The Problem of Beauty: Aesthetic Thought and Pursuits in Northern Song Dynasty China
Abstract
During the Northern Song dynasty (960-1126), new ground was broken in aesthetic thought, particularly in the fields of art collecting, poetry criticism, connoisseurship of flowers, and the song lyric. Collectively these activities constitute much of what was distinctive about Northern Song culture. Yet the subjects treated here were unprecedented when they appeared; consequently, bold exploration was coupled with anxiety about the worth of these interests, especially given the Confucian biases against these pursuits. Despite differences in each area, certain overarching themes surface repeatedly. Together, these interests and choices suggest a logic behind the new directions of literati culture in the Northern Song. By focusing on the problem of beauty, the author calls attention to the difficulties that Northern Song innovators faced in justifying these new pursuits.
Integrity signals
Registry
Cites
Statistics
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
Liao territory was unaffected by regulation of Buddhist monasteries under the Northern Song, including the system of 'public' monasteries.
“Liao territory was unaffected as well by regulation of Buddhist monasteries under the Northern Song, including the system of ' public ' 十 方 monasteries”
From Connoisseurship in the monastery: Discerning a distinctive identity for Jin elites in sacred precincts (2015) · cites this paper as [9]
Cited by
Sorted by citations
Early Chinese literature, beginnings through Western Han
Kern, M. (2010) · The Cambridge History of Chinese Literature · doi:10.1017/chol9780521855587.003 · Cited by 48 · see citing works
Returning Empty-Handed: Reading the Yifanfeng Corpus as Buddhist Parting Poetry
Protass, J. (2017) · Journal of Chinese Literature and Culture · doi:10.1215/23290048-4179541 · Cited by 1 · see citing works
Sloane, J. D. (2015) · Studies in Chinese Religions · doi:10.1080/23729988.2015.1128583
- Authors
- Egan, R.
- Corresponding author
- Egan, Ronald
- ORCID
- Egan, Ronald
- Venue
- Harvard University Asia Center eBooks
- Publisher
- Harvard University Asia Center
- Published
- 2006-07-01
- OpenAlex
- W582222684
- Cited by
- 47
- References
- 0
- Citations by year
- 2026: 3 · 2024: 1 · 2023: 3 · 2022: 4 · 2021: 1 · 2020: 4 · 2019: 4 · 2018: 1 · 2017: 4 · 2016: 4 · 2015: 5 · 2013: 1 · 2012: 1
- FWCI
- 0.46
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- Harvard University Asia Center eBooks (publishedVersion)
- Topics
- Social Sciences › Sociology and Political Science › Chinese history and philosophy
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Historical and Literary Analyses
- Social Sciences › Arts and Humanities › Language and Linguistics › Classical Studies and Philology
- Keywords
- Northern Song dynasty, aesthetic thought, beauty, art collecting, poetry criticism, song lyrics, literati culture, Confucianism, Song dynasty culture
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review