Cited by 1,828Ethics, Aesthetics, and ArtVisual Culture and Art TheoryCinema History and Criticism

The Autonomy of Affect

Massumi, Brian·1995·Cultural Critique

Abstract

Just images, no words, very simple. It was a story depicted in a short shown on German TV as a fill-in between programs. The film drew complaints from parents reporting that their children had been frightened. That drew the attention of a team of researchers. Their study was notable for failing to find much of what it was studying: cognition. Researchers, headed by Hertha Sturm, used three versions of the film: the original wordless version and two versions with voiceovers added. The first voice-over version was dubbed factual. It added a simple step-by-step account of the action as it happened. A second version was called emotional. It was largely the same as the factual version, but included at crucial turning points words expressing the emotional tenor of the scene under way.

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Authors
Massumi, B.
Corresponding author
Massumi, Brian
Venue
Cultural Critique
Publisher
JSTOR
Published
1995
Issue
31
Pages
83
ISSN
0882-4371 (ISSN-L)
OpenAlex
W3099126439
Cited by
1,828
References
0
Citations by year
2026: 118 · 2025: 167 · 2024: 142 · 2023: 152 · 2022: 157 · 2021: 120 · 2020: 145 · 2019: 161 · 2018: 84 · 2017: 83 · 2016: 76 · 2015: 58 · 2014: 158 · 2013: 42 · 2012: 18
FWCI
16.96
Type
journal article
Language
fr
Open access
closed
Locations
Cultural Critique (publishedVersion)
Topics
  • Social Sciences › Arts and Humanities › Philosophy › Ethics, Aesthetics, and Art
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Visual Culture and Art Theory
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema History and Criticism
Keywords
affect, emotions, cognition, voiceover narration, children's fears, emotion and language

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