karen & Marianne DeKoven. 2001. “Re(Con)figuring space, time, and matter.” In Feminist locations: Global and local, theory and practice, ed. Marianne DeKoven, 75-109. New Brunswick: Rutgers University Press.
  5. Blondell, Ruby. 1999. “Medea. Introduction.” In Women on the Edge. Four Plays by Euripides, ed. David M. Halperin, 147-168. New York: Routledge.
  6. Elliot, Richard. C. 1982. The Literary Persona. Chicago: University of Chicago Press.
  7. Epictetus. 2014. Discourses, Fragments, Handbook. Oxford: Oxford University Press.
  8. Euripides. 1999. “Medea.” Transl. Ruby Blondell. In Women on the Edge. Four Plays by Euripides, ed. David M. Halperin, 169-215. New York: Routledge.
  9. Hesiod. 1914. The Homeric Hymns and Homerica. Transl. Hugh G. Evelyn-White. Theogony. Cambridge, MA., Harvard University Press; London, William Heinemann Ltd.
  10. Liddell, Henry George & Robert Scott. 1940. A Greek-English Lexicon. Revised and augmented throughout by Sir Henry Stuart Jones with the assistance of Roderick McKenzie. Oxford: Clarendon Press.
  11. A Latin Dictionary. 1879. Founded on Andrews’ edition of Freund’s Latin dictionary. Revised, enlarged, and in great part rewritten by Charlton T. Lewis, Ph.D. and Charles Short, LL.D. Oxford. Clarendon Press.
  12. Rayor, Diane J. & Andre Lardionois. 2014. Sappho. A New Translation of the Complete Works. New York: Cambridge University Press.
  13. Šijaković, Đurđina. 2014. „Drugost varvarke - Medeja Euripidova i Medeja Velimira Lukića“. Glasnik Etnografskog instituta SANU 62 (2): 181-198.

Cited by

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Metadata

Authors
Plecas, T., & Djordjevic, A.
Affiliations
  • Univerzitet u Beogradu, Institut za filozofiju i društvenu teoriju
  • University of Belgrade (RS)
Venue
Glasnik Etnografskog instituta
Published
2023
Volume
71
Issue
1
Pages
45-62
ISSN
  • 0350-0861 (ISSN-L)
  • 2334-8259
OpenAlex
W4380080512
Cited by
0
References
16
FWCI
0.00
Type
journal article
Language
en
Open access
Locations
  • Glasnik Etnografskog instituta (publishedVersion, cc-by-nc-nd)
  • Repository of the Institute for Philosophy and Social Theory (University of Belgrade, Institute for Philosophy and Social Theory) (submittedVersion, cc-by)
  • DOAJ (DOAJ: Directory of Open Access Journals) (submittedVersion, cc-by-sa)
Topics
  • Social Sciences › Arts and Humanities › Philosophy › Classical Philosophy and Thought
  • Social Sciences › Arts and Humanities › Classics › Classical Antiquity Studies
  • Social Sciences › Arts and Humanities › General Arts and Humanities › Cultural and Mythological Studies
Keywords
Medea, Greek mythology, Greco-Roman philosophy, gender roles, women in antiquity, inhumanity, identity

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