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Terrible Honesty: Mongrel Manhattan in the 1920s
Abstract
Terrible Honesty is a portrait of the soul of a generation, the story of the men and women who made New York the capital of American literature, music, and language in the 1920s. Ann Douglas's magnificent account of mongrel Manhattan focuses especially on brilliant and diverse artists - F. Scott Fitzgerald, Dorothy Parker, Eugene O'Neill, Walter Winchell, Ernest Hemingway and Irving Berlin among them - and on those who influenced them most strongly, the powerful figures of Sigmund Freud, William James and Gertrude Stein. Ann Douglas argues that when, after World War I, the United States began to assume the economic and political leadership of the West, American artists and thinkers determined to break with what they saw as the false and derivative cultural tradition of Europe and the past. New York became the heart of that daring and accomplished historical transformation when blacks and whites, men and women together created the new American culture.
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Cited by
Cutler, D. M., & Glaeser, E. L. (1997) · The Quarterly Journal of Economics · doi:10.1162/003355397555361 · Cited by 1,241
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Watson, J. (2016) · The Cambridge Companion to the Singer-Songwriter · doi:10.1017/cco9781316569207.011 · Cited by 2
Metadata
- Authors
- Shiffman, D., & Douglas, A.
- Venue
- Rocky Mountain Review of Language and Literature
- Publisher
- JSTOR
- Published
- 1996
- Volume
- 50
- Issue
- 2
- Pages
- 187
- ISSN
- 0361-1299 (ISSN-L)
- OpenAlex
- W2267790969
- Cited by
- 451
- References
- 0
- FWCI
- 320.41
- Type
- journal article
- Language
- en
- Open access
- closed
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- Shiffman, D., & Douglas, A. (1996). Terrible Honesty: Mongrel Manhattan in the 1920s. Rocky Mountain Review of Language and Literature. https://doi.org/10.2307/1348238
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Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
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