Native American Women in Westerns: Reality and Myth
Abstract
Native American women have been portrayed in many of Hollywood's feature films, especially Westerns, in negative and stereotyped ways. After reviewing certain anthropological data, the distortions in these films become quite apparent. Few people realize the importance of women in Native American societies-past and present-and that their status in these societies was very different from what is presented in these films. The ethnographic material on Native women is rich, abundant, and readily available. What follows is a brief sample of the various leadership roles women had in Native American societies. Women's roles were as diverse as the tribes of North America. There was no universal standard regarding the status of Native American women; the role of each woman was unique to her own tribe and her status was determined by a number of factors, such as environment, economic base, and social and political institutions. Matrilineal tribes provided the greatest opportunities for women: women in these tribes owned houses, furnishings, fields, gardens, agricultural tools, art objects, livestock, and horses. Furthermore, these items were passed down through female lines. Regardless of marital status, women had the right to own and control property. The woman had control of her children and if marital problems developed the man would leave the home. Among both matrilineal and patrilineal tribes it has not been uncommon to find women warriors, statesmen, chiefs, religious leaders, med…
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Countless Hollywood Western epics, dime store pulp novels, and Pulitzer Prize winning books have ingrained these stereotypes in American minds.
“Countless Hollywood Western epics such as Duel in the Sun (1947) , dime store pulp novels such as Jackson's (1884/2011) Ramona and Ann Stephens's (1860) Malaeska , and even Pulitzer Prize winning books like Oliver LaFarge's (1929) Laughing Boy have ingrained these stereotypes in American minds.”
From American Indian Females and Stereotypes: Warriors, Leaders, Healers, Feminists; Not Drudges, Princesses, Prostitutes (2013) · cites this paper as Oshana, 1981
American Indian women's portrayal in literature and movies has been selective, stereotyped, and damaging.
“American Indian women's portrayal in literature and movies has been selective, stereotyped, and damaging”
From American Indian Females and Stereotypes: Warriors, Leaders, Healers, Feminists; Not Drudges, Princesses, Prostitutes (2013) · cites this paper as Oshana, 1981
Cited by
Sorted by citations
Lajimodiere, D. K. (2013) · Multicultural Perspectives · doi:10.1080/15210960.2013.781391 · Cited by 38 · see citing works
<i>Ogimah Ikwe</i>: Native Women and Their Path to Leadership
Lajimodiere, D. K. (2011) · Wicazo Sa Review · doi:10.1353/wic.2011.0011 · Cited by 37 · see citing works
- Authors
- Oshana, M.
- Corresponding author
- Oshana, Maryann
- Venue
- Frontiers: A Journal of Women Studies
- Publisher
- JSTOR
- Published
- 1981
- Volume
- 6
- Issue
- 3
- Pages
- 46
- ISSN
- 0160-9009 (ISSN-L)
- OpenAlex
- W2330075733
- Cited by
- 11
- References
- 0
- Citations by year
- 2024: 1 · 2022: 1 · 2019: 1 · 2018: 2 · 2015: 1 · 2013: 1
- FWCI
- 0.00
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Frontiers A Journal of Women Studies (publishedVersion)
- Topics
- Social Sciences › Anthropology › Indigenous Cultures and History
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cinema History and Criticism
- Social Sciences › Arts and Humanities › Philosophy › Cultural Identity and Representation
- Keywords
- Native American women, Western films, Hollywood representation, stereotypes, matrilineal society, women's political power, Iroquois, Pueblo women, women warriors, women shamans, women's property rights, gender roles, film criticism
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