Young Children's Comprehension of Montage
Abstract
2 studies examined children's comprehension of brief stop-animation televised segments incorporating elements of cinematic montage such as pans, zooms, and cuts. Children reconstructed the action and dialogue in these segments using the same dolls and settings depicted. In Study 1, there was no effect of cinematic techniques on reconstruction performance of 3- and 5-year-olds as compared to control segments filmed without these techniques. The results challenged the assumption that the use of such techniques per se contributes to young children's poor comprehension of television shows. In Study 2, 12 new segments were produced in which comprehending the montage required inferences of character perspective, implied action sequences, spatial relationships, and simultaneity of different actions. Averaging across all segments, 62% of the 4-year-olds and 88% of the 7-year-olds demonstrated clear comprehension of the montage. Inferences concerning implied action sequences were easiest for both ages. Inferences of simultaneity were most difficult for 4-year-olds, whereas inferences of character perspective were most difficult for 7-year-olds. Preschool children are thus capable of understanding cinematic events conveyed through camera techniques and film editing, despite previous assertions to the contrary. This ability nevertheless substantially increases with age.
Integrity signals
Registry
Cites
Statistics
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
An extensive body of evidence indicates the many ways in which film spectatorship builds on correspondences between selected features of the cinematic display and a viewer's real-world visual and social experience.
“An extensive body of evidence indicates the many ways in which film spectatorship builds on correspondences between selected features of the cinematic display and a viewer's real-world visual and social experience.”
From True Lies: Perceptual Realism, Digital Images, and Film Theory (1996) · cites this paper as [24]
These correspondences include iconic and noniconic visual and social cues which are structured into cinematic images in ways that facilitate comprehension and invite interpretation and evaluation by viewers based on the salience of represented cues or patterned deviations from them.
“These include iconic and noniconic visual and social cues which are structured into cinematic images in ways that facilitate comprehension and invite interpretation and evaluation by viewers based on the salience of represented cues or patterned deviations from them.”
From True Lies: Perceptual Realism, Digital Images, and Film Theory (1996) · cites this paper as [24]
Cited by
Sorted by citations
True Lies: Perceptual Realism, Digital Images, and Film Theory
Prince, S. (1996) · Film Quarterly · doi:10.2307/1213468 · Cited by 237 · see citing works
The Discourse of Pictures: Iconicity and Film Studies
Prince, S. (1993) · Film Quarterly · doi:10.2307/1213106 · Cited by 49 · see citing works
- Authors
- Smith, R., Anderson, D. R., & Fischer, C.
- ORCID
- Anderson, Daniel R.
- Venue
- Child Development
- Publisher
- Oxford University Press (OUP)
- Published
- 1985-08
- Volume
- 56
- Issue
- 4
- Pages
- 962
- ISSN
- 0009-3920 (ISSN-L)
- OpenAlex
- W2054632594
- Cited by
- 76
- References
- 0
- Citations by year
- 2025: 1 · 2024: 1 · 2022: 2 · 2021: 3 · 2019: 2 · 2018: 2 · 2017: 2 · 2016: 4 · 2015: 4 · 2014: 5 · 2013: 2 · 2012: 4
- FWCI
- 4.49
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Child Development (publishedVersion)
- PubMed (publishedVersion)
- Topics
- Social Sciences › Psychology › Developmental and Educational Psychology › Child and Animal Learning Development
- Social Sciences › Education › Child Development and Digital Technology
- Social Sciences › Psychology › Developmental and Educational Psychology › Language Development and Disorders
- Keywords
- film montage, stop-motion animation, camera techniques, film editing, character perspective, simultaneity, spatial relations, age differences, preschool children
- MeSH terms
- Child, Child Development, Child, Preschool, Concept Formation, Female, Humans, Male, Motion Pictures, Television, Visual Perception
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review