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Transforming Gender and Emotion: The Butterfly Lovers Story in China and Korea
Open accessAbstract
Often called China's "Romeo and Juliet", the story of the Butterfly Lovers (the tale of Liang Shanbo and Zhu Yingtai, or the Liang-Zhu story) is one of the most famous folk stories in traditional China. With its origins dating back to the fourth century, it has spread and evolved across genres, country, religion, and culture. Transforming Gender and Emotion examines how this story has successfully traveled and multiplied over the centuries, and elucidates what this phenomenon tells us about the story, the local peoples and cultures it represents and the cultural-literary relationship between China and Korea in premodern times. In particular, the book aims to examine the transmission and survivability of its transgressive elements, challenging social, gender, and emotional norms
Overview
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Written from a shortened version of the paper’s full text (it is longer than we read).
TL;DR
This book argues that the Liang-Zhu (Butterfly Lovers) tale’s enduring popularity across China and Korea stems from its capacity to embody conflicting human emotions and gender norms, evolving from a local legend of a righteous woman into a tragic romance and religious narrative. Through comparative analysis of Chinese and Korean versions, it shows how themes of cross-dressing, friendship, love, and transformation were reshaped by different audiences’ desires and sociocultural contexts.
Key findings
- The Sipch’osi version (Koryŏ period, early 14th century, in Chasan’s annotation to the *Hyŏpchu myŏnghyŏn sipch’osi*) is the earliest known Liang-Zhu version containing both the love story and butterfly transformation; it follows the basic plot of modern versions: encounter, brotherhood oath, co-study, Liang’s ignorance of Zhu’s sex, Zhu’s invitation, Liang’s death from lovesickness, joint burial, and butterfly transformation.
- The tale evolved from a local legend of Zhu Yingtai as a “righteous wife” (*yifu*) in Mingzhou (Ningbo), attested in the 1169 *Qiandao Siming tujing*, into a tragic romance; the book focuses on versions from late imperial China (ca. 1550–1920) to mid-twentieth-century China.
- The “Shiba xiangsong” (Seeing Off over Eighteen Li) parting scene runs about twenty minutes on stage in yueju opera and presents a wide range of sights: a woodcutter, a well, magpies, mandarin ducks, watermelons, peonies, plum trees, white geese, temples, and bridges.
- In Korean versions, the virginity oath motif is largely absent; instead, Zhu’s promise to accept her parents’ choice of husband is emphasized, reflecting a focus on filial obedience rather than female virtue and sexuality.
Methods
- Comparative literary and cultural analysis drawing on folklore studies, literary studies, gender studies, anthropology, cultural studies, and religious studies.
- Primary sources: multiple Chinese and Korean versions of Liang-Zhu from folklore, popular songs, drama, fiction, prosimetric literature, musicals, and shamanic ritual narratives; focus on versions from late imperial China (ca. 1550–1920) to mid-twentieth-century China with fixed or estimated dates, plus Korean versions including the Sipch’osi version, “Yang Sanbaek chŏn,” and Cheju shamanic narratives.
- Thematic analysis of gender transgression, cross-dressing, friendship vs. love, male bonding, virginity, parting rituals, butterfly transformation, and religious localization.
Limitations
- The paper states: the abundance and diversity of Liang-Zhu materials posed a main challenge, particularly in selecting examples; the anonymity, intertextuality, and collectivity of most versions complicate contextualizing them in specific historical and cultural terms.
- The paper states: no background information is available on the Sipch’osi version; Chasan gives no explanation of its origin.
- The paper states: it could not pinpoint precisely how and why Liang’s character gradually deviates from the *junzi* image and becomes intertwined with the *caizi* image.
- Evident from the text: the book is a broad, selective monograph rather than an exhaustive survey, and its conclusions about Korean versions’ omission of the virginity oath are offered as a theory requiring more research.
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Claims the paper makes
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- Findingcitation§ Liang-Zhu: More Than Just a Love Story
The first recorded version of the Liang-Zhu tale in Korea is a narrative poem written in Chinese included in an account by an erudite monk from the late Koryŏ (13th-14th centuries).
“The first recorded version of the tale in Korea is a narrative poem written in Chinese included in an account by an erudite monk from the late Koryŏ (13th-14th centuries).21”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [21]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingreasoning§ Liang-Zhu: More Than Just a Love Story
The intense academic and official interest in Liang-Zhu in China for the past two decades has encouraged Chinese scholarship to focus on assembling archives to connect the tale to specific geographical areas or historical records.
“First, it has encouraged Chinese scholarship to focus on assembling archives to connect the tale to specific geographical areas or historical records.”
Quote in the paperNot a substantial claim - Findingnone given§ Liang-Zhu: More Than Just a Love Story
The first evidence of a Korean-language version of Liang-Zhu did not appear until the late Chosŏn period (17th-19th centuries), when a vernacular Korean version emerged and circulated in a commercial woodblock edition.
“The first evidence of a Korean-language version did not appear until the late Chosŏn period (17th-19th centuries), when a vernacular Korean version emerged and circulated in a commercial woodblock edition.”
Quote in the paperNot a substantial claim - Findingnone given§ Liang-Zhu: More Than Just a Love Story
In Korea, the Liang-Zhu tale has functioned primarily at the local level, as part of shamanic rites and folklore.
“In Korea, by contrast, the tale has functioned primarily at the local level, as part of shamanic rites and folklore.”
Quote in the paperNot a substantial claim - Findingown data§ From Local Legend to Butterfly Lovers
The basic themes of the early accounts-studying and being buried together-remain fundamental throughout Liang-Zhu versions.
“The basic themes of the early accounts, for instance-studying and being buried together-remain fundamental throughout Liang-Zhu versions, and the success of modern versions with their”
Quote in the paperSubstantial claim- Rests on an assumption: The selected Liang-Zhu versions are representative of the broader tradition and its audiences.
- Findingreasoning§ Liang-Zhu: More Than Just a Love Story
The cross-cultural history of Liang-Zhu, with its significance as a comparative text revealing the exchange between China and Korea in terms of oral, non-elite literature, has remained unexplored.
“The crosscultural history of Liang-Zhu, with its significance as a comparative text revealing the exchange between China and Korea in terms of oral, non-elite literature, has therefore remained unexplored.”
Quote in the paperNot a substantial claim - Findingown data§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
One key element that most prosimetric versions of the Qing period adopt is an earlier time setting, such as Confucius's lifetime.
“One key element that most of the prosimetric versions of the Qing period adopt is an earlier time setting, such as Confucius's lifetime.”
Quote in the paperNot a substantial claim - Findingnone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
A third common element these prosimetric texts share is that Zhu's role is reduced to that of a gentry wife.
“A third common element these prosimetric texts share is that Zhu's role is reduced to that of a gentry wife.”
Quote in the paperNot a substantial claim - Findingcitation§ From Local Legend to Butterfly Lovers
It was not until the Ming period that historical information began to appear in official records of the grave in local gazetteers.
“It was not until the Ming period that historical information began to appear in official records of the grave in local gazetteers.12”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [12]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingreasoning§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,
In the Sipch'osi version, it is Zhu who initiates contact outside of the academy.
“For example, it is Zhu who initiates contact outside of the academy.”
Quote in the paperNot a substantial claim - Findingcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
The recently discovered inscription on the grave of Liang and Zhu in Shandong Province, written by Zhao Tinglin in 1516, shows that Liang-Zhu had already become a localized narrative of a local monument in an entirely different region by the sixteenth century.
“and the recently discovered inscription on the grave of Liang and Zhu in Shandong Province, written by Zhao Tinglin 趙廷麟 in 1516, shows that Liang-Zhu had already become a localized narrative of a local monument in an entirely different region by the sixteenth century.83”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [83]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingcitation§ From Local Legend to Butterfly Lovers
The earliest reliable, surviving record of the righteous wife version is found in the Southern Song text Qiandao Siming tujing (1169).
“The earliest reliable, surviving record of the righteous wife version is found in the Southern Song text Qiandao Siming tujing 乾道四明圖經 (The Illus-trated Classic of Siming [Ningbo] in the Qiandao reign [1165-73] period, 1169).9”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [9]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingown data§ A close look at the Sipch'osi version further illuminates its regional and cross-cultural characteristics, as well as the relationship between this version and other versions from Zhejiang Province. It also shows what makes this version an archetypal version of modern Liang-Zhu.
The Sipch'osi narrative strongly ties the two characters together through the theme of Confucian study against the historical backdrop of the Tang dynasty.
“First, the Sipch'osi narrative strongly ties the two characters together through the theme of Confucian study against the historical backdrop of the Tang dynasty.”
Quote in the paperNot a substantial claim - Findingreasoning§ From Local Legend to Butterfly Lovers
Vestiges of the values and lore of common people in China and Korea dominate these Liang-Zhu versions.
“Dominant in these Liang-Zhu versions are vestiges of the values and lore of common people in China and Korea that were shaped during their everyday lives, and that the unknown authors of Liang-Zhu tales drew on to entice and captivate fans.”
Quote in the paperNot a substantial claim - Findingcitation§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,
The Confucian academy tradition culminates in later modern popular adaptations such as yueju versions, in which the two characters are portrayed as alumni of the Wansong Academy.
“This Confucian academy tradition culminates in later modern popular adaptations such as yueju ver-sions, in which the two characters are portrayed as alumni of the Wansong Academy 萬松書院 (Ten-Thousand Pines Academy), a famous Confucian academy in Hangzhou that had existed since the Ming dynasty (1368-1644).61”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [61]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingreasoning§ 一夜英臺魂夢散,分明夢裏見爺娘. 72
The Sipch'osi version ends in tragedy.
“Finally, the Sipch'osi version ends in tragedy.”
Quote in the paperNot a substantial claim - Findingnone given§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
The Korean version entitled Yang Sanbaek Ch'uk Yŏngdae chŏn is by far the earliest known example of the Liang-Zhu story containing both love and the butterfly transformation.
“by far the earliest known example of the Liang-Zhu story containing both elements”
Quote in the paperNot a substantial claim - Findingreasoning§ From Local Legend to Butterfly Lovers
Zhu Yingtai was already honored as a righteous wife before Zhang Jin wrote the account.
“first, that Zhu Yingtai was already honored as a righteous wife before Zhang Jin wrote the account;”
Quote in the paperNot a substantial claim - Findingown data§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
By the thirteenth and fourteenth centuries, Liang-Zhu had already spread beyond Southern China.
“As demonstrated by the Sipch'osi version, by the thirteenth and fourteenth centuries, Liang-Zhu had already spread beyond Southern China,”
Quote in the paperSubstantial claim - Findingcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
Liang and Zhu are also depicted as butterflies living in front of the gate of Guanyin.
“Liang and Zhu are also depicted as the butterflies living in front of the gate of Guanyin.103”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [103]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingreasoning§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
More Liang-Zhu folktales are found in Kyŏngsang Province, the area of the Silla kingdom, than in other parts of the Korean peninsula.
“This may explain why more Liang-Zhu folktales are found in Kyŏngsang Province-that is, the area of the Silla kingdomthan in other parts of the peninsula.54”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [54]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingown data§ 一自獨行無伴侶,孤村荒野意恛惶.又遇未來時稍暖,
The Sipch'osi version contains the first instance of butterfly transformation: Zhu's dress, torn by people trying to stop her from leaping into the grave, morphs into a swarm of butterflies.
“Even more significantly, as discussed earlier, we find the first instance of butterfly transformation in this passage of the Sipch'osi version: Zhu's dress, torn by the people trying to stop her from leaping into the grave, morphs into a swarm of butterflies.”
Quote in the paperSubstantial claim - Findingcitation§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
It was not until the nineteenth century, when the story was included in local gazetteers, that a full Liang-Zhu narrative including love and the butterfly transformation appeared in official texts.
“Indeed, it was not until the nineteenth century, when the story was included in local gazetteers, that a full Liang-Zhu narrative that includes these elements appeared in official texts.44”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [44]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingown data§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
The stories were often performed in the context of religious gatherings, especially in baojuan versions.
“First of all, the stories were often performed in the context of religious gatherings.This tendency is especially strong in baojuan versions.”
Quote in the paperNot a substantial claim - Findingnone given§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
The key elements found in modern Liang-Zhu versions, namely love and the butterfly transformation, are entirely missing from the official narrations discussed above.
“The key elements found in modern Liang-Zhu versions-namely, love and the butterfly transformation-are entirely missing from the official narrations discussed above.”
Quote in the paperSubstantial claim - Findingnone given§ From Local Legend to Butterfly Lovers
The entry of this grave in the Shidao sifan zhi confirms that the salutation of Zhu Yingtai as a righteous wife and her common burial with Liang Shanbo were known during the Tang dynasty.
“First, the entry of this grave in the Shidao sifan zhi confirms that the salutation of Zhu Yingtai as a righteous wife and her common burial with Liang Shanbo were known during the Tang dynasty.”
Quote in the paperNot a substantial claim - Findingreasoning§ From Local Legend to Butterfly Lovers
The shrine existed in the area in Zhang Jin's time.
“and third, that the shrine existed in the area in Zhang Jin's time.”
Quote in the paperNot a substantial claim - Findingcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
Most versions present Liang and Zhu as human reincarnations of Jintong Yünü (the Golden Boy and the Jade Girl) who are expelled from Heaven by Guanyin or the Jade Emperor for their sin and forced to live through three or seven generations as a thwarted couple before they are finally reunited and brought back to their original status.
“Most versions present Liang and Zhu as human reincarnations of Jintong Yünü 金童玉女 (the Golden Boy and the Jade Girl) who are expelled from Heaven by Guanyin (the Goddess of Compassion, Avalokiteshvara) or the Jade Emperor for their sin and forced to live through three or seven generations as a thwarted couple before they are finally reunited and brought back to their original status (三世不團圓 or 七世不團圓”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [102]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingreasoning§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
In popular or oral Liang-Zhu storytelling, the motifs of love and butterfly transformation were adopted much earlier than in official texts.
“In contrast, in popular or oral Liang-Zhu storytelling, these motifs were adopted much earlier.”
Quote in the paperSubstantial claim - Findingcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
In various versions, Guanyin, Lü Dongbin, Lishan Laomu, and other immortals save Liang and Zhu, guiding them back to Heaven or to the realms of the immortals.
“For example, in various versions, Guanyin, Lü Dongbin, 105 Lishan Laomu 黎山老母 (The Old Mother of the Li Mountain), 106 and other immortals save Liang and Zhu, guiding them back to Heaven or to the realms of the immortals.”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites [105]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites [106]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingreasoning§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,
The Sipch'osi version is the first example of an explicit Confucian setting for Liang and Zhu's study.
“This version is the first example of an explicit Confucian setting for Liang and Zhu's study.”
Quote in the paperNot a substantial claim - Findingnone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
In 'Yang Sanbaek chŏn,' Liang and Zhu are originally immortals of Mountain Samsin and are sent to the human world as a punishment for their sin.
“Originally immortals of Mountain Samsin, Liang and Zhu are sent to the human world as a punishment for their sin.”
Quote in the paperNot a substantial claim - Findingnone given§ Cross-Dressing, Deception, and Displaced Gender
Later accounts, including the version in Feng Menglong's Yushi mingyan, show a wide range of interpretations of Zhu's motives for cross-dressing, most of which involve relieving her family's concerns.
“Whereas Zhang Jin's version of Liang-Zhu, discussed in chapter 1, mentions Zhu's study and death only briefly and says little about her motivations, later accounts, including the version in Feng Menglong's Yushi ming-yan, show a wide range of interpretations of Zhu's motives for cross-dressing, most of which involve relieving her family's concerns.”
Quote in the paperNot a substantial claim - Findingreasoning§ Making a Tragedy: The Continuing Dilemma between Body and Emotion
Since the early twentieth century, Liang-Zhu has been best known for the versions that end in tragedy, rather than for the many with happy endings of rebirth and worldly success.
“Since the early twentieth century, Liang-Zhu has been best known for the versions that end in tragedy, rather than for the many with happy endings of rebirth and worldly success.”
Quote in the paperSubstantial claim - Findingnone given§ Ideals of Junzi and Caizi
On the popular commercial stages of modern China, the extravagant representation of the butterfly transformation scene always seems to trump the call for a happy ending of rebirth replete with worldly blessings.
“On the popular commercial stages of modern China, the extravagant representation of the butterfly transformation scene always seems to trump the call, reflected in the earlier extended versions, for a happy ending of rebirth replete with worldly blessings.”
Quote in the paperNot a substantial claim - Findingreasoning§ Ideals of Junzi and Caizi
After the 1950s, the butterfly transformation was solidified as a representative, necessary element of Liang-Zhu.
“After the 1950s, the butterfly transformation was solidified as a representative, necessary element of Liang-Zhu.”
Quote in the paperNot a substantial claim - Findingnone given§ Ideals of Junzi and Caizi
The motifs of occult belief in the afterworld and mundane blessings after rebirth, dominant in extended versions, are generally rejected in modern versions as a product of the feudal and superstitious past.
“Simultaneously, the motifs of occult belief in the afterworld and of mundane blessings after rebirth, which were dominant in the extended versions, are generally rejected in modern versions as a product of the feudal and superstitious past.”
Quote in the paperNot a substantial claim - Findingown data§ Making a Tragedy: The Continuing Dilemma between Body and Emotion
Based on analysis of Zhu's character shifting back into a jiaren toward the end, her desire for heterosexual union is an important factor in her act of dying.
“Based on my analysis of Zhu's character shifting back into that of a jiaren toward the end of the story, her desire for heterosexual union is an important factor in her act of dying.”
Quote in the paperSubstantial claim - Findingcitation§ Ideals of Junzi and Caizi
Based roughly on available historical references, the adoption of a caizi image had already begun in the Sipch'osi version around the early fourteenth century, which portrayed Liang as a victim of passionate love.
“Based roughly on the few available historical references, it appears that the adoption of a caizi image had already begun in the Sipch'osi version, around the early fourteenth century, which portrayed Liang as a victim of passionate love.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Sipch'osi
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingcitation§ Chapter 4 From Sorrowful Separation to Convivial Excursion
The scene of parting focused on has been popular ever since Liang-Zhu's drama-song adaptations in the Ming-Qing period.
“The scene of parting that I focus on here has been popular ever since Liang-Zhu's drama-song adaptations in the Ming-Qing period.3”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [3]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingcitation§ Making a Tragedy: The Continuing Dilemma between Body and Emotion
The emphasis on tragedy introduced by Wang Guowei greatly influenced the understanding and performance of the tragic ending of Liang-Zhu.
“In particular, the emphasis on tragedy introduced by scholars such as Wang Guowei (1877-1927) greatly influenced the understanding and performance of the tragic ending of Liang-Zhu.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Wang Guowei
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingnone given§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯
The Fan-Zhang story has much in common with Liang-Zhu, such as the theme of studying together, the promise of reunion, and, finally, death.
“The Fan-Zhang story has much in common with Liang-Zhu, such as the theme of studying together, the promise of reunion, and, finally, death.”
Quote in the paperNot a substantial claim - Findingcitation§ Not a Girl: Killing Suspicions and Oppressing Heterosexuality
In some versions, both Chinese and Korean, Liang is even aware of Zhu's true sex soon after they meet.
“In some versions, both Chinese and Korean, Liang is even aware of Zhu's true sex soon after they meet.47”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [47]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingown data§ Ideals of Junzi and Caizi
The heterosexual reading of the story, with its interest in love and a happy marriage, is prominent in most of the extended versions from the Ming-Qing period that the author has been able to find.
“What is certain is that the heterosexual reading of the story, with its interest in love and a happy marriage, is prominent in most of the extended versions I have been able to find from the Ming-Qing period.”
Quote in the paperSubstantial claim - Findingnone given§ Ideals of Junzi and Caizi
In some operatic editions from the early twentieth century, the ameliorative butterfly motif is omitted so as to present a more realistic tragedy.
“However, in some operatic editions from the early twentieth century, the ameliorative butterfly motif is omitted so as to present a more realistic tragedy.”
Quote in the paperNot a substantial claim - Findingcitation§ Chapter 4 From Sorrowful Separation to Convivial Excursion
From the twelfth century on, the parting scene appeared more frequently in popular versions than in the surviving official accounts.
“What we do know is that, from the twelfth century on, the parting scene appeared more frequently in popular versions than in the surviving official accounts.4”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [4]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingcitation§ Chapter 4 From Sorrowful Separation to Convivial Excursion
In contrast, the popular folk songs, dramas, and prosimetric texts tend to be more expressive of the emotional complexity of the parting scene, playing off the audience's responses.
“In contrast, the popular folk songs, dramas, and prosimetric texts tend to be more expressive of the emotional complexity of the parting scene, playing off the audience's responses.7”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [7]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Findingnone given§ Chapter 4 From Sorrowful Separation to Convivial Excursion
In Shao's account, as in many popular retellings, Zhu parts from Liang with a promise to introduce him to her marriageable (and fictitious) sister, thus inviting him to her home.
“In this account, as in many popular retellings, Zhu parts from Liang with a promise to introduce him to her marriageable (and fictitious) sister, thus inviting him to her home.”
Quote in the paperNot a substantial claim - Premisecitation§ Liang-Zhu: More Than Just a Love Story
Over the centuries, the Liang-Zhu tale traveled to many other parts of Asia, reaching Indonesia, Vietnam, Malaysia, and in particular Korea.
“Meanwhile, over the centuries, the Liang-Zhu tale had traveled to many other parts of Asia, reaching Indonesia, Vietnam, Malaysia, and in particular, Korea.19”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [19]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ From Local Legend to Butterfly Lovers
The genesis of the Liang-Zhu tale is said to go back to a local legend of early medieval China (220-589) from the Wuyue region.
“The genesis of the Liang-Zhu tale is said to go back to a local legend of early medieval China (220-589) from the Wuyue 吳越 region. 1”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [1]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationcitation§ Liang-Zhu: More Than Just a Love Story
Like many other vernacular Chinese tales in Korea, the Liang-Zhu tale was appropriated by Korean commoners who loved it and saw its social and cultural value.
“Like many other vernacular Chinese tales in Korea, it was appropriated by Korean commoners who loved it and who had seen its social and cultural value.23”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [23]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationcitation§ From Local Legend to Butterfly Lovers
The small number of date-authenticated Liang-Zhu versions in print serve as stepping stones to connect the premodern and modern worlds of Liang-Zhu literature and their respective audiences.
“Still, the small number of date-authenticated Liang-Zhu versions in print serve as stepping stones to connect the premodern and modern worlds of Liang-Zhu literature and their respective audiences.4”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [4]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Rests on an assumption: The selected Liang-Zhu versions are representative of the broader tradition and its audiences.
- Interpretationreasoning§ From Local Legend to Butterfly Lovers
Based on early accounts from Mingzhou, the story of Zhu and Liang changed greatly along the path to its current popularity, evolving from the simple legend of a righteous woman of Mingzhou into the well-loved 'Butterfly Lovers' story of modern representations.
“Based on these early accounts from Mingzhou, it is evident that the story of Zhu and Liang changed greatly along the path to its current popularity, evolving from the simple legend of a righteous woman of Mingzhou into the well-loved”
Quote in the paperSubstantial claim- Rests on an assumption: The narrative versions of Liang-Zhu reflect the sociocultural contexts and values of the people who told and heard them.
- Premisereasoning§ Liang-Zhu: More Than Just a Love Story
The distribution of the native Korean script in 1446, and its development as a literary language in the late Chosŏn period, provided a way for non-elite class Koreans, particularly women, to consume the Liang-Zhu tale as reading material, the form in which the native Korean fiction of Liang-Zhu emerged.
“The distribution of the native Korean script in 1446, and its development as a literary language in the late Chosŏn period, provided a way for non-elite class Koreans, particularly women, to consume the tale as reading material, the form in which the native Korean fiction of Liang-Zhu emerged.”
Quote in the paperSubstantial claim - Interpretationown data§ From Local Legend to Butterfly Lovers
Through an examination of the themes that recur most often in premodern Liang-Zhu versions, it becomes clear that certain Liang-Zhu elements favored by the earliest tellers of the story played a decisive role in forming later audiences' perceptions of how Liang-Zhu literature should look.
“Through an examination of the themes that recur most often in premodern Liang-Zhu versions, it becomes clear that certain Liang-Zhu elements favored by the earliest tellers of the story played a decisive role in forming later audiences' perceptions of how Liang-Zhu literature should look.”
Quote in the paperSubstantial claim- Rests on an assumption: The selected Liang-Zhu versions are representative of the broader tradition and its audiences.
- Interpretationcitation§ Liang-Zhu: More Than Just a Love Story
Versions of Liang-Zhu popular during Ming-Qing times appealed to local audiences with themes of love and friendship, revealed through moments of joy and sadness at meeting and parting.
“The versions popular during Ming-Qing times, for example, appealed to local audiences with themes of love and friendship, revealed through moments of joy and sadness at meeting and parting.11”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [11]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationnone given§ Liang-Zhu: More Than Just a Love Story
The Liang-Zhu tale has served folk beliefs and wisdoms and local cults, providing a way for the tale to travel and take up residence in different societies and cultures.
“Like many popular stories in China, the Liang-Zhu tale has served folk beliefs and wisdoms and local cults, providing a way for the tale to travel and take up residence in different societies and cultures.”
Quote in the paperSubstantial claim - Premisecitation§ Liang-Zhu: More Than Just a Love Story
Wars and other military conflicts triggered unexpected waves of immigration which contributed to a continued influx into China and Korea of large numbers of professional entertainers from various ethnic groups, including Indians, Muslims, Khitan, Jurchen, and Mongols.
“Wars and other military conflicts triggered unexpected waves of immigration which, like exchange routes such as the Silk Road, contributed to a continued influx into China and Korea of large numbers of professional entertainers from various ethnic groups, including Indians, Muslims, Khitan, Jurchen, and Mongols, migrating from the western or northern regions of China.27”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [27]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ From Local Legend to Butterfly Lovers
The history of modern Liang-Zhu versions is best understood by viewing later versions as an extension of the continued popularity of earlier versions, rather than as a creation of pure modern imagination.
“The history of modern Liang-Zhu versions, then, can best be understood when we view these later versions as an extension of the continued popularity of earlier versions, rather than as a creation of pure, modern imagination.”
Quote in the paperSubstantial claim - Interpretationcitation§ Liang-Zhu: More Than Just a Love Story
The glowing success of the film The Love Eterne (1963) stimulated and strengthened a sense of Chinese community or an 'alternative Chinese national identity' among overseas Chinese.
“In particular, the glowing success of a film version, The Love Eterne (1963), directed by Li Han-hsiang (Li Hanxiang, 1926-96), stimulated and strengthened a sense of Chinese community or an”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [18]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ From Local Legend to Butterfly Lovers
Up until Zhang Jin's time, the historical record had spotlighted Zhu, giving her precedence over Liang.
“It also suggests that up until then, the historical record had spotlighted Zhu, giving her precedence over Liang.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
The fact that the performance is scripted into this format suggests that the Sipch'osi version mirrors the common, non-elite people's understanding and expectations of the tale more than it does any official accounts from the period.
“The fact that the performance is scripted into this format suggests that this version mirrors the common, non-elite people's understanding and expectations of the tale more than it does any of the official accounts from the period.”
Quote in the paperSubstantial claim - Interpretationreasoning§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
The Sipch'osi version can be seen as the archetypal basis of the popular modern Liang-Zhu narrative.
“In terms of both content and form, the Sipch'osi version can be seen as the archetypal basis of the popular modern Liang-Zhu narrative.”
Quote in the paperSubstantial claim - Interpretationreasoning§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
Chasan's insertion of the Sipch'osi version shows that Liang-Zhu, originating from the legend of a righteous wife, had developed into a full narrative including the butterfly transformation theme by the early fourteenth century at the latest.
“So, Chasan's insertion of the Sipch'osi version in turn shows that Liang-Zhu, originating from the legend of a righteous wife, had developed into a full narrative, including the butterfly transformation theme, by the early fourteenth century at the latest.”
Quote in the paperSubstantial claim - Premisereasoning§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,
In most Liang-Zhu versions, including modern operas, the Eastern Jin period is used as the historical setting, mainly because Liang and Zhu are respectfully treated as real figures from that period.
“In most Liang-Zhu versions, including modern operas, it is the Eastern Jin period that is used as the historical setting, mainly because Liang and Zhu are respectfully treated as real figures from that period, as we saw in Li Maocheng's narration.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ From Local Legend to Butterfly Lovers
Liang's asexual behavior, one crucial sign of his noble character, has helped the Liang-Zhu tale deliver a didactic message to audiences, particularly audiences of versions by literati such as Zhang Jin.
“In this sense, Liang's asexual behavior, one crucial sign of his noble character, has helped the Liang-Zhu tale deliver a didactic message to audiences, particularly the audiences of versions by literati such as Zhang Jin.24”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [24]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ Deity of Righteousness and Loyalty
Li's narrative implies that Liang's fatal illness stems from overwork as a local official, rather than from lovesickness brought about by his inability to marry Zhu.
“Furthermore, Li's narrative implies that Liang's fatal illness stems from overwork as a local official, rather than from lovesickness brought about by his inability to marry Zhu, the commonly accepted reason throughout most of the Liang-Zhu literature.”
Quote in the paperNot a substantial claim - Interpretationcitation§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
The format of the Sipch'osi version suggests that it would have been a performance-based text targeted at folk audiences.
“The format of the Sipch'osi version suggests that it would have been a performancebased text, targeted at folk audiences.51”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [51]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ From Local Legend to Butterfly Lovers
Zhu had been better known than Liang before Zhang Jin's time.
“From this, it can be inferred that Zhu had been better known than Liang before Zhang Jin's time.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,
The Tang dynasty may be invoked in the Sipch'osi version to symbolically represent the whole of Chineseness, an imaginary Chinese space in the minds of marginalized Chinese people and Korean audiences, particularly scholars and monks yearning to study abroad in China.
“The Tang dynasty may thus be invoked here to symbolically represent the whole of Chineseness-an imaginary Chinese space in the minds of marginalized Chinese people and Korean audiences, particularly scholars and monks yearning to study abroad in China, a space in which the Liang-Zhu story can take flight.”
Quote in the paperSubstantial claim - Interpretationcitation§ From Local Legend to Butterfly Lovers
The portrayal of Zhu as a local Robin Hood archetype may have been combined with the motifs of schooling and love in a folkloric attempt to bind the two heroes together in material and narrative space.
“This posthumous matching of Liang and Zhu also suggests that the portrayal of Zhu as a local Robin Hood archetype may have been combined with the motifs of schooling and love in a folkloric attempt to bind the two heroes together in material and narrative space.20”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [20]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ From Local Legend to Butterfly Lovers
The relationship between elite and folk literatures cannot be described in terms of a unidirectional influence from one to the other.
“However, a certain level of interaction and interpenetration between elite and folk literatures and audiences is necessary in any culture, and thus the relationship cannot be described in terms of a unidirectional influence from one to the other.8”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [8]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationcitation§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
The reference in the fifth line of Luo Ye's poem indicates that the butterfly transformation motif was already associated with the legend of a righteous wife during Luo Ye's lifetime, in the mid-to-late ninth century.
“The reference in the fifth line is itself a significant indication that the butterfly transformation motif was already associated with the legend of a righteous wife during Luo Ye's lifetime, in the mid-to late ninth century.48”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [48]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisereasoning§ Deity of Righteousness and Loyalty
In Li Maocheng's time, though Confucianism was the dominant ideology, non-Confucian supernatural and shamanistic elements were tolerated in official texts as long as they could contribute to the embodiment of Confucian values and thus to the so-called public good.
“In Li Maocheng's time, though Confucianism was the dominant ideology, non-Confucian supernatural and shamanistic elements were tolerated in official texts as long as they could contribute to the embodiment of Confucian values and thus to the socalled public good.”
Quote in the paperSubstantial claim - Interpretationcitation§ From Local Legend to Butterfly Lovers
The tendency to position Liang as the story's central figure was already widespread during Zhang Jin's lifetime.
“Zhang's report of the existence and location of the shrine, which seems to be dedicated to Liang, also reveals that the tendency to position Liang as the story's central figure was already widespread during Zhang Jin's lifetime.11”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [11]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
The elongated prosimetric versions are typical examples of the syncretism of popular religion in late imperial China.
“It should be noted that the elongated prosimetric versions are typical examples of the syncretism of popular religion in late imperial China.104”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [104]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ From Local Legend to Butterfly Lovers
The overt admiration for Liang's character reflects the social reality of the Southern Song dynasty, which was known for a more Confucian social milieu than the Tang dynasty.
“This overt admiration for Liang's characterthat is, a shift in focus from Zhu to Liang in the account of the gravesite-to some extent reflects the social reality of the Southern Song dynasty (1127-1279), which was known for a more Confucian social milieu than the Tang dynasty.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Deity of Righteousness and Loyalty
The addition of supernatural elements to the Liang-Zhu tale illuminates the local spiritual environment in which the story developed into a religiously didactic narrative.
“The addition of supernatural elements to the Liang-Zhu tale illuminates the local spiritual environment in which the story developed into a religiously didactic narrative.”
Quote in the paperSubstantial claim - Interpretationnone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
The themes and elements in the Sipch'osi version became predominant in the majority of later folk-ballad versions of Liang-Zhu.
“we can see that the themes and elements in the Sipch'osi version became predominant in the majority of these folk-ballad versions of Liang-Zhu.”
Quote in the paperNot a substantial claim - Premisecitation§ The Sipch'osi Version: An Early Song of Sadness and Butterfly Transformation
Zhejiang Province, especially the Ningbo and Hangzhou areas, had long been the center of religious, cultural, and commercial exchange via the southern sea routes along the Yellow Sea between China and Korea.
“Due to its geopolitical merits, Zhejiang Province-and especially the Ningbo and Hangzhou areashad long been the center of religious, cultural, and commercial exchange via the southern sea routes along the Yellow Sea between China and Korea.53”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [53]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
The emotional and romantic themes of Liang-Zhu, prominent for the first time in the Sipch'osi version, continued to be developed in later Liang-Zhu storytelling, particularly folk ballad and drama forms.
“The emotional and romantic themes of Liang-Zhu, prominent for the first time in the Sipch'osi version, continued to be developed in later Liang-Zhu storytelling, particularly folk ballad and drama forms.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Deity of Righteousness and Loyalty
Li's Liang-centered narration privileges public values over private concerns.
“More specifically, Li's Liang-centered narration privileges public values over private concerns.”
Quote in the paperSubstantial claim - Interpretationreasoning§ From Local Legend to Butterfly Lovers
Zhang was influenced by a Liang-centered interpretation that focused on the honorable nature of Liang rather than Zhu.
“Hence, we can infer that Zhang was influenced by a Liangcentered interpretation that focused on the honorable nature of Liang rather than Zhu.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Cross-Dressing, Deception, and Displaced Gender
Zhu's gender deception becomes an obstacle to her pursuit of love as a woman.
“Her gender deception becomes an obstacle to her pursuit of love as a woman.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
This Liang-Zhu story catered primarily to the desires of local people seeking entertainment at their religious gatherings and festivals.
“This Liang-Zhu story catered primarily to the desires of local people seeking entertainment at their religious gatherings and festivals.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ If I lose my body [virginity] before I return home,
Zhu's performance, thoughts, and actions in the male domain are permitted only as long as they do not jeopardize her physical body.
“Zhu's performance, thoughts, and actions in the male domain are permitted only as long as they do not jeopardize her physical body.”
Quote in the paperSubstantial claim - Interpretationcitation§ Cross-Dressing, Deception, and Displaced Gender
In the story, Zhu's cross-dressing is the very reason for her failure in love and marriage.
“Nevertheless, in the story, Zhu's cross-dressing is the very reason for her failure in love and marriage.62”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [62]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ If I lose my body [virginity] before I return home,
The dichotomy between gender and sex inhibits Zhu's accomplishments as either a student or a young woman.
“The resulting dichotomy between gender and sex inhibits her accomplishments as either a student or a young woman.”
Quote in the paperSubstantial claim - Premisecitation§ Cross-Dressing, Deception, and Displaced Gender
Changing one's identity by changing one's appearance is seldom condoned in normal life due to its potential to disrupt the hierarchy.
“Changing one's identity by changing one's appearance is seldom condoned in normal life due to its very potential to disrupt the hierarchy.44”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [44]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationcitation§ Friendship vs. Love
In most versions from the Ming and Qing periods, the rapid intimacy between Liang and Zhu is simply because their basic social roles are similar enough to bring them together.
“There are many explanations for this rapid intimacy, but in most versions from the Ming and Qing periods, it is simply that their basic social roles are similar enough to bring them together.7”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [7]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ Cross-Dressing, Deception, and Displaced Gender
The fortune-teller episode reveals the gender hierarchy and imbalance that make maleness necessary to the acquisition of power and reputation.
“The fortune-teller episode reveals the gender hierarchy and imbalance that make maleness necessary to the acquisition of power and reputation.”
Quote in the paperSubstantial claim - Interpretationreasoning§ If I lose my body [virginity] before I return home,
The Korean versions' omission of the virginity oath demonstrates that the virginity theme in Liang-Zhu is not an inevitable product of Neo-Confucian philosophy.
“It also demonstrates that the virginity theme in Liang-Zhu is not an inevitable product of Neo-Confucian philosophy; in some ways, Korea underwent a more intense practice of Neo-Confucian ethics during the late Chosŏn period than did Ming-Qing China.90”
Quote in the paperSubstantial claim - Interpretationreasoning§ Friendship vs. Love
Instead of competition causing betrayal, Liang and Zhu's studying together brings synergy to their close bond.
“Instead, their studying together brings synergy to their close bond.”
Quote in the paperNot a substantial claim - Interpretationcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
The strength of the versions performed at religious gatherings was their efficacy in bringing religious messages to an illiterate or semi-illiterate audience.
“Indeed, the strength of the versions performed at religious gatherings was their efficacy in bringing religious messages to an illiterate or semi-illiterate audience.111”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [111]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:
This story was also useful to religious leaders who sought to instill the basic message of their faith in the hearts of the people by means of captivating stories.
“Yet this story was also useful to religious leaders who sought to instill the basic message of their faith in the hearts of the people by means of captivating stories.110”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [110]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin Zhu
Tracing Liang-Zhu's development, different accounts served different purposes.
“Tracing Liang-Zhu's development, we find strong evidence that different accounts served different purposes.”
Quote in the paperSubstantial claim - Interpretationnone given§ Cross-Dressing, Deception, and Displaced Gender
In premodern China as well as Korea, what usually dictates the consequences of gender-crossing are the motives behind the contravention.
“In premodern China as well as Korea, what usually dictates the consequences are the motives behind the contravention.”
Quote in the paperNot a substantial claim - Premisecitation§ If I lose my body [virginity] before I return home,
Korea underwent a more intense practice of Neo-Confucian ethics during the late Chosŏn period than did Ming-Qing China.
“in some ways, Korea underwent a more intense practice of Neo-Confucian ethics during the late Chosŏn period than did Ming-Qing China.90”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [90]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ If I lose my body [virginity] before I return home,
Zhu's identity is divided into two imperfect roles: male student and female virgin.
“As a result, Zhu's identity is divided into two imperfect roles: male student and female virgin.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Cross-Dressing, Deception, and Displaced Gender
Both stories demonstrate how cross-dressing could have a positive moral function, allowing a woman to keep her chastity while she moves about in a male domain.
“Indeed, both do demonstrate how cross-dressing could have a positive moral function, allowing a woman to keep her chastity while she moves about in a male domain.”
Quote in the paperSubstantial claim - Interpretationreasoning§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.
Zhu's willful infiltration of the male community, which seems to undermine the exclusivity of the male relationship by addressing the marginalization of equivalent relationships among women, in fact plays an active role in echoing, solidifying, and reinforcing the male-centered relationship codes promoted by the Confucian order.
“Zhu's willful infiltration of the male community, which seems to undermine the exclusivity of the male relationship by addressing the marginalization of equivalent relationships among women, in fact plays an active role in echoing, solidifying, and reinforcing the male-centered relationship codes promoted by the Confucian order.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.
The development of the bond between Liang and Zhu-an essential part of the Liang-Zhu story-cannot reasonably be scrutinized separately from the fashion of celebrating male friendship.
“The development of the bond between Liang and Zhuan essential part of the Liang-Zhu story-cannot reasonably be scrutinized separately from the fashion of celebrating male friendship.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Ideals of Junzi and Caizi
The reduction of Zhu's role to a common gentry wife and Liang's entitlement to several other wives epitomize the further assimilation of Liang-Zhu into male-centered caizi-jiaren stories.
“The reduction of Zhu's role to that of a common gentry wife, longing for her husband's return, and Liang's entitlement to (and Zhu's tolerance of ) several other wives as a badge of his official or military achievement epitomize the further assimilation of Liang-Zhu into male-centered caizi-jiaren stories.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing Heterosexuality
Zhu's successful gender performance becomes the greatest obstacle to the friends developing a romantic relationship.
“As a result, Zhu's successful gender performance, the very thing she wants to achieve, becomes the greatest obstacle to the friends developing a romantic relationship.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Ideals of Junzi and Caizi
Two conflicting ideals of masculinity, junzi and caizi, play a large part in determining the nature of Liang and Zhu's relationship and the various endings of the story.
“In this change we also see the existence of, and tension between, two conflicting ideals of masculinity-those of the junzi (gentleman) and the caizi (talented scholar).These two ideals play a large part in determining the nature of Liang and Zhu's relationship and the various endings of the story.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Ideals of Junzi and Caizi
Liang's ignorance of sexual matters helps Zhu establish and maintain her image as a junzi/shunü, which protects her from censure for mixing with men at the academy.
“In particular, Liang's ignorance of sexual matters helps Zhu establish and maintain her image as a junzi/shunü, which protects her from censure for mixing with men at the academy.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Ideals of Junzi and Caizi
The absence of physical union, which allowed the story to be praised as one of pure love, is closely tied to the theme of male bonding.
“Yet the absence of physical union, which allowed the story to be praised as one of pure love, is closely tied to the theme of male bonding.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Ideals of Junzi and Caizi
Because of the transition to caizi-jiaren, later versions of Liang-Zhu focus far more on male-centered desire than earlier versions, which end with deaths or rebirths.
“Significantly, because of this transition, these later versions of the story focus far more on male-centered desire than do the earlier versions, which end with the deaths or the rebirths of Liang and Zhu.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Ideals of Junzi and Caizi
The addition of more complicated plots and situations in the extended Liang-Zhu versions cannot be substantially explained without considering the interaction between the Liang-Zhu story and the caizi-jiaren stories, as well as other subgenres in late imperial China.
“The addition of more complicated plots and situations in the extended Liang-Zhu versions cannot be substantially explained without considering the interaction between the Liang-Zhu story and the caizi-jiaren stories, as well as other subgenres in late imperial China.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing Heterosexuality
Zhu's attempt to create a relationship of both heterosexual love and male bonding represents a different kind of love in Chinese culture, fostered by the discrepancy between her assumed male gender and her actual female sex.
“Zhu's attempt to create a relationship of both heterosexual love and male bonding therefore represents a different kind of love in Chinese culture, fostered by the discrepancy between her assumed male gender and her actual female sex.”
Quote in the paperSubstantial claim - Premisecitation§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.
In practice, homosexual behavior is seen as not incompatible with traditional marriage in China, which concerned one's obligations to continue the family line more than any other personal interests.
“In practice, however, homosexual behavior is seen as not incompatible with traditional marriage in China, which concerned one's obligations to continue the family line more than any other personal interests.44”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [44]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.
This emphasis on social value partly explains why male friendships took priority over male-female relationships among Chinese literati.
“This emphasis on social value partly explains why male friendships took priority over male-female relationships among Chinese literati.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing Heterosexuality
Liang tolerates Zhu's excuses because rejecting them would violate the public construction of their relationship as faithful friends.
“Liang tolerates Zhu's excuses-in fact, her lies-because his rejection of them would violate the public construction of their relationship as faithful friends, and he perhaps sees the utility of those excuses in protecting both Zhu's image and his own.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and Emotion
It is difficult to perceive Zhu's death solely as the fulfillment of, or yielding to, the desire for male bonding.
“For this reason, it is difficult to perceive Zhu's death solely as the fulfillment of, or yielding to, the desire for male bonding.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Ideals of Junzi and Caizi
The construction of Liang's character within the junzi and caizi views produces two different sets of male-female couples: the junzi and shunü, and the caizi and jiaren.
“The construction of Liang's character within these two views of Chinese masculinity produce two different sets of male-female couples: the junzi and shunü 淑女 (fair or gentle maiden), and the caizi and jiaren 佳人 (beauty).”
Quote in the paperSubstantial claim - Interpretationreasoning§ Ideals of Junzi and Caizi
In newer versions, death is merely the price Liang and Zhu must pay to reach their goal of a happy married life.
“In these newer versions, death is merely the price Liang and Zhu must pay to reach their goal of a happy married life.”
Quote in the paperSubstantial claim - Premisecitation§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.
In traditional China, particularly in orthodox Confucianism, friendship, rooted in selective and individual values, inevitably conflicted with familial and societal values.
“In traditional China, particularly in orthodox Confucianism, friendship, rooted in selective and individual values, inevitably conflicted with familial and societal values.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [35]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ Ideals of Junzi and Caizi
The promise of satisfaction, pleasure, and fulfillment drove the popularity of later Liang-Zhu versions, in which the tragic aspect is correspondingly diminished.
“This promise of satisfaction, pleasure, and fulfillment drove the popularity of later Liang-Zhu versions, in which the tragic aspect of the story is correspondingly diminished.”
Quote in the paperNot a substantial claim - Interpretationcitation§ Making a Tragedy: The Continuing Dilemma between Body and Emotion
In the Liang-Zhu story, male bonding is privileged over heterosexual love and marital relationship.
“Viewed in this light, the narrative of male bonding is indeed privileged over that of heterosexual love.”
- Also stated in: § Making a Tragedy: The Continuing Dilemma between Body and Emotion · plain
“The story places male bonding far above a marital relationship, 112”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [112]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Also stated in: § Making a Tragedy: The Continuing Dilemma between Body and Emotion · plain
- Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material Worlds
The parting scene of Liang-Zhu illustrates how the two characters construct and materialize their images and memories within their parting space.
“The parting scene of Liang-Zhu, often referred to in spatial terms, like the distance of eighteen li, illustrates how the two characters construct and materialize their images and memories within their parting space.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material Worlds
The parting space, bounded by the passage of time and their natural surroundings, allows Liang and Zhu to remember their parting as a private time together.
“Instead of forcing them to express their feelings about separation directly, the parting space, bounded by the passage of time and their natural surroundings, allows them to remember their parting as a private time together.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material Worlds
To the heroine Zhu, who is about to reveal her secret, the parting space is a safe place in which to correct the distorted identity created by her male clothing and persona.
“To the heroine Zhu, who is about to reveal her secret, it is a safe place in which to correct the distorted identity created by her male clothing and persona.”
Quote in the paperNot a substantial claim - Premisecitation§ "Seeing Off": Acting Out the Sense of Parting
In most representations of separation or romantic longing in China, men are portrayed as departing guests while women stay behind and wait desperately for reunion.
“It is important to note that in most representations of separation or romantic longing in China, men are portrayed as departing guests while women stay behind and wait desperately for reunion.20”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [20]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material Worlds
Their increased mobility creates a milieu that is favorable to removing their masks or public personas.
“Their increased mobility creates a milieu that is favorable to removing their masks or public personas.”
Quote in the paperSubstantial claim - Interpretationreasoning§ Leaving Together for Our Parents
In both folk song versions, Liang's sudden decision to also go home forestalls the sadness of a parting in which one person leaves and the other person stays.
“In both folk song versions, Liang's sudden decision to also go home forestalls the sadness of a parting in which one person leaves and the other person stays.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material Worlds
The act of parting provides the couple with a safe, warm place to be together.
“Counterintuitively, the act of parting provides the couple with a safe, warm place to be together.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material Worlds
The parting journey acts as a buffer, outside of or in between social categories, actually allowing the conflict to be forgotten for a short time.
“In this sense, the parting journey acts as a buffer, outside of or in between social categories, actually allowing the conflict to be forgotten for a short time.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and Friendship
This subtle play of gender identity and gendered expressions of emotion is a key mechanism in the parting scene of Liang-Zhu.
“This subtle play of gender identity and gendered expressions of emotion is a key mechanism in the parting scene of Liang-Zhu.”
Quote in the paperSubstantial claim - Premisecitation§ "Seeing Off": Acting Out the Sense of Parting
This practice is probably related to a traditional custom called yaozhuang, in which the person leaving chooses an auspicious date and performs a symbolic act of leaving in advance of their true parting.
“This practice is probably related to a traditional custom called yaozhuang 搖裝, in which the person leaving chooses an auspicious date and performs a symbolic act of leaving in advance of their true parting.13”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [13]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Probably not a substantial claim. 443
- It may state two separate claims as one. 253
- The quote only partly states this claim. 3
Probably not a substantial claim. The paper may give no reason why it holds.
Findingnone given§ Liang-Zhu: More Than Just a Love StoryNeither the modern interpretations of the Liang-Zhu tale nor the academic discourse surrounding them have yet addressed the question of how and why the story has remained popular for so long outside of China.
“Importantly, neither the modern interpretations of the tale nor the academic discourse surrounding them have yet addressed the question of how and why the story has remained popular for so long outside of China.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingcitation§ Liang-Zhu: More Than Just a Love StorySurviving textual evidence proves only that the Liang-Zhu tale, not yet fully developed, was narrated during the Tang dynasty and had become widespread in certain areas since the Song dynasty (960-1279).
“though we have surviving textual evidence to prove only that the tale, not yet fully developed, was narrated during the Tang dynasty and had become widespread in certain areas since the Song dynasty (960-1279).8”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [8]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Findingcitation§ Liang-Zhu: More Than Just a Love StoryMany cities have competitively claimed the Liang-Zhu tale as their own, and local scholars have attempted to use historical and literary accounts to prove the authenticity of their region's version.
“Many cities have competitively claimed the tale as their own, 39 and local scholars have attempted to use historical and literary accounts to prove the authenticity of their region's version of Liang-Zhu.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [39]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingcitation§ Liang-Zhu: More Than Just a Love StoryHundreds of versions of the Liang-Zhu tale exist today, suggesting many more circulated orally and disappeared without being written down.
“Hundreds of versions of the tale exist today, 9 suggesting many more that circulated orally and disappeared without ever being written down.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [9]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ From Local Legend to Butterfly LoversThe link between premodern and modern tellings of the Liang-Zhu story is not always visible in the historical and textual records, because the tale was initially appreciated by folk audiences rather than literati-official ones.
“Admittedly, the link between premodern and modern tellings of the Liang-Zhu story is not always visible in the historical and textual records, because the tale was initially appreciated by folk audiences rather than literati-official ones.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ From Local Legend to Butterfly LoversStudying and being buried together remain fundamental throughout Liang-Zhu versions.
“for instance-studying and being buried together-remain fundamental throughout Liang-Zhu versions, and the success of modern versions with their tragic ending is also reflected in the story's early telling.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingcitation§ Liang-Zhu: More Than Just a Love StoryEarlier Korean scholarship was hampered by lack of access to and understanding of Chinese versions and by an academic environment that emphasized a nationalist approach, thus narrowing its scope to the geographic and national boundaries of the Korean Peninsula.
“Earlier Korean scholarships was hampered by lack of access to and understanding of Chinese versions as well as by an academic environment that emphasized a nationalist approach, 47 thus narrowing its scope to the geographic and national boundaries of the Korean Peninsula.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [47]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Findingnone given§ Liang-Zhu: More Than Just a Love StoryThe extant premodern Chinese versions of Liang-Zhu are largely works of folk and popular literature, written in vernacular Chinese and purportedly dating from the Ming and Qing period (1368-1911).
“The extant premodern Chinese versions are largely works of folk and popular literature, written in vernacular Chinese and purportedly dating from the Ming and Qing period (1368-1911).”
Quote in the paperNot a substantial claim- Rests on an assumption: The selected Liang-Zhu versions are representative of the broader tradition and its audiences.
Probably not a substantial claim.
Findingnone given§ Liang-Zhu: More Than Just a Love StoryIn China, romantic representations of the Liang-Zhu tale have been developed and adapted for performances on both community and commercial stages.
“In China, romantic representations of the tale have, over the years, been developed and adapted for performances on both community and commercial stages.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingreasoning§ Liang-Zhu: More Than Just a Love StoryMuch research on Liang-Zhu until the 1990s focused on discovering, collecting, and recording primary materials, as well as related historical texts and artifacts.
“Due to the vast quantity of historical materials generated by the wideranging popularity of Liang-Zhu over time, much of the research done until the 1990s focused on discovering, collecting, and recording these primary materials, as well as related historical texts and artifacts that often accompanied this intensive fieldwork.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Findingnone given§ Liang-Zhu: More Than Just a Love StoryCurrent scholarship has disregarded Liang-Zhu's potential as a bountiful source for studying the discourse between China and other cultures, most notably Korea.
“Third, current scholarship has disregarded Liang-Zhu's potential as a bountiful source for studying the discourse between China and other cultures, most notably Korea.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingcitation§ Liang-Zhu: More Than Just a Love StoryAcademic work on Liang-Zhu led to a rapid increase in its modern recognition, which peaked in the late 1990s and early 2000s, when the Chinese government lobbied to have the tale registered by UNESCO as a 'Masterpiece of the Oral and Intangible Heritage of Humanity.'
“Academic work on Liang-Zhu led to a rapid increase in its modern recognition, which peaked in the late 1990s and early 2000s, when the Chinese government lobbied to have the tale registered by UNESCO as a”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [36]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,In the Sipch'osi version, Shanbo does not know that Yingtai is a woman, and Yingtai is not afraid of men.
“Shanbo does not know that Yingtai is a woman, Yingtai is not afraid of men.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Deity of Righteousness and LoyaltyFor the first time the Qiantang (Hangzhou) area is given as the location of the academy where Liang and Zhu study, and the son of the Ma family is named as the man whom Zhu is engaged to marry.
“For example, for the first time the Qiantang (Hangzhou) area is given as the location of the academy where Liang and Zhu study, and the son of the Ma family is named as the man whom Zhu is engaged to marry.”
Quote in the paperNot a substantial claimIt may state two separate claims as one. The quote only partly states this claim.
Findingreasoning§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,In the Sipch'osi version, the Tang period is depicted as a peaceful time producing talented students like Liang and Zhu, and as a relatively open society in which a girl such as Zhu Yingtai is able to leave home and study with male classmates.
“In the Sipch'osi version, the Tang period is depicted as a peaceful time, producing talented students like Liang and Zhu, and as a relatively open society in which a girl such as Zhu Yingtai is able to leave home and study with male classmates.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ From Local Legend to Butterfly LoversSuch a suppression of premarital sexuality is maintained throughout most Liang-Zhu literature, but this version's straightfaced emphasis on Liang's purity contrasts strongly with popular versions.
“Such a suppression of (premarital) sexuality is maintained throughout most Liang-Zhu literature, but this version's straightfaced emphasis on Liang's purity and simplicity contrasts strongly with popular versions, in which Liang's ignorance of Zhu's sexuality is often presented in a comic manner that creates a sense of suspense and humor.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingnone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Most editions from this period focus on Liang's talent, passion, and personality, and present Yingtai merely as a good match for Liang, a wise wife.
“Most editions from this period focus on Liang's talent, passion, and personality, and present Yingtai merely as a good match for Liang-a wise wife.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Findingnone given§ The Sipch'osi Version: An Early Song of Sadness and Butterfly TransformationIn the Sipch'osi version, the two protagonists' emotional relationship is treated seriously, and the version makes an emotional appeal rather than a didactic one.
“The two protagonists' emotional relationship is treated seriously, and, ultimately, this version makes an emotional appeal rather than a didactic one.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Findingcitation§ From Local Legend to Butterfly LoversDuring the Yuan dynasty, Liang-Zhu was developed into a popular story performed on stage, and the adoption of the new title helped the official records to align better with the popular storytelling.
“During the Yuan dynasty (1271-1368), Liang-Zhu was developed into a popular story performed on stage, 29 and the adoption of the new title helped the official records to align better with the popular storytelling.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [29]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Findingown data§ From Local Legend to Butterfly LoversZhang Jin's account does not include the romantic relationship between the two, Zhu's marriage with someone else, or the butterfly transformation after their deaths.
“Other elements, such as the romantic relationship between the two, Zhu's marriage with someone else, and the butterfly transformation after their deaths, are not included.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingown data§ Deity of Righteousness and LoyaltyMany unknown circumstances left unexplained in Zhang Jin's account are filled in by Li's account with plausible information and explanations, supported by vivid dialogue.
“Further, many unknown circumstances left unexplained in Zhang Jin's account-from the first encounter of Liang and Zhu to their co-study and their parting at the academy-are filled in by Li's account with plausible information and explanations, supported by vivid dialogue.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingcitation§ From Local Legend to Butterfly LoversZhu and Liang were buried together in the same grave.
“second, that Zhu and Liang were buried together in the same grave;”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Deity of Righteousness and LoyaltyAnother important early Liang-Zhu account is the Yizhongwang miaoji by Li Maocheng, a prefect of Mingzhou.
“Another important early Liang-Zhu account is the Yizhongwang miaoji 義 忠王廟記 (Record of the Shrine for the King of Righteousness and Loyalty) by Li Maocheng 李茂誠 (active ca.1101-17), a prefect of Mingzhou (知明 州事).”
Quote in the paperNot a substantial claimThe quote only partly states this claim.
Findingown data§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:The prosimetric versions share the embellishment of the tale with local religious connections.
“The fourth element these versions have in common is the embellishment of the tale with local religious connections.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingreasoning§ From Local Legend to Butterfly LoversThe new title came to be widely accepted and replaced the old one.
“It is not surprising, then, that this new title came to be widely accepted and replaced the old one.28”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [28]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingreasoning§ From Local Legend to Butterfly LoversZhang Jin's account consists of three related elements: mention of the material sites, the backstory, and the verification of his account.
“Zhang Jin's account consists of three related elements: mention of the material sites, the backstory, and the verification of his account.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingcitation§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,In the Sipch'osi version, Shanbo's talent surpasses that of the two Lus, and Yingtai's glorious virtue is greater than that of the three Zhangs.
“Shanbo's talent surpasses that of the two Lus, Yingtai's glorious virtue is greater than that of the three Zhangs.63”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [63]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingown data§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,The Sipch'osi version, in contrast to Li Maocheng's account which omits any instance of love, foreshadows romance by mentioning Liang's early feelings of loneliness and the sultry weather.
“Notably, this version, in contrast to Li Maocheng's account, which omits any instance of love between the young protagonists, foreshadows their romance by mentioning Liang's early feelings of loneliness and the sultry weather:”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingown data§ Deity of Righteousness and LoyaltyAs is often the case within the inscription genre, Li's version employs supernatural phenomena to demonstrate Liang's powerful and divine character.
“As is often the case within the inscription genre, Li's version employs supernatural phenomena to demonstrate Liang's powerful and divine character.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingcitation§ From Local Legend to Butterfly LoversIn some local lore, Zhu is said to be a chivalrous woman who helps poor people but dies a virgin, and Liang is an uncorrupted official who dies unmarried.
“In some local lore in which Liang and Zhu hail from different time periods, 18 Zhu is said to be a chivalrous woman (俠女) who helps poor people but dies a virgin, and Liang is an uncorrupted official (淸官) who dies unmarried.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [18]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ Deity of Righteousness and LoyaltyCompared to Zhang Jin's, Li's account of Liang-Zhu is elaborate and comprehensive.
“Compared to Zhang Jin's, Li's account of Liang-Zhu is elaborate and comprehensive.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Other versions offer alternate explanations for Liang-Zhu's fate: Liang and Zhu are destined to marry-their fate is written in the book of karma-and return to their original status of immortals after a married lifetime on Earth.
“Other versions offer alternate explanations for Liang-Zhu's fate: Liang and Zhu are destined to marry-their fate is written in the book of karmaand return to their original status of immortals after a married lifetime on Earth.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingcitation§ Deity of Righteousness and LoyaltyLi's account reveals that Liang hailed from the Kuaiji area and was born in 352 under an unusual birth sign.
“It is revealed, for example, that Liang hailed from the Kuaiji area (currently Shaoxing, Zhejiang) and was born in 352 under an unusual birth sign.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingcitation§ Deity of Righteousness and LoyaltyLi presents two major reasons why Liang and Zhu become close so quickly: first, they both plan to study in the Hangzhou area and, second, they are from the same region.
“Li also presents two major reasons why Liang and Zhu become close so quickly: first, they both plan to study in the Hangzhou area and, second, they are from the same region.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingown data§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:In 'Chongzheng,' Zhu threads a ninefold pearl using an ant and a drop of oil.
“The pearl has too many curves and a tiny hole inside, but by using an ant and a drop of oil, Zhu finally succeeds in threading the pearl.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingcitation§ Deity of Righteousness and LoyaltyLi's account was written in the first year of the Daguan period (1107-10) of the Song dynasty, but it was not included in the local gazetteers of Yin County until the seventeenth century.
“Li's account, which takes the form of an inscription dedicated to the shrine for Liang Shanbo, was written in the first year of the Daguan period (1107-10) of the Song dynasty, but it was not included in the local gazetteers of Yin County (Ningbo) until the seventeenth century.30”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [30]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper may give no reason why it holds.
Findingnone given§ From Local Legend to Butterfly LoversEarly versions in print form were not the direct, transparent inscription of popular oral storytelling.
“Though the early versions in print form were not the direct, transparent inscription of popular oral storytelling, they can be understood as”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingown data§ From Local Legend to Butterfly LoversZhang Jin's brief account focuses on Liang's character.
“Zhang Jin's brief account somewhat surprisingly focuses on Liang's character, which gives us a clue as to how he viewed the site and the related story.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingcitation§ Deity of Righteousness and LoyaltyLiu Yu defeated the bandits with the help of the deity Liang; after the victory, he reported it to the imperial authorities, and a shrine was built to worship Liang.
“Liu Yu defeated the bandits with the help of the deity Liang.After the victory, he reported it to the imperial authorities, and a shrine was built to worship Liang.32”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [32]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ The Sipch'osi Version: An Early Song of Sadness and Butterfly TransformationThe preserved Sipch'osi text is a long narrative poem based on seven-syllable lines, with some parts marked as yunyun.
“The preserved text is a long narrative poem based on sevensyllable lines, with some parts marked as yunyun 云云 (et cetera).”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Deity of Righteousness and LoyaltyZhu's filial concern appears in many folk versions as her major reason for leaving the academy, although other versions posit the fear of her identity being discovered by her classmates as the direct cause for her departure.
“As we will see, Zhu's filial concern appears in many folk versions as her major reason for leaving the academy, although other versions posit the fear of her identity being discovered by her classmates as the direct cause for her departure (see chapters 2 and 3).”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingcitation§ From Local Legend to Butterfly LoversThere has been a cipai named after Zhu Yingtai since the Song dynasty, while there is no equivalent melody named after Liang Shanbo.
“This inference is supported by the fact that there has been a cipai 詞牌 (tune title of ci lyrics) named after Zhu Yingtai since the Song dynasty, 14 while there is no equivalent melody named after Liang Shanbo to be found.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [14]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingown data§ Deity of Righteousness and LoyaltyLi explains why and how the two characters part: Zhu leaves the academy first, due to missing her parents, and after two years, Liang also returns home.
“Li also explains why and how the two characters part: Zhu leaves the academy first, due to missing her parents, and after two years, Liang also returns home.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Findingreasoning§ From Local Legend to Butterfly LoversZhang's short synopsis reveals little about the righteous wife's achievements, instead praising Liang for his honorable personality and conduct.
“Zhang's short synopsis reveals little about the righteous wife's achievements, instead praising Liang for his honorable personality and conduct.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:In 'Shuangxian baojuan,' Liang and Zhu's desires to study and continue their relationship serve as an example of vanity and attachment, causes of human suffering that necessitate religious cultivation and enlightenment.
“Liang and Zhu's desires to study and to continue their relationship, for example, serve as a good example of vanity and attachment, causes of human suffering that necessitate religious cultivation and enlightenment.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingown data§ A close look at the Sipch'osi version further illuminates its regional and cross-cultural characteristics, as well as the relationship between this version and other versions from Zhejiang Province. It also shows what makes this version an archetypal version of modern Liang-Zhu.In the Sipch'osi version, Liang and Zhu learn under Confucius himself at the Hall of Confucius.
“In this version, Liang and Zhu learn under Confucius himself at the Hall of Confucius (Kongqiu tang 孔丘堂):”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuFrom its earliest beginnings, the Liang-Zhu tale has enjoyed multiple faces as a legend, a local history, and a religious story.
“From its earliest beginnings, the Liang-Zhu tale has enjoyed multiple faces as a legend, a local history, and a religious story.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Findingreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe value of Confucian study, which initially provides a legitimate reason for Liang and Zhu to meet, is later replaced by elaborate depictions of the desire for meeting, the pain of separation, and the dream of union.
“The value of Confucian study, which initially provides a legitimate reason for Liang and Zhu to meet, is later replaced by elaborate depictions of the desire for meeting, the pain of separation, and the dream of union.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe Sipch'osi version remains the earliest full-fledged form in Liang-Zhu's long evolution.
“The Sipch'osi version, beloved by anonymous audiences from both China and Korea, remains the earliest fullfledged form in Liang-Zhu's long evolution.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Friendship vs. LoveNone of the Liang-Zhu versions, in China or Korea, fails to emphasize the couple's dedication to their studies.
“None of the Liang-Zhu versions, in China or Korea, fails to emphasize the couple's dedication to their studies:”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Friendship vs. LoveIn most Liang-Zhu versions, Liang Shanbo initiates the first exchange of greetings.
“In this passage, as in most Liang-Zhu versions, Liang Shanbo initiates this first exchange of greetings.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Troubled Gender and SexualityLuck, or perhaps Zhu's own effort, allows her to avoid embarrassing situations, and ultimately she safely returns to her home and her original gender.
“Luck, or perhaps her own effort, allows her to avoid embarrassing situations, and ultimately she safely returns to her home and her original gender.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Other elements of 'Yang Sanbaek chŏn' connected to Chinese prosimetric versions include Liang's passing the civil service exam and his military achievements (in defeating barbarians), even as the narrative is fleshed out with additional Korean details.
“Other elements of this version that are connected to the prosimetric versions from China include Liang's passing the civil service exam and his military achievements (in defeating barbarians), even as the narrative is fleshed out with additional Korean details. 112”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [112]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Findingown data§ Cross-Dressing, Deception, and Displaced GenderZhu's disguise and performance are so convincing that her parents suspect nothing.
“Zhu's disguise and performance are so convincing that her parents suspect nothing.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Troubled Gender and SexualityAt school, although Zhu is in academic competition with other students, she must be careful not to arouse suspicion or get into any trouble.
“At school, although she is in academic competition with other students, she must be careful not to arouse suspicion or get into any trouble.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Findingreasoning§ From Illusion to Reality: Embroidered vs. Classical EducationZhu's inner mind often speaks figuratively, in the form of body language or through visual descriptions of her thoughts and dreams.
“Likewise, Zhu's inner mind often speaks figuratively, in the form of body language or through visual descriptions of her thoughts and dreams.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingown data§ Cross-Dressing, Deception, and Displaced GenderIn 'Li Xiuqing yijie Huang zhennü', the virgin Huang travels in male disguise to make a living in business, and finally marries Li Xiuqing.
“In this story, the virgin Huang travels in male disguise to make a living in business, and finally marries Li Xiuqing, her longterm business partner.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:In 'Yang Sanbaek chŏn,' religious figures such as Immortal Taiyi frequently appear to guide the characters.
“Religious figures such as Immortal Taiyi (Taiyi xianren 太乙仙人) frequently appear to guide the characters.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Findingnone given§ Troubled Gender and SexualityMost Liang-Zhu versions that come after the Sipch'osi rendition focus on Zhu Yingtai's journey and present surprisingly rich accounts of how a girl from the inner quarters transforms herself into a clever, witty male student.
“Most Liang-Zhu versions that come after the Sipch'osi rendition focus on Zhu Yingtai's journey and present surprisingly rich accounts of how a girl from the inner quarters transforms herself into a clever, witty male student.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingcitation§ Troubled Gender and SexualityAs is often the case with heroines of such stories, Zhu has to assume a male identity in order to study abroad, and she suffers for that infraction.
“As is often the case with the heroines of such stories, Zhu has to assume a male identity in order to do so, and she suffers for that infraction. 2”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [2]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Findingreasoning§ Cross-Dressing, Deception, and Displaced GenderZhu's improvised divination about her own fate moves her parents to let her leave home to study, even after they realize the trick she has played on them.
“Zhu's improvised divination about her own fate moves her parents to let her leave home to study, even after they realize the trick she has played on them, for she has proved that her cross-dressing will allow her to cleverly maneuver and exploit her new gender identity.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingreasoning§ Friendship vs. LoveIn 'Yingtai hen,' Liang and Zhu study at a small, local academy and take good care of each other in their daily routine.
“In this version, they study at a small, local academy and take good care of each other in their daily routine:”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Friendship vs. LoveAt the academy, Liang and Zhu share all activities as sworn brothers, even sharing a bed.
“At the academy, Liang and Zhu share all activities as sworn brothers, even sharing a bed.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Findingnone given§ Troubled Gender and SexualityWhat Zhu cannot manage are her feelings for the fellow student who has taken care of her.
“What she cannot manage, however, are her feelings for the fellow student who has taken care of her.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingreasoning§ Friendship vs. LoveIn most Liang-Zhu versions, Zhu's responses to Liang's questions quickly lead to the two becoming sworn brothers.
“In most Liang-Zhu versions, Zhu's responses to Liang's questions quickly lead to the two becoming sworn brothers.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:'Yingtai baojuan' does not have specific religious elements in it; only in the last part does it mention karma and the need to serve local gods.
“Probably for this purpose, this version does not have specific religious elements in it.Only in the last part does it mention karma and thus the need to serve the local gods (to avoid the suffering experienced by Liang and Zhu).”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Findingnone given§ Friendship vs. LoveZhu's academic achievement surpasses even Liang's, and she wins first place among the three thousand students at the academy.
“Zhu's academic achievement surpasses even Liang's, and she wins first place among the three thousand students at the academy.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Findingnone given§ From Illusion to Reality: Embroidered vs. Classical EducationZhu's external voice does not always tell us what she really thinks or wants, revealing more about her persona than her true self; she may describe what she looks like or how she is supposed to be, rather than what she actually feels.
“Her external voice does not always tell us what she really thinks or wants, revealing more about her persona than her true self; she may describe what she looks like or how she is supposed to be, rather than what she actually feels.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingreasoning§ Friendship vs. LoveWithin a year, Liang and Zhu have mastered many classic texts.
“Within a year, Liang and Zhu have mastered many classic texts.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:'Yingtai baojuan' was specially designed as a performance for laypeople at temples.
“Here, we can see that the story was specially designed as a performance for laypeople at temples.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Overall, the prosimetric versions of Liang-Zhu are characterized by a diversity of plots and themes; their storytelling is multipurposed, fictionalized and diversified, entertaining, professional, and religious.
“Overall, the prosimetric versions of Liang-Zhu are characterized by a diversity of plots and themes; their storytelling is multipurposed, fictionalized and diversified, entertaining, professional, and religious.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Cross-Dressing, Deception, and Displaced GenderWhen Zhu dons the garb of a male student, she is transformed so successfully that even her brother and sister-in-law fail to recognize her.
“When she dons the garb of a male student, she is transformed so successfully that even her brother and sister-in-law fail to recognize her.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Findingreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe characters in the popular versions are not only good and talented moral exemplars, as in official narrations, but vulnerable human beings.
“The characters in the popular versions are not only good and talented moral exemplars, as in official narrations, but vulnerable human beings.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Findingreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:In 'Yang Sanbaek chŏn,' Liang and Zhu encounter immortals and ascend to the world of immortals after suffering in their first lifetime together and enjoying marriage in their second life.
“Specifically, in this version, Liang and Zhu also encounter immortals and also ascend to the world of immortals after suffering in their first lifetime together and enjoying marriage in their second life.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds.
Findingnone given§ From Illusion to Reality: Embroidered vs. Classical EducationIn the stories, Zhu's actions whisper constantly beneath the overtly addressed ideas or events, even when they do not seem to directly concern her.
“In the stories, Zhu's actions whisper constantly beneath the overtly addressed ideas or events, even when they do not seem to directly concern her.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingreasoning§ Troubled Gender and SexualityZhu wants to marry Liang Shanbo, but she cannot overcome the obstacles.
“She wants to marry Liang Shanbo, but she cannot overcome the obstacles.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityYet Zhu's explanations are conceivable enough that, in the end, Liang's attitude remains the same.
“Yet they are conceivable enough that, in the end, Liang's attitude remains the same.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯After pledging an oath of sworn brotherhood, Liang and Zhu routinely call each other elder or younger brother.
“After pledging an oath of sworn brotherhood, they routinely call each other elder (xiong 兄) or younger (di 弟) brother.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingcitation§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityDepending on the version, Liang's suspicion is first aroused either when the pair cross the river together or during the first night they sleep together at the inn or at the academy.
“Depending on the version, Liang's suspicion is first aroused either when the pair cross the river together or during the first night they sleep together at the inn or at the academy.48”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [48]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one. The quote only partly states this claim.
Findingown data§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityIn the 'Shuangxian baojuan' version, after Liang suspects Zhu because she urinates squatting, Zhu again makes a pseudoscientific excuse and invokes sworn brotherhood, and Liang becomes dumbfounded and does not raise the issue again.
“However, Zhu sticks to the same tactics she has used before and again makes a pseudoscientific excuse.This time, though, it is even less convincing.”
- Also stated in: § Not a Girl: Killing Suspicions and Oppressing Heterosexuality · plain
“Upon hearing these words, Shanbo becomes dumbfounded, He dares not raise the issue again.”
Quote in the paperSubstantial claim- Also stated in: § Not a Girl: Killing Suspicions and Oppressing Heterosexuality · plain
Probably not a substantial claim.
Findingnone given§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityIn the earlier official narration, Liang is described as a man of simplicity and innocence because he doesn't realize that Zhu is a girl.
“In the earlier official narration (see chapter 1), Liang is described as a man of simplicity and innocence because he doesn't realize that Zhu is a girl.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ Making a Tragedy: The Continuing Dilemma between Body and EmotionEarly modern scholars praised the deaths of Liang and Zhu as a representation of the victory of the unyielding human spirit over all obstacles.
“Early modern scholars praised the deaths of Liang and Zhu as a representation of the victory of the unyielding human spirit over all obstacles.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Findingreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionAlthough the text does not include a mature love story (Liang does not fully confess his love for Zhu, and there is no description of any acts of love between them), the story is still labeled a (tragic) love story.
“although the text does not include a mature love story (Liang does not fully confess his love for Zhu, and there is no description of any acts of love between them), the story is still labeled a (tragic) love story.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Findingreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityZhu's excuse is credible enough to convince Liang.
“Zhu's excuse is credible enough to convince Liang.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingcitation§ Making a Tragedy: The Continuing Dilemma between Body and EmotionSome scholars, emphasizing the class difference between Liang and Zhu added in some later versions, have suggested a revolutionary interpretation in which Liang's poverty or lower status is considered the main reason for the tragedy.
“Some scholars, emphasizing the class difference between Liang and Zhu added in some later versions, 109 have also suggested a revolutionary interpretation of Liang-Zhu, in which Liang's poverty or his being of lower status than Zhu is considered the main reason for the tragedy.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingnone given§ Ideals of Junzi and CaiziThe caizi format dominated the extensive plots of eighteenth- to twentieth-century Liang-Zhu versions and continued to penetrate and supplement other treatments of the caizi character with strong eroticism, folk-religious beliefs, and martial masculinity.
“The caizi format dominated the extensive plots of eighteenth-to twentieth-century Liang-Zhu versions and continued to penetrate and supplement other treatments of the caizi character with strong eroticism, folk-religious beliefs, and martial masculinity.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingcitation§ Making a Tragedy: The Continuing Dilemma between Body and EmotionScholarly discussion surrounding the cause of Liang and Zhu's tragic deaths has focused on the conflict between individual desire and social norms, especially on lijiao.
“Scholarly discussion surrounding the cause of Liang and Zhu's tragic deaths has focused on the conflict between individual desire and social norms, and especially on a branch of Confucian ethics called lijiao 禮敎.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Findingnone given§ Making a Tragedy: The Continuing Dilemma between Body and EmotionIn all Liang-Zhu versions, the emotional themes of friendship (between two men or between a man and a woman) and of love (between a man and a woman) go hand in hand.
“In all Liang-Zhu versions, the emotional themes of friendship (between two men or between a man and a woman) and of love (between a man and a woman) go hand in hand.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityDuring her three years of schooling, Zhu's character as a gentry girl and her virginity are preserved.
“During her three years of schooling, both her character as a gentry girl and her virginity are preserved.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Ideals of Junzi and CaiziIn most modern versions, Zhu and Liang's transformation into butterflies, symbolizing the eternity of their love, is retained to convey the traditional bittersweet ending.
“In most modern versions, Zhu and Liang's transformation into butterflies, symbolizing the eternity of their love, is retained to convey the traditional bittersweet ending.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityOnce they start living in the academy, Liang's questions become more frequent.
“Once they start living in the academy, Liang's questions become more frequent.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingreasoning§ Ideals of Junzi and CaiziThe popularity of Liang-Zhu as a caizi-jiaren romance continued into the early twentieth century and brought the story to a dramatically wider audience.
“The popularity of Liang-Zhu as a caizi-jiaren romance continued into the early twentieth century and, although scholars critically derogate these versions, their popularity brought the Liang-Zhu story to a dramatically wider audience.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityThere comes a moment when Zhu's body is exposed, and her explanations are not quite convincing.
“Of course, there comes a moment when Zhu's body is exposed, and her explanations are not quite convincing.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingcitation§ Making a Tragedy: The Continuing Dilemma between Body and EmotionRecent readings of Liang-Zhu have restored the story's original theme of male bonding and stressed its effect from a different perspective.
“Recent readings of Liang-Zhu have restored the story's original theme of male bonding and stressed its effect from a different perspective.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityLiang is described as kindhearted and compassionate, far from naive or stupid.
“It is important to remember that Liang is described as a kindhearted and compassionate man, far from naive or stupid.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityIn most Chinese versions of the story, Zhu's deception is successful, at least in the eyes of Liang and her fellow students.
“There are slight differences in the details of the episodes in which Zhu's identity is called into question, but in most Chinese versions of the story her deception is successful, at least in the eyes of Liang and her fellow students.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ Ideals of Junzi and CaiziIn modern times, the theme of studying together or male bonding proved less popular than that of everlasting pure and spiritual love.
“In general, the theme of studying together or male bonding proved less popular than that of everlasting pure and spiritual love.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Findingnone given§ Ideals of Junzi and CaiziIn the latter part of the story, Liang is portrayed as a vulnerable and frail young man who, finding no solution for his unsatisfied desire, surrenders his life.
“In this latter part of the story, Liang is portrayed as a vulnerable and frail young man who, finding no solution for his unsatisfied desire, surrenders his life.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Findingreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityWhen Zhu tries to reveal her identity through figurative language before parting, she is thwarted by Liang's firm belief or determination to believe that Zhu is a man.
“When Zhu tries to reveal her identity through figurative language before she parts from Liang, she is thwarted by Liang's firm belief-or, more strictly speaking, his determination to believe-that Zhu is a man.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingown data§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityAlthough Zhu excels at study, she is less skilled at everyday routines and spending time with the other boys, and cannot completely hide female traits or match average boys' physical strength.
“Nonetheless, although Zhu excels at study, she is not as skilled at everyday routines and at spending time with the other boys.Put to the test, she proves to be less able to imitate male behavior than she expected.She can't completely hide the female traits in her behavior, and her physical strength is much less than that of the average boy.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingown data§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityIn the 'Shuangxian baojuan' version, when Liang sees Zhu's bared breast, Zhu responds with improvised excuses and Liang is fooled.
“Instead of pretending he hasn't seen Zhu's bared breast, Liang immediately questions her, and she promptly responds with improvised excuses.Despite the clear evidence, Liang is fooled.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Findingreasoning§ Ideals of Junzi and CaiziZhu Yingtai is able to use Liang's virtue to help conceal her true gender; whenever she is about to be exposed, she cites The Analects or enlists the master's authority.
“Zhu Yingtai is able to use this virtue to help conceal her true gender; whenever she is about to be exposed, she cites The Analects or enlists the master's authority.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ Ideals of Junzi and CaiziIn later extended Liang-Zhu versions, Liang is overwhelmed by Zhu Yingtai's beauty and compelled to pursue his love for her.
“In the later, extended Liang-Zhu versions, Liang is overwhelmed by Zhu Yingtai's beauty and compelled to pursue his love for her.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityNevertheless, the Liang who, despite his doubts, shows absolute trust in Zhu remains dominant in popular storytelling, leaving untarnished the Liang of earlier official narration.
“Nevertheless, the Liang who, despite his doubts, shows absolute trust in Zhu remains dominant in popular storytelling, leaving untarnished the Liang of earlier official narration.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingcitation§ Making a Tragedy: The Continuing Dilemma between Body and EmotionWang Guowei's unequivocal esteem for tragedy was widely accepted by Chinese intellectuals, and Liang-Zhu's tragic ending readily satisfied their aesthetic requirements.
“Wang's unequivocal esteem for tragedy was widely accepted by Chinese intellectuals, 104 and Liang-Zhu's tragic ending readily satisfied their aesthetic requirements.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Wang Guowei
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may state two separate claims as one.
Findingnone given§ Making a Tragedy: The Continuing Dilemma between Body and EmotionAlthough male bonding is valued in the story, the protagonists' desire for a husband-and-wife relationship becomes increasingly explicit as the story approaches its tragic end.
“In fact, although male bonding is certainly valued in the story, the protagonists' desire for a husband-and-wife relation-ship becomes increasingly explicit as the story approaches its tragic end.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Findingreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThrough two distinct sets of character ideals-those of junzi-shunü and caizi-jiaren-the focus and interests of the story shift, but they never deviate entirely from this framework.
“Through two distinct sets of character ideals-those of junzi-shunü and caizi-jiaren-the focus and interests of the story shift, but they never deviate entirely from this framework.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipThe simplest treatment of the parting scene is found in a small number of folk song and folktale versions of Liang-Zhu.
“The simplest treatment of the parting scene is found in a small number of folk song and folktale versions of Liang-Zhu.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingown data§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipIn these simplified versions, the scene consists of either a minimal statement indicating their parting, similar to those found in official accounts, or of verbal expressions in which Zhu invites Liang to visit her home later.
“In these simplified versions, the scene consists of either a minimal statement indicating their parting, similar to those found in official accounts, or of verbal expressions in which Zhu invites Liang to visit her home later.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Leaving Together for Our ParentsThese stretches of road lead Liang and Zhu first to an ancient garden, then to an ancient temple, then to an old well, and, finally, to a riverbank.
“These stretches of road lead Liang and Zhu first to an ancient garden, then to an ancient temple, then to an old well, and, finally, to a riverbank.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Findingnone given§ Leaving Together for Our ParentsIn most Liang-Zhu versions, Liang either continues his studies after Zhu departs or he quits, upon discovering the truth about Zhu's true identity, in order to offer her a marriage proposal as quickly as he can.
“In most Liang-Zhu versions, Liang either continues his studies after Zhu departs or he quits, upon discovering the truth about Zhu's true identity, in order to offer her a marriage proposal as quickly as he can.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingcitation§ Leaving Together for Our ParentsShe is forced to improvise yet another deceptive strategy, presenting herself as a matchmaker and offering to introduce him to her fictitious sister.
“She is forced to improvise yet another deceptive strategy, presenting herself as a matchmaker and offering to introduce him to her fictitious sister.29”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [29]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may state two separate claims as one.
Findingnone given§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsAs students at the academy Liang and Zhu had little physical mobility, but during the parting journey they move freely through a series of locations, not restrained by space or by status and free also from artificial distinctions or social roles.
“As students at the academy Liang and Zhu had little physical mobility, but during the parting journey they move freely through a series of locations, not restrained by space or by status and free also from artificial distinctions or social roles.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Findingnone given§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsIn contrast to 'Liang Shanbo ge,' which employs just four objects in the parting journey, the representation of 'Shiba xiangsong' in the yueju version 'Liang Shanbo yu Zhu Yingtai' (1949) presents a wide range of sights: a woodcutter, a well, magpies, mandarin ducks, watermelons, peonies, plum trees, white geese, temples, and bridges.
“In contrast to “Liang Shanbo ge,” which employs just four objects in the parting journey, the representation of “Shiba xiangsong” in the yueju version “Liang Shanbo yu Zhu Yingtai” (1949) presents a wide range of sights: a woodcutter, a well, magpies, mandarin ducks, watermelons, peonies, plum trees, white geese, temples, and bridges.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ The Physical and Emotional Distance of Parting: Seeing You Off over Eighteen LiIn the modern classic yueju film version Liang Shanbo yu Zhu Yingtai (1953), these characters step lightly, with smiling faces, toward their separation.
“In the modern classic yueju film version Liang Shanbo yu Zhu Yingtai (1953), these characters step lightly, with smiling faces, toward their separation.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingown data§ "Seeing Off": Acting Out the Sense of PartingWith its descriptions of Zhu's tears and Liang's physical pain at separation, this version of Liang-Zhu revels in the sorrowful atmosphere of parting.
“With its descriptions of Zhu's tears and Liang's physical pain at separation, this version of Liang-Zhu revels in the sorrowful atmosphere of parting.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Findingcitation§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe theatrical representation of 'Shiba xiangsong' runs up to about twenty minutes.
“The theatrical representation of “Shiba xiangsong” runs up to about twenty minutes.36”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [36]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Findingcitation§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipIn the Sipch'osi version, Liang and Zhu become sworn brothers at their first encounter, promising not to forget each other, dead or alive.
“As in other versions, Liang and Zhu become sworn brothers at their first encounter, promising not to forget each other, dead or alive (二人結義爲兄弟, 死生終始不相忘).8”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [8]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ "Seeing Off": Acting Out the Sense of PartingThis initiative on Liang's part is rare, given that in most Liang-Zhu versions it is Zhu who urges Liang to visit her home.
“This initiative on Liang's part is rare, given that in most Liang-Zhu versions it is Zhu who urges Liang to visit her home.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ The Physical and Emotional Distance of Parting: Seeing You Off over Eighteen LiThough these opera forms underwent reform incorporating new interpretations, the theme and mode of this parting journey remain almost identical.
“Though these opera forms underwent reform incorporating new interpretations, the theme and mode of this parting journey remain almost identical.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipThe lingering melancholy of separation echoes throughout, despite the scene's emphasis on Liang and Zhu's everyday duties and promises.
“The lingering melancholy of separation echoes throughout, despite the scene's emphasis on Liang and Zhu's everyday duties and promises.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipThe parting scene in the early fourteenth century Sipch'osi version serves as an even earlier model of this type of parting scene.
“The parting scene in the early fourteenth century Sipch'osi version serves as an even earlier model of this type of parting scene.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Findingnone given§ Leaving Together for Our ParentsIt encapsulates the characteristics that define Liang's personality across all versions of Liang-Zhu; after a long walk back to the academy, Liang finally learns the truth about Zhu's gender, and understands all the hints from Zhu that he has missed.
“It encapsulates the characteristics that define Liang's personality across all versions of Liang-Zhu; after a long walk back to the academy, Liang finally learns the truth about Zhu's gender, and understands all the hints from Zhu that he has missed.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingreasoning§ Chapter 4 From Sorrowful Separation to Convivial ExcursionThe scene remains a simple dialogue, bereft of emotional expression or the details of a parting ritual, and functions simply as a foreshadowing of Liang and Zhu's reunion.
“Nonetheless, the scene remains a simple dialogue, bereft of emotional expression or the details of a parting ritual, and functions simply as a foreshadowing of Liang and Zhu's reunion.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Findingnone given§ "Seeing Off": Acting Out the Sense of PartingIn this scene of seeing off, Zhu plays the role of a departing guest while Liang plays the role of host.
“In this scene of seeing off, Zhu plays the role of a departing guest while Liang plays the role of host.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Findingnone given§ "Seeing Off": Acting Out the Sense of PartingIn most Liang-Zhu versions, the parting scene takes the form of Liang seeing Zhu off on her journey.
“In most Liang-Zhu versions, the parting scene takes the form of Liang seeing Zhu off on her journey.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Findingnone given§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe parting is a composite of experiences broken into discrete units of space; in each episode they walk a certain distance, approximately one li.
“The parting is a composite of experiences broken into discrete units of space; in each episode they walk a certain distance, approximately one li.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe road is familiar to them; it is the same one they took when they first came to the academy three years earlier.
“The road is familiar to them; it is the same one they took when they first came to the academy three years earlier.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingnone given§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe parting journey leads them back to the pavilion where they first met and pledged brotherhood.
“The parting journey leads them back to the pavilion where they first met and pledged brotherhood.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Findingown data§ Leaving Together for Our ParentsLiang is not surprised when Zhu explains her plan to leave; nor is he sad or apparently worried about their separation; he immediately agrees with Zhu's thoughts and applies them to his own situation.
“Liang is not surprised when Zhu explains her plan to leave.Nor is he sad or apparently worried about their separation.He immediately agrees with Zhu's thoughts and applies them to his own situation.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Findingown data§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipIn the Sipch'osi version, their sadness about parting after three years of close companionship is not expressed explicitly, and the event of parting is revealed only through Zhu's remarks to Liang.
“Yet their sadness about parting after three years of close companionship is not expressed explicitly, and the event of parting is revealed only through Zhu's remarks to Liang:”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Findingnone given§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe 'Shiba xiangsong' provides an elongated journey over a distance of eighteen li, with dialogues between Liang and Zhu whenever they encounter new places and objects.
“the “Shiba xiangsong” provides an elongated journey over a distance of eighteen li, with dialogues between Liang and Zhu whenever they encounter new places and objects.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Findingnone given§ Leaving Together for Our ParentsThis journey represents an accumulation or repetition of the parting ritual conducted within a certain time and distance, and consists of between four and ten dialogue-episodes between Liang and Zhu over the course of their journey.
“This journey represents an accumulation or repetition of the parting ritual conducted within a certain time and distance, and consists of between four and ten dialogue-episodes between Liang and Zhu over the course of their journey.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Findingreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipLiang and Zhu see their parting as a temporary separation between friends, and both expect a future reunion.
“Liang and Zhu see their parting as a temporary separation between friends, and both expect a future reunion.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingnone given§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipIn this prototypical version, the friends' parting is depicted as springing from filial duty; Zhu dreams of her parents and of being worried about them, leading her to return home.
“In this prototypical version, the friends' parting is depicted as springing from filial duty; Zhu dreams of her parents and of being worried about them, leading her to return home.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingown data§ "Seeing Off": Acting Out the Sense of PartingLiang worries for Zhu's safety during her travels and also promises himself that he will visit her within a certain time period.
“Liang worries for Zhu's safety during her travels and also promises himself that he will visit her within a certain time period.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingown data§ "Seeing Off": Acting Out the Sense of PartingIt goes on to offer an enhanced description of the seeing off, describing Liang and Zhu's emotions even after they have parted and each is alone.
“It goes on to offer an enhanced description of the seeing off, describing Liang and Zhu's emotions even after they have parted and each is alone:”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingown data§ "Seeing Off": Acting Out the Sense of PartingIn a significant change from versions in which Liang's feelings for Zhu are hidden or missing, here they are revealed through his own words.
“In a significant change from versions in which Liang's feelings for Zhu are hidden or missing, here they are revealed through his own words.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Findingnone given§ "Seeing Off": Acting Out the Sense of PartingThough this specific form of ritual is no longer practiced, the spirit of the yaozhuang custom lives on in parting rituals that are widely practiced to this day.
“Though this specific form of ritual is no longer practiced, the spirit of the yaozhuang custom lives on in parting rituals that are widely practiced to this day.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Findingnone given§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipAs in the Sipch'osi version, Zhu leaves the academy to take care of her parents, but in this version, Liang and Zhu share a parting cup of wine, just as adult friends normally might.
“As in the Sipch'osi version, Zhu leaves the academy to take care of her parents, but in this version, Liang and Zhu share a parting cup of wine, just as adult friends normally might.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Findingreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe temporal duration of parting is measured only by the completion of the entire distance.
“The temporal duration of parting is measured only by the completion of the entire distance.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Findingown data§ "Seeing Off": Acting Out the Sense of PartingThis complete prosimetric text assigns more textual space to the parting than do previous versions, including a scene in which Liang accompanies Zhu to the riverbank, where she departs on a ferry.
“This complete prosimetric text assigns more textual space to the parting than do previous versions, including a scene in which Liang accompanies Zhu to the riverbank, where she departs on a ferry.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence.
Interpretationcitation§ From Local Legend to Butterfly LoversIt is the tale's sustaining messages-created and revoked anew depending on social and ethnographic circumstances during performances-that have made Liang-Zhu a relic of intangible heritage.
“It is the tale's sustaining messages-the immanent ones created and revoked anew, depending on social and ethnographic circumstances at play within it during its performances 3 -that have made Liang-Zhu a relic of intangible heritage.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [3]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Rests on an assumption: The narrative versions of Liang-Zhu reflect the sociocultural contexts and values of the people who told and heard them.
Probably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Liang-Zhu: More Than Just a Love StoryThe oral transmission and performance of the Liang-Zhu tale have offered subversive messages about gender transgression and the conflict between love and friendship, challenging both heterosexual and homosocial norms.
“The oral transmission and performance of the tale in particular have offered subversive messages about gender transgression and the conflict between love and friendship, challenging both heterosexual and homosocial norms.”
Quote in the paperNot a substantial claim- Rests on an assumption: The categories of gender and emotion are appropriate analytical lenses for understanding the tale's themes and values.
Probably not a substantial claim. It may be too vague to check against evidence.
Interpretationreasoning§ From Local Legend to Butterfly LoversDue to the multitude of adaptations since the Song dynasty, the world of Liang-Zhu literature has become so deep, contested, and diverse that any attempt to claim a single representative version could only misrepresent the whole.
“Indeed, due to the multitude of adaptations that have proliferated since the Song dynasty (960-1279), the world of Liang-Zhu literature has become so deep, contested, and diverse that any attempt to claim a single representative version could only misrepresent the whole.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Liang-Zhu: More Than Just a Love StoryThe Liang-Zhu narrative destabilizes the normative gendered imagery attached to the butterfly-flower image when a woman also becomes a butterfly.
“The narrative destabilizes the normative gendered imagery attached to the butterfly-flower image when a woman also becomes a butterfly.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Premisenone given§ From Local Legend to Butterfly LoversThe central figure of this legend is Zhu Yingtai, who was honored in Mingzhou as a yifu (righteous wife or righteous woman).
“The central figure of this legend is Zhu Yingtai.She was honored in Mingzhou 明州 (present-day Ningbo area) as a yifu 義婦 (literally,”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationcitation§ Liang-Zhu: More Than Just a Love StoryThe success of modern adaptations made the Liang-Zhu tale a cultural icon for modern Chinese, galvanizing their nostalgia for an idealized Chinese past.
“The success of these modern adaptations has made the tale a cultural icon for modern Chinese, galvanizing their nostalgia for an idealized Chinese past.16”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [16]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Interpretationcitation§ Liang-Zhu: More Than Just a Love StoryThe scarcity of records and centuries-long gap between the first two written Korean versions do not indicate a pause in the circulation of the tale on the peninsula; instead, they show that ever since its arrival and first translation into native Korean, the tale resided mostly in oral/folk literature and folk religions.
“This scarcity of records and centuries-long gap between the first two written versions from premodern Korea do not, however, indicate a pause in the circulation of the tale on the peninsula.Instead, they show that ever since its arrival and its first translation into the native (spoken) Korean language, the tale resided mostly in the realm of oral/folk literature and folk religions.22”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [22]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Premisecitation§ Liang-Zhu: More Than Just a Love StoryLiang-Zhu is one of the four most famous legends of China's past and has a long history and wide popularity among the Chinese, including ethnic minorities.
“As one of the four most famous legends of China's past, Liang-Zhu has a long history and wide popularity among the Chinese, including ethnic minorities.6”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [6]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Premisecitation§ Liang-Zhu: More Than Just a Love StoryThe Liang-Zhu tale garnered support from leading intellectuals and Communist government officials such as Zhou Enlai and Mao Zedong, who lauded it particularly for its perceived 'antifeudal' ideas.
“The tale also garnered support from leading intellectuals and Communist government officials such as Zhou Enlai and Mao Zedong, 13 who lauded the tale particularly for its perceived”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites [13]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites [14]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Interpretationreasoning§ Liang-Zhu: More Than Just a Love StoryLiang-Zhu has not always been perceived solely as a story of love; it has also existed as a religious narrative that engages human emotions such as fear of death and the unknowable future.
“By investigating the amplification of the religious function of the tale in local cultures, I demonstrate that Liang-Zhu has not always been perceived solely as a story of love; it has also existed as a religious narrative that engages human emotions such as fear of death and the unknowable future.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationcitation§ Liang-Zhu: More Than Just a Love StoryIn the early and mid-twentieth century, new versions of Liang-Zhu stressed themes like free love, self-determined marriage, female education, and gender equality, which resonated with modern audiences' expectations and the new socio-political milieu.
“In the early and mid-twentieth century, by contrast, new versions of the tale stressed themes like free love, self-determined marriage, female education, and gender equality, which resonated with modern audiences' expectations and the new socio-political milieu in which they lived.12”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [12]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationcitation§ Liang-Zhu: More Than Just a Love StoryThese maritime routes must have been especially important to the early and continued transmission of popular tales like Liang-Zhu.
“These maritime routes must have been especially important to the early and continued transmission of popular tales like Liang-Zhu.26”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [26]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Premisecitation§ Liang-Zhu: More Than Just a Love StoryProfessional entertainers of foreign origin were highly skilled and often bi- or multilingual, and served as a medium for the transmission and transplantation of many performing arts, including plays, acrobatics, and storytelling.
“These professional entertainers of foreign origin were highly skilled and often bi-or multilingual.They served as a medium for the transmission and transplantation of many performing arts, including plays, acrobatics, and storytelling.28”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [28]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Liang-Zhu: More Than Just a Love StorySince the 1920s, Liang-Zhu's versatile charms have drawn the attention of academics, particularly in folklore and drama studies.
“Since the 1920s, Liang-Zhu's versatile charms have drawn the attention of academics, particularly those in the fields of folklore and drama studies.30”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [30]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ From Local Legend to Butterfly LoversThe constantly increasing audience for Liang-Zhu from its earliest origins into the late nineteenth century carved the way for its glory in modern times.
“Certainly, the constantly increasing audience for Liang-Zhu from its earliest origins into the late nineteenth century carved the way for its glory in modern times.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence.
Interpretationreasoning§ Liang-Zhu: More Than Just a Love StoryThe adaptability of the fundamental theme of the unresolved gap has allowed the Liang-Zhu tale to explore a spectrum of dilemmas, sorrows, and tragedies in human relationships.
“Yet it is the very adaptability of this fundamental theme that has allowed the tale to explore a spectrum of dilemmas, sorrows, and tragedies in human relationships.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisenone given§ From Local Legend to Butterfly LoversResidents believed that Zhu Yingtai was buried there together with her school classmate Liang Shanbo.
“Residents believed that Zhu Yingtai was buried there together with her school classmate Liang Shanbo.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Liang-Zhu: More Than Just a Love StoryThe Liang-Zhu tale has been accepted in many parts of China and Korea as the origin story of butterflies.
“The tale has been accepted in many parts of China and Korea as the origin story of butterflies, 4”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [4]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Interpretationcitation§ Liang-Zhu: More Than Just a Love StoryHistorically speaking, the Liang-Zhu tale probably reached Korea along cultural exchange routes during or even before the Tang period (618-907), traveling predominantly by sea routes across the Yellow Sea.
“Historically speaking, the tale probably reached Korea along cultural exchange routes during or even before the Tang period (618-907)-traveling predominantly by sea routes across the Yellow Sea, located between China and Korea.25”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [25]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ Liang-Zhu: More Than Just a Love StoryThe common gender-specific imagery of flowers and butterflies in China and Korea has evolved through emotional stories that invert traditional gender notions, continually morphing to reflect the needs and desires of audiences in different eras and regions.
“What many discussions of these themes overlook is that this common genderspecific imagery has evolved by way of a range of emotional stories that invert traditional notions of gender, continually morphing them to reflect the needs and desires of audiences in different eras and regions.”
Quote in the paperNot a substantial claim- Rests on an assumption: The needs and desires of audiences in different eras and regions can be inferred from the emotional stories and their evolution.
Probably not a substantial claim.
Interpretationcitation§ From Local Legend to Butterfly LoversThe Liang-Zhu tale embodies the dissonant memories of the many people, across time and place, who were actively involved in performing, interpreting, reconstructing, and negotiating the narrative.
“Essential to understanding Liang-Zhu's historic value is the knowledge that the tale embodies the dissonant memories of the many people, across time and place, who were actively involved in performing, interpreting, (re)constructing, and negotiating the narrative.2”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [2]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Rests on an assumption: The narrative versions of Liang-Zhu reflect the sociocultural contexts and values of the people who told and heard them.
It may state two separate claims as one.
Premisenone given§ Liang-Zhu: More Than Just a Love StoryDuring Tang-Song times, the port of Ningbo became an official and unofficial center for trade as well as cultural and religious exchange between China and Korea.
“During Tang-Song times, the port of Ningbo (in Zhejiang Province, China), where the Liang-Zhu tale originated, became an official and unofficial center for trade as well as cultural and religious exchange between the two countries.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Liang-Zhu: More Than Just a Love StoryThe difference between Chinese and Korean uses of Liang-Zhu reflects the differing social needs and condition of Korean audiences, for whom Liang-Zhu has been invoked not to entertain or to spark romance, but to release unfulfilled desire or grudges (han) and to bring wisdom and earthly blessings.
“This difference reflects the differing social needs and condition of Korean audiences, for whom Liang-Zhu has been invoked not to entertain or to spark romance, but to release unfulfilled desire or grudges (han) and to bring wisdom and earthly blessings.”
Quote in the paperNot a substantial claim- Rests on an assumption: The needs and desires of audiences in different eras and regions can be inferred from the emotional stories and their evolution.
Probably not a substantial claim. It may be too vague to check against evidence.
Interpretationreasoning§ Liang-Zhu: More Than Just a Love StoryThe story's capacity to embody the innate conflicts of human relations and emotions is the fundamental reason the Liang-Zhu tale has continued to attract audiences across time and distance.
“By employing gender and emotion to look at the essential themes and values of the tale and the cultures that produced it, I demonstrate that the story's capacity to embody the innate conflicts of human relations and emotions is the fundamental reason the tale has continued to attract audiences across time and distance.”
Quote in the paperNot a substantial claim- Rests on an assumption: The needs and desires of audiences in different eras and regions can be inferred from the emotional stories and their evolution.
- Rests on an assumption: The categories of gender and emotion are appropriate analytical lenses for understanding the tale's themes and values.
Probably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds.
Interpretationnone given§ Liang-Zhu: More Than Just a Love StoryThe tragic quality of the Liang-Zhu tale is most potently felt in the unresolved gap between the hero and heroine.
“The tragic quality of the Liang-Zhu tale is most potently felt in the unresolved gap between the hero and heroine.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisenone given§ From Local Legend to Butterfly LoversZhu Yingtai's gravesite, known as yifuzhong (the grave of a righteous wife), was considered a local attraction as early as the Tang period (618-907).
“Her gravesite, known as yifuzhong 義婦冢 (the grave of a righteous wife), was considered a local attraction as early as the Tang period (618-907).”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationnone given§ Liang-Zhu: More Than Just a Love StoryMing-Qing versions of Liang-Zhu often included themes of rebirth and afterlife, preaching religious messages on life and death.
“They also often included themes of rebirth and afterlife, preaching religious messages on life and death.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ 一夜英臺魂夢散,分明夢裏見爺娘. 72The tragic ending and emotional theme make the Sipch'osi version the first full-fledged form of the tale and the ancestor of later Liang-Zhu versions that drew Chinese and Korean, and even international, audiences.
“This tragic ending and emotional theme-manifested both in Zhu and Liang's tragic love and in the story's deployment of the elements of Confucian study, premarital affection, marriage conflict, deaths and coburial, and butterfly transformation-make the Sipch'osi version the first full-fledged form of the tale, and also the ancestor of later Liang-Zhu versions that drew Chinese and Korean, and even”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Deity of Righteousness and LoyaltyLi's amalgamation of historical and folkloric events, focus on the Confucian aspects of the tale, and deification of Liang transform a simple account attached to the local legend of a righteous wife into an official narrative that propagates Confucian ethical virtues while also reflecting the needs of local audiences.
“Li's amalgamation of historical and folkloric events, focus on the Confucian aspects of the tale, and deification of Liang transform a simple account attached to the local legend of a righteous wife into an official narrative that propagates Confucian ethical virtues while also reflecting the needs of local audiences.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds.
Interpretationreasoning§ From Local Legend to Butterfly LoversThe breadth and depth of this communicative space played a key role in maintaining the steady popularity of Liang-Zhu.
“Tracing this thread-that is, the sustaining elements of Liang-Zhu-leads us to restore and experience this communicative space, whose breadth and depth played a key role in maintaining the steady popularity of Liang-Zhu.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ From Local Legend to Butterfly LoversZhu's death can be considered, in Confucian terms, the fulfillment of a virtue; she shows her will to serve her classmate after death.
“In any case, Zhu's death can be considered, in Confucian terms, the fulfillment of a virtue; Zhu shows her will to serve her classmate, a man or a husband, after death, and she tries as hard as humanly possible to do so.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Deity of Righteousness and LoyaltyLin's discussion of different records of the cult indicates that, despite the cult's shamanistic elements, the figure of Jiang Ziwen had been worshipped widely by all types of people in the region, regardless of their social class.
“Lin's discussion of different records of the cult, dating as far back as the early third century, also indicates that, despite the cult's shamanistic elements, the figure of Jiang Ziwen had been worshipped widely by all types of people in the region, regardless of their social class.36”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [36]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ From Local Legend to Butterfly LoversIn Zhang Jin's time, or to Zhang himself, specific historical information was not considered integral to the official narration of Liang-Zhu.
“I surmise that in Zhang Jin's time, or to Zhang himself, specific historical information was not considered integral to the official narration of Liang-Zhu.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ From Local Legend to Butterfly LoversThe frequent reference to that melody in zaju and chuanqi attests to the fame of Zhu Yingtai's name and thus to its earlier predominance over the name of Liang Shanbo among folk audiences.
“The frequent reference to that melody in musical genres such as zaju 雜劇 (variety play) and chuanqi 傳奇 (romance play) attests to the fame of Zhu Yingtai's name and thus to its earlier predominance over the name of Liang Shanbo among folk audiences.15”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [15]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Bai Pu's tale can be seen as the earliest model of Liang-Zhu serving a religious need for both entertainment and teaching purposes, a trend that would bloom fully in the extended prosimetric versions of the Ming-Qing period.
“Bai Pu's tale can be seen as the earliest model of Liang-Zhu serving a religious need for both entertainment and teaching purposes, a trend that would bloom fully in the extended prosimetric versions of the Ming-Qing period.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ From Local Legend to Butterfly LoversThe pair's studying together and Liang's ignorance of Zhu's true identity would be central parts of the Liang-Zhu story line in Zhang Jin's time.
“This bare-bones sketch ensured that the pair's studying together (tongxue 同學), or sitting by the same window (tongchuang 同窓), and Liang's ignorance of Zhu's true identity would be the central parts of the Liang-Zhu story line in Zhang Jin's time.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyAs the earliest example of a religious telling of Liang-Zhu written by an official, Li's account reveals how the tale developed into a religious and didactic story in the area, apparently during the twelfth century.
“As the earliest example of a religious telling of Liang-Zhu written by an official, it also reveals how the tale developed into a religious and didactic story in the area, apparently during the twelfth century.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyThe adoption of a Liang-centered perspective was inevitable given that this particular text served as an inscription to Liang's shrine, but as the first full Liang-centered narrative, its significance to the broader tradition of Liang-Zhu storytelling is paramount.
“The adoption of a Liang-centered perspective was inevitable given that this particular text served as an inscription to Liang's shrine, but as the first full Liang-centered narrative, its significance to the broader tradition of Liang-Zhu storytelling is paramount.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyThe maximization of dominant Confucian social values and the minimization of private desires leave no space for Li to scrutinize Liang and Zhu's relationship at a personal level, which in turn results in the complete silencing of Zhu's voice.
“The maximization of dominant Confucian social values and the minimization of private desires leave no space for Li to scrutinize Liang and Zhu's relationship at a personal level, which in turn results in the complete silencing of Zhu's voice.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Deity of Righteousness and LoyaltyLi's work is not entirely regulative and state-focused.
“Yet a careful reader may still find that Li's work is not entirely regulative and state-focused.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Deity of Righteousness and LoyaltyOut of his desire to present a model for other men to follow, Li Maocheng strongly suggests that Liang's main concern is to serve the country through his sacrificial acts.
“Out of his desire to present a model for other men to follow, Li Maocheng strongly suggests that Liang's main concern is to serve the country through his sacrificial acts.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds.
Interpretationreasoning§ From Local Legend to Butterfly LoversTo a local female audience, Zhu's taking the initiative in study and death to be with her classmate would have been enough to garner praise, serving as a concrete example of a woman surpassing social, cultural, and even ontological boundaries.
“Yet, to a local female audience, Zhu's taking the initiative, first in study and later in death, in order to be with her classmate, would have been enough to garner praise, serving as a concrete example of a woman surpassing social, cultural, and even ontological boundaries.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisenone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:During the Qing period, Liang-Zhu was further engaged in various local storytelling performances in prosimetric format, such as guci, tanci, muyu shu, baojuan, and Shandong qinshu.
“During the Qing period, Liang-Zhu was further engaged in various local storytelling performances in prosimetric format, such as guci (drum songs), tanci (plucking rhymes), muyu shu (woodenfish books), baojuan (precious scrolls), and Shandong qinshu (Shandong storytelling accompanied by a stringed instrument).”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ From Local Legend to Butterfly LoversZhu's presence itself challenges local people who simply comply with the social and cultural traditions imposed upon them.
“Thus Zhu's presence itself challenges local people who simply comply with the social and cultural traditions imposed, often forcibly, upon them.”
Quote in the paperNot a substantial claim- Rests on an assumption: Historically and even today, wielding self-determination against various obstacles has not been as feasible for most women as it has been for men.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Deity of Righteousness and LoyaltyAccording to Lin Fu-shih's research on the local cult of Jiang Ziwen, local shamanistic cults played a pivotal role in religious life in many regions of South China, including Jiangsu and Zhejiang Provinces, from ancient times.
“According to Lin Fu-shih's research on the local cult of Jiang Ziwen 蔣子文, local shamanistic cults played a pivotal role in religious life in many regions of South China, including Jiangsu and Zhejiang Provinces, from ancient times.35”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [35]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationcitation§ Deity of Righteousness and LoyaltySuch an inclusion of Liang and Zhu in history creates a narrative of esteem and authority by resisting any ambiguities and inconsistencies.
“Such an inclusion of Liang and Zhu in history creates a narrative of esteem and authority by resisting any ambiguities and inconsistencies.34”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [34]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Deity of Righteousness and LoyaltyLiang's dropping by to visit Zhu on his way home and the strength of his posthumous desire to marry Zhu can be read as indicators of the emotional, heterosexual attachment between Liang and Zhu, an attachment that goes beyond their mutual affection as classmates.
“Liang's dropping by to visit Zhu on his way home, which suggests an earlier promise between the two schoolmates to meet again, and the strength of his posthumous desire to marry Zhu can be read as indicators of the emotional, heterosexual attachment between Liang and Zhu, an attachment that goes beyond their mutual affection as classmates.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:These differing configurations of Liang and Zhu's fate are important because they fundamentally change the narrative from a tragedy into a story with a religiously happy ending.
“These differing configurations of Liang and Zhu's fate are important because they fundamentally change the narrative from a tragedy into a story with a religiously happy ending.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Records of these dramatic texts show that by the thirteenth century Liang-Zhu had already become popular in the repertoire of professional stages, suggesting that the story's increased mobility and widened diffusion during this period were the result of stage and traveling performance troupes rather than textual versions.
“But the records of these dramatic texts show that by the thirteenth century, Liang-Zhu had already become popular in the repertoire of professional stages, suggesting that the story's increased mobility and widened diffusion during this period were the result of stage and traveling performance troupes rather than of the dissemination of textual versions.79”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [79]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ From Local Legend to Butterfly LoversThis imposed heteronormativity erased traces of the righteous and gallant Zhu Yingtai, which existed independently at least during the Tang dynasty, so as to reflect the social norms of the time.
“This imposed heteronormativity erased traces of the righteous and gallant Zhu Yingtai, which existed independently at least during the Tang dynasty, so as to reflect the social norms of the time.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. It may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyThese two clandestinely conflicting images of Liang-as a deity loyal to the local people and as a vengeful soul-add savor to the Liang-Zhu tale and leave room for its later elaboration as a popular religious story.
“These two clandestinely conflicting images of Liang-as a deity loyal to the local people and as a vengeful soul-add savor to the Liang-Zhu tale and leave room for its later elaboration as a popular religious story.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Upholding social norms is the trend in these narratives.
“Upholding social norms is the trend in these narratives.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationcitation§ From Local Legend to Butterfly LoversIn Zhang Jin's account, Liang is figured as equal to, or even higher than, Zhu, and thus the tale comes to function more as the story of Liang.
“In Zhang Jin's account, Liang is figured as equal to, or even higher than, Zhu, and thus the tale comes to function more as the story of Liang as commonly seen in local accounts from the same region.22”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [22]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyWhereas most supernatural elements are employed to emphasize a virtuous and powerful Liang, the manifestation of Liang's power on Zhu's wedding day presents a somewhat different image; his ghost is seen, essentially, as the perpetrator of Zhu's death.
“Whereas most of the supernatural elements are employed to emphasize a virtuous and powerful Liang, the manifestation of Liang's power on Zhu's wedding day presents a somewhat different image; his ghost is seen, essentially, as the perpetrator of Zhu's death.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Deity of Righteousness and LoyaltyTo a general audience from the 1100s and to a modern audience, shared academic goals and a regional connection would certainly have seemed good reasons for the accelerated development of a close relationship and mutual affection between two students.
“To a general audience from the 1100s-and to a modern audience as well-shared academic goals and a regional connection would certainly have seemed good reasons for the accelerated development of a close relationship and mutual affection between two students.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ From Local Legend to Butterfly LoversHonoring Liang creates a narrative framework in which Zhu's virtue is acknowledged primarily within the confines of her relationship with Liang; her righteous acts serve only to indirectly testify to Liang's honorable character.
“Honoring Liang creates a narrative framework in which Zhu's virtue is acknowledged primarily within the confines of her relationship with Liang; her righteous acts serve only to indirectly testify to Liang's honorable character.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ Deity of Righteousness and LoyaltyThe supernatural and fictional elements of Li's narrative played a crucial role in shaping a very appealing, intriguing, and memorable hagiography, quintessential for authenticating and commemorating the human deity Liang Shanbo.
“The supernatural and fictional elements of Li's narrative played a crucial role in shaping a very appealing, intriguing, and memorable hagiography, quintessential for authenticating and commemorating the human deity Liang Shanbo.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyThis version is distinct from Zhang Jin's account in that its sanctification of Liang reveals, and is based on, the character's inner mind.
“Furthermore, this version is distinct from Zhang Jin's account in that its sanctification of Liang reveals, and is based on, the character's inner mind.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Deity of Righteousness and LoyaltyBy conspicuously embedding Confucian virtues into the protagonists' names, Li emphasized that the two figures were exemplary of Confucianism.
“By conspicuously embedding Confucian virtues into the protagonists' names, Li emphasized that the two figures were exemplary of Confucianism.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:The fact that both early versions were named for Zhu Yingtai suggests that they followed the Zhu-centered narrative tradition, which is often the case in folklore and modern opera versions.
“The fact that both these early versions were named for Zhu Yingtai suggests that they followed the Zhu-centered narrative tradition, which is often the case in folklore and modern opera versions.80”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [80]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Deity of Righteousness and LoyaltyThe historical space created by Li's account functioned as a portal through which readers could easily visit and communicate with the figures and access the lessons that their life stories convey.
“The historical space created by Li's account also functioned as a portal through which readers could easily visit and communicate with the figures and access the lessons that their life stories convey.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,The Tang setting of the Sipch'osi version, which is scarcely ever seen in later Liang-Zhu versions, might suggest that this version has absorbed a non-Chinese vantage point.
“Significantly, the Tang setting of the Sipch'osi version, which is scarcely ever seen in later Liang-Zhu versions, might suggest that this version has absorbed a non-Chinese vantage point.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Interpretationreasoning§ From Local Legend to Butterfly LoversThe shift in focus in Zhang Jin's account from Zhu to Liang, or to Liang and Zhu as an indivisible entity, can be seen as a manifestation of the desire to infuse the Liang-Zhu tale with androcentric heteronormativity.
“The shift in focus in Zhang Jin's account from Zhu to Liang, or to Liang and Zhu as an indivisible entity, can be seen as a manifestation of the desire to infuse the Liang-Zhu tale with androcentric heteronormativity.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationcitation§ Deity of Righteousness and LoyaltyLi Maocheng's inscription established a new Liang-Zhu account from the perspective of a literatus-official, contributing to the official recognition that was instrumental to the tale's enduring popularity in the area.
“Li Maocheng's inscription established a new Liang-Zhu account from the perspective of a literatusofficial, which contributed to the official recognition that was instrumental to the tale's enduring popularity in the area.41”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [41]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Laypeople who saw baojuan versions performed at religious gatherings experienced the eventful reality of the two young protagonists along with a clear explanation of why their lives unfolded as they did, and religious institutions benefited from their absorption of this interpretation.
“Laypeople who saw such baojuan versions performed at religious gatherings experienced the eventful reality of the two young protagonists, along with a clear explanation as to why their lives unfolded as they did, and the religious institutions benefited from their absorption of this interpretation.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. It may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyThe powerful intervention of Liang's soul into the personal, private relationship brings a hopeful message for faithful people, and a warning message for the unfaithful.
“The powerful intervention of Liang's soul into the personal, private relationship brings a hopeful message for faithful people, and a warning message for the unfaithful.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Deity of Righteousness and LoyaltyOne of the most notable features of Li's account is that it successfully establishes Liang and Zhu as historical figures through the addition of personal information.
“One of the most notable features of Li's account is that it successfully establishes Liang and Zhu as historical figures through the addition of personal information.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ Deity of Righteousness and LoyaltyLi Maocheng's account is based on a Liang-centered interpretation of the raw Liang-Zhu story available to him.
“It is important to mention that Li Maocheng's account is based on a Liang-centered interpretation of the raw Liang-Zhu story available to him.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Deity of Righteousness and LoyaltyThe cults of particular human-gods were more often than not sponsored by local authorities as a way to promulgate the normative Confucian values beneficial to their governance, and Li's engagement in local worship of the loyal official Liang is no different.
“The cults of particular human-gods were more often than not sponsored by local authorities as a way to promulgate the normative (Confucian) values beneficial to their governance, and Li's engagement in local worship of the loyal official Liang is no different.”
Quote in the paperNot a substantial claim- Rests on an assumption: The cults of particular human-gods were more often than not sponsored by local authorities as a way to promulgate normative Confucian values beneficial to their governance.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ From Local Legend to Butterfly LoversThe emergence of Liang- or Liang-and-Zhu-focused Liang-Zhu tellings since the Song dynasty might have been a necessary threshold to cross for the perpetuation of the tale.
“In this light, the emergence of Liangor Liang-and-Zhu-focused Liang-Zhu tellings since the Song dynasty, if not completely inclusive, might have been a necessary threshold to cross for the perpetuation of the tale.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ From Local Legend to Butterfly LoversThe unknown authors of Liang-Zhu tales drew on vestiges of common people's values and lore to entice and captivate fans.
“Dominant in these Liang-Zhu versions are vestiges of the values and lore of common people in China and Korea that were shaped during their everyday lives, and that the unknown authors of Liang-Zhu tales drew on to entice and captivate fans.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationown data§ 大唐異事多祚瑞,有一賢才身姓梁.常聞博學身榮貴,The Sipch'osi version establishes the archetype of Liang and Zhu as well as the emotional connection between the two, rendering their tale a love story.
“Additionally, the Sipch'osi version establishes the archetype of Liang and Zhu as well as the emotional connection between the two, rendering their tale a love story:”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationreasoning§ From Local Legend to Butterfly LoversThe doubt cast by Luo indicates increased interest in the Liang-Zhu story among officials and resulting efforts to provide a more consistent narrative.
“The doubt cast by Luo indicates the increased interest in the Liang-Zhu story among officials and the resulting efforts to provide a more consistent narrative.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ From Local Legend to Butterfly LoversThis change reduced the gap between the original title of the gravesite, named for Zhu, and the Liang-centered accounts of the story, and addressed the attenuated attention to the righteous woman Zhu Yingtai in the official narration.
“This change not only reduced the gap between the original title of the gravesite, named for Zhu, and the Liang-centered accounts of the story, but also addressed the attenuated attention to the righteous woman Zhu Yingtai in the official narration.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyIn this view, Zhu's death is driven by Liang's soul, and Zhu's righteousness is located in the act of sacrifice or martyrdom, both of which are conceptually tied to being buried alive with the dead.
“In this view, Zhu's death is driven by Liang's soul, and Zhu's righteousness is located in the act of sacrifice or martyrdom, both of which are conceptually tied to being buried alive with the dead.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationnone given§ Deity of Righteousness and LoyaltyIn contrast to Zhang Jin, Li Maocheng's aim was to deliver a delicate, powerful, and divine narrative in which Liang ascends to the status of a perfect human-god who epitomizes the Confucian virtues of righteousness and loyalty.
“In contrast to the account of Zhang Jin, whose main concern was to provide a legitimate narrative for the Liang-Zhu gravesite, Li Maocheng's aim was to deliver a delicate, powerful, and divine narrative, in which Liang ascends to the status of a perfect humangod who epitomizes the Confucian virtues of righteousness (yi) and loyalty (zhong)”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationcitation§ The Sipch'osi Version: An Early Song of Sadness and Butterfly TransformationThe yunyun parts may refer to omitted prose that would have narrated the events between each stanza.
“The yunyun parts may refer to the omitted prose, which would have narrated the events between each stanza.52”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [52]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Deity of Righteousness and LoyaltyIt follows logically that it is the stormy soul of Liang, a man who died in a state of unrequited love, who causes Zhu's death.
“Whether Zhu's death is to be read as suicide remains dubious, but it follows logically that it is the stormy soul of Liang, a man who died in a state of unrequited love, who causes Zhu's death.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Premisecitation§ The Sipch'osi Version: An Early Song of Sadness and Butterfly TransformationThe Sipch'osi version dates to the Koryŏ period and is found in an edition of the Hyŏpchu myŏnghyŏn sipch'osi annotated by the monk Chasan.
“The version in question, which dates to the Koryŏ period, is found in an edition of the Hyŏpchu myŏnghyŏn sipch'osi 夾注名賢十抄詩 (Poetry Anthology of the Three Hundred Poems by Thirty Famous Poets) annotated by the monk Chasan 子山.45”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [45]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Premisecitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:The story of the ninefold pearl had been well known since the Han dynasty and was used to highlight womanly virtues.
“In fact, the story of the ninefold pearl had been well known since the Han dynasty (202 BCE-220 CE), 97 and was used to highlight womanly virtues.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [97]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:These stage adaptations further developed into regional plays during the Qing period, becoming the progenitors of modern opera versions.
“These stage adaptations further developed into regional plays (difang xi) during the Qing period, becoming the progenitors of modern opera versions.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Many folktales were reconfigured on a baojuan platform to craft a version suitable for teaching and entertaining at the same time, and the wish-fulfillment fantasy of Liang-Zhu would have met the criteria for such a use.
“Many folktales were reconfigured on a baojuan platform so as to craft a version suitable for teaching and entertaining at the same time, and the wish-fulfillment fantasy of Liang-Zhu would certainly have met the criteria for such a use of the tale.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyZhu's thoughts, feelings, and expectations of Liang are annulled, and she is relegated to the status of a secondary and objectified being.
“Her thoughts, feelings, and expectations of Liang are annulled, and she is relegated to the status of a secondary and objectified being.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ From Local Legend to Butterfly LoversThe privileging of Liang's character in Zhang's account limits interpretation of Zhu's righteous acts, illustrating the decisive role of a man in defining a woman's virtue.
“The privileging of Liang's character in Zhang's account surely limits interpretation of Zhu's righteous acts, illustrating the decisive role of a man in defining a woman's virtue.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence.
Premisecitation§ From Local Legend to Butterfly LoversA certain level of interaction and interpenetration between elite and folk literatures and audiences is necessary in any culture.
“However, a certain level of interaction and interpenetration between elite and folk literatures and audiences is necessary in any culture, and thus the relationship cannot be described in terms of a unidirectional influence from one to the other.8”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [8]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Interpretationreasoning§ The Sipch'osi Version: An Early Song of Sadness and Butterfly TransformationKoreans, not just Chinese, would have had access to unprinted tellings of Liang-Zhu within the China-Korea exchange space, and may have participated in the tellings with their own regional adaptations prior to the Sipch'osi version.
“so it follows that Koreans, not just Chinese, would have had access to unprinted tellings of Liang-Zhu within the exchange space, and may have even participated in the tellings with their own regional adaptations prior to the Sipch'osi version.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Deity of Righteousness and LoyaltyLiang ultimately proposes marriage only because he finds Zhu innocent and pure, characteristics of an ideal marriage partner according to Confucian social norms.
“He ultimately proposes marriage only because he finds Zhu innocent and pure, characteristics of an ideal marriage partner according to Confucian social norms.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationcitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:The insertion of a happy ending in later Liang-Zhu versions would appear to originate from the prevailing religious settings and the desire to add an element of entertainment to the story.
“The insertion of a happy ending would appear to originate from the prevailing religious settings and the desire to add an element of entertainment to the story.87”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [87]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Interpretationreasoning§ Deity of Righteousness and LoyaltyLi's version helps us better understand early Liang-Zhu storytelling by revealing the manner in which the story was told in the twelfth century, the narrative elements favored and expected by twelfth-century readers, and how local officials reacted to the story.
“Nonetheless, this version helps us better understand early Liang-Zhu storytelling by revealing not only the manner in which the story was told in the twelfth century, but also what narrative elements were favored and expected by twelfthcentury readers and how local officials reacted to the story.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence. It may state two separate claims as one.
Interpretationreasoning§ Troubled Gender and SexualityZhu's journey is an interesting case study of gender-crossing narrative: it provides insight into the deeply held desires and values embedded in that daunting adventure, while simultaneously exposing the complexities inherent in any challenge to dominant gender dichotomies.
“Zhu's journey is an interesting case study of this type of gender-crossing narrative: it provides insight into the deeply held desires and values embedded in that daunting adventure, while simultaneously exposing the complexities inherent in any challenge to dominant gender dichotomies.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe cultural foundation and legacy of Liang-Zhu are essential to understanding the story and its continued popularity.
“The cultural foundation and legacy of Liang-Zhu are essential to understanding the story and its continued popularity.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuTime and again the tale has grown into a popular story, motivated by the interpretations and expectations of audiences who craved a developing relationship between the two protagonists.
“Time and again the tale has grown into a popular story, motivated by the interpretations and expectations of audiences who craved a developing relationship between the two protagonists.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Interpretationreasoning§ Friendship vs. LoveThe friendship between Liang and Zhu at school is also a manifestation of Zhu's ability to control her emotions and sexuality.
“The friendship between Liang and Zhu at school is also a manifestation of Zhu's ability to control her emotions and sexuality.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds.
Interpretationreasoning§ Friendship vs. LoveGiven that social norms sharply defined male and female character ideals and acceptable male-female relationships, there is no rational, moral way to save both their relationship and their lives.
“Given that social norms sharply defined male and female character ideals and acceptable male-female relationships, there is no rational, moral way to save both their relationship and their lives.”
Quote in the paperNot a substantial claim- Rests on an assumption: Social norms sharply defined male and female character ideals and acceptable male-female relationships.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ From Illusion to Reality: Embroidered vs. Classical EducationIn this sense, embroidery was a measure of a woman's worth.
“In this sense, embroidery was a measure of a woman's worth, 13”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [13]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderAccording to Judith Butler, the negative view of gender-crossing is rooted in the nebulous nature of the concept of gender, which lacks any essential substance to define it.
“According to Judith Butler, so negative a view of gendercrossing is rooted in the nebulous nature of the concept of gender, which lacks any essential substance to define it.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [47]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderNot every case of gender violation is cause for punishment; some gender-crossing acts are rewarded, and many variables determine the consequences of a particular infraction.
“Nonetheless, not every case of gender violation is cause for punishment.Some gender-crossing acts are rewarded, 49 and there are many variables that determine the consequences of a particular infraction.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [49]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Premisecitation§ From Illusion to Reality: Embroidered vs. Classical EducationEmbroidery has also been believed to help women cultivate their temperaments and establish their reputations, just as writing did for men.
“Embroidery has also been believed to help women cultivate their temperaments and establish their reputations, just as writing did for men.12”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [12]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ Friendship vs. LoveThe tragic deaths of the protagonists, allowing them to be united forever in the afterlife, suggest that audiences initially favored a tragic ending, even while they actively enjoy the story of Liang and Zhu's time together.
“The tragic deaths of the protagonists, allowing them to be united forever in the afterlife, suggest that audiences initially favored a tragic ending, even while they actively enjoy the story of Liang and Zhu's time together.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Premisecitation§ From Illusion to Reality: Embroidered vs. Classical EducationAs Grace Fong aptly demonstrates, embroidery functioned as a feminine form of self-expression; it was used as a trope to represent women's emotion, knowledge, experience, and memory.
“Likewise, as Grace Fong aptly demonstrates, embroidery functioned as a feminine form of self-expression; it was used as a trope to represent women's emotion, knowledge, experience, and memory.11”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [11]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Interpretationreasoning§ Troubled Gender and SexualityZhu Yingtai's adventures indicate that gender ideology in premodern China was not monolithic; it was malleable and largely constructed around individual hierarchies in specific situations.
“Zhu Yingtai's adventures indicate that gender ideology in premodern China was not monolithic; it was malleable and largely constructed around individual hierarchies in specific situations.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Troubled Gender and SexualityZhu's female sexuality, which she has once denied, is rekindled by her emotions but remains suppressed by her false identity.
“Her female sexuality, which she has once denied, is rekindled by her emotions but remains suppressed by her false identity.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderWhereas Zhu's embroidery remains insufficient to fully express her desire, the male garment she dons allows her the necessary autonomy to do so.
“Significantly, whereas Zhu's embroidery remains insufficient to fully express her desire, the male garment she dons allows her the necessary autonomy to do so.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Interpretationnone given§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuPremodern and modern versions exist along a continuum of themes and episodes shaped over time by local people, professional performers, and officials.
“Premodern and modern versions exist along a continuum of themes and episodes shaped over time by local people, professional performers, and officials.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Friendship vs. LoveThe audience sees death and a shared tomb as the only possibility for continued growth in Zhu and Liang's romance.
“Ironically, though, the audience sees death and a shared tomb as the only possibility for continued growth in Zhu and Liang's romance.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯However, the focus is not on Zhu's physical weakness but on Liang's touching insistence on helping her.
“However the focus is not on Zhu's physical weakness but on Liang's touching insistence on helping her.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderThe story 'Li Xiuqing yijie Huang zhennü' suggests that respectable women could justify cross-dressing if it was motivated by survival and the desire to benefit family or others, and if they continued to conform to other normative values even while transgressing gender boundaries.
“By showing that Huang keeps her gender hidden through her transvestism until she marries, the story suggests that respectable women could justify cross-dressing if it was motivated by survival and the desire to benefit family or others, and if they continued to conform to other normative values even while transgressing gender boundaries.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Friendship vs. LoveZhu's male persona during their period of studying together forms the kernel of her friendship with Liang but is also fundamentally in conflict with her true gender and emotions.
“Zhu's male persona during their period of studying together (tongchuang 同 窓) forms the kernel of her friendship with Liang but is also fundamentally in conflict with her true gender and emotions.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Cong Yating suggests, in his study on baojuan versions, that they were designed mainly as entertainment rather than as a vehicle for religious teachings.
“However, although these versions provide religious instruction through such scenes, Cong Yating suggests, in his study on baojuan versions, that they were designed mainly as entertainment rather than as a vehicle for religious teachings.107”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [107]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim.
Interpretationreasoning§ Friendship vs. LoveThe tragic ending of Liang-Zhu is presaged by the strength with which gender distinctions and norms are maintained while they study together.
“I suggest that the tragic ending of Liang-Zhu is presaged by the strength with which gender distinctions and norms are maintained while they study together.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderWithin a compulsory system, gender is maintained by punitive consequences-ensuring the survival of that system by threatening anyone who crossdresses with the charge of being antisocial.
“For this reason, within a compulsory system, gender is maintained by punitive consequences-ensuring the survival of that system by threatening anyone who crossdresses with the charge of being antisocial.48”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [48]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Friendship vs. LoveLiang and Zhu's recognition of the utility of friendship when far from home highlights the practical need and justification for social bonding in premodern China.
“Liang and Zhu's recognition of the utility of friendship when far from home highlights the practical need and justification for social bonding in premodern China.10”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [10]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderThe performance of gender is one of the key cultural factors that causes people to function as a society.
“The performance of gender is one of the key cultural factors that causes people to function as a society.47”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [47]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderScholars have shown how women's exaggeration or mimicry of patriarchal ideas or looks can be a coding strategy to convey hidden feminist messages.
“Scholars have shown how women's exaggeration or mimicry of patriarchal ideas or looks can be a coding strategy to convey hidden feminist messages.42”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [42]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderFrom the moment Zhu's love for Liang arouses the sexuality she has repressed under her male garment, it becomes impossible for her to reconcile her male gender representation and her female sex.
“Further, from the moment Zhu's love for Liang arouses the sexuality she has repressed under her male garment, it becomes impossible for her to reconcile her male gender representation and her female sex.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ If I lose my body [virginity] before I return home,Within this epistemological inconsistency, Zhu must invent a third gender that does not exist in her real world.
“Within this epistemological inconsistency, Zhu must invent a third gender that does not exist in her real world.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ Virginity Vows and Female SexualityA certain level of mental strength is required to sustain the clever choice of cross-dressing, so Zhu comes up with a voluntary virginity oath as a sort of insurance policy before she launches herself on her journey.
“In other words, a certain level of mental strength is required to sustain the clever choice of cross-dressing, so Zhu comes up with a voluntary virginity oath as a sort of insurance policy before she launches herself on her journey.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:The localization of Liang-Zhu created a hitherto unknown richness of tradition that enormously expanded the tale's popularity and success.
“The localization of Liang-Zhu created a hitherto unknown richness of tradition that enormously expanded the tale's popularity and success.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderZhu's aspiration initially grows out of her embroidery practice, and she interweaves the pieces of her desire through the repetitive motion of needle and thread.
“Zhu's aspiration initially grows out of her embroidery practice, and she interweaves the pieces of her desire through the repetitive motion of needle and thread.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ If I lose my body [virginity] before I return home,Zhu's cross-dressing allows her to assimilate with the male students, but the reality of the virginity oath keeps her alert to her original gender identity.
“While her cross-dressing allows her to assimilate with the male students, the reality of the virginity oath keeps her alert to her original gender identity.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderThe hidden value of Zhu's cross-dressing is the possibility it suggests of building a new model for relationships between men and women, outside of traditional gender ideology.
“The hidden value of Zhu's cross-dressing is the possibility it suggests of building a new model for relationships between men and women, outside of traditional gender ideology.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:The multiplicity of these prosimetric versions clearly shows how much a story can evolve to meet different local needs.
“Yet the multiplicity of these prosimetric versions clearly shows how much a story can evolve to meet different local needs.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Interpretationreasoning§ Friendship vs. LoveZhu's complicated feelings toward Liang are suppressed so that she does not violate a double boundary: that of friendship on one hand, and of her virginity on the other.
“Zhu's complicated feelings toward Liang are suppressed so that she does not violate a double boundary: that of friendship on one hand, and of her virginity on the other.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Friendship vs. LoveThe stubborn persistence of the gender-boundary that restrains the two characters ultimately leads the story to its tragic culmination.
“The stubborn persistence of the gender-boundary that restrains the two characters ultimately leads the story to its tragic culmination.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:The proliferation of prosimetric versions helped Liang-Zhu secure audiences from all over China and Korea, but it also contributed to a certain loss of literary quality, perhaps because these versions adhered too closely to local tastes and local artistic codes.
“This proliferation did help Liang-Zhu secure audiences from all over China and Korea, but it also contributed to a certain loss of literary quality, perhaps because these Liang-Zhu versions adhered too closely to local tastes and local artistic codes.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe legitimacy and pride granted by Zhang Jin's account, the religious eternity promised by Li Maocheng's record, and the emotions and humanity included in the Sipch'osi version offer a platform for the story's ongoing evolution and its penetration of society.
“The legitimacy and pride of the tale granted by Zhang Jin's account, the religious eternity promised by Li Maocheng's record, and, finally, the emotions and humanity included in the Sipch'osi version-all these offer a platform for the story's ongoing evolution and its penetration of society.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationown data§ Cross-Dressing, Deception, and Displaced GenderIn the Yuan dynasty xiwen version, others can appreciate the personal advantage of Zhu's crossdressing as long as she demonstrates that her choice was unavoidable.
“In this version, a xiwen (drama-text) from the Yuan dynasty, we see that others can appreciate the personal advantage of Zhu's crossdressing as long as she demonstrates that her choice was unavoidable.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Friendship vs. LoveLiang and Zhu will gradually become friends through a shared vision and feelings, and particularly through their determination to care for each other for the rest of their lives.
“They will gradually become friends through a shared vision and feelings, and particularly through their determination to care for each other for the rest of their lives.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderIt would be incorrect to interpret Zhu's cross-dressing as the sole reason for the tragic ending of her story.
“It would therefore be incorrect to interpret Zhu's cross-dressing as the sole reason for the tragic ending of her story.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationreasoning§ Troubled Gender and SexualityThe story outlines the extent to which-and the specific circumstances in which-gender fluidity was tolerated or rewarded.
“The story also outlines the extent to which-and the specific circumstances in which-gender fluidity was tolerated or rewarded.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderDespite her painstaking work, Zhu's embroidery can never develop into a whole garment that will either depict or conceal her mind according to her will.
“But despite her painstaking work, her embroidery can never develop into a whole garment that will either depict or conceal her mind according to her will.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Friendship vs. LoveLiang and Zhu's relationship, while solely based on mutual interest and the will to fulfill brotherhood, remains immature and thus lacking in deep physical and emotional interactions.
“Liang and Zhu's relationship, while solely based on mutual interest and the will to fulfill brotherhood, remains immature and thus lacking in deep physical and emotional interactions.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe modern renditions of Liang-Zhu share a structure with the Sipch'osi version, attesting to the long, unchanged aesthetic standard of audiences in China, Korea, and beyond.
“The modern renditions of Liang-Zhu share a structure with the Sipch'osi version, attesting to the long, unchanged aesthetic standard of audiences in China, Korea, and beyond.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderZhu's testimony illuminates her conscientious personality; she does everything possible within the accepted social norms and pushes the boundaries of those norms only when it becomes necessary in order to pursue her dream.
“This testimony illuminates Zhu's conscientious personality; she does everything possible within the accepted social norms and pushes the boundaries of those norms only when it becomes necessary in order to pursue her dream.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Interpretationreasoning§ Friendship vs. LoveThese models of manhood underlie the narrative mechanism across different versions, so that the finales of disparate Liang-Zhu tales are interconnected across a wide spectrum of interpretations.
“These models of manhood underlie the narrative mechanism across different versions, so that the finales of disparate Liang-Zhu tales are interconnected across a wide spectrum of interpretations.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ If I lose my body [virginity] before I return home,Although Zhu evolves from an insulated, daydreaming girl into an ardent, bold woman with a masculine appearance, her sexuality never changes.
“Although Zhu evolves from an insulated, daydreaming girl into an ardent, bold woman with a masculine appearance, her sexuality never changes.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationreasoning§ If I lose my body [virginity] before I return home,The Korean versions' omission of the virginity oath shows that an extreme focus on the virginity theme is not omnipresent in Liang-Zhu texts across cultures; rather, it is primarily Chinese.
“Nonetheless, the Korean versions' omission of the virginity oath shows that an extreme focus on the virginity theme is not omnipresent in Liang-Zhu texts across cultures; rather, it is primarily Chinese.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ From Illusion to Reality: Embroidered vs. Classical EducationIn this light, Zhu's embroidery work is deeply expressive of her complete being, by turns emphasizing her interiority and her sexuality.
“In this light, Zhu's embroidery work is deeply expressive of her complete being, by turns emphasizing her interiority and her sexuality.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationcitation§ Troubled Gender and SexualityBeing widely distributed and often rewritten, the story reveals central myths and cultural ideologies about what divides gender from sex and what constitutes desire.
“Being widely distributed and often rewritten, the story reveals central myths and cultural ideologies about what divides gender from sex and what constitutes desire.4”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [4]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. It may state two separate claims as one.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderLiang-Zhu paints a realistic portrait of the pathos of gender thereby directing our attention to the more fundamental problem of individuals trapped between established gender hierarchies and their natural desire and feeling.
“Liang-Zhu paints a realistic portrait of the pathos of gender thereby directing our attention to the more fundamental problem of individuals trapped between established gender hierarchies and their natural desire and feeling.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ From Illusion to Reality: Embroidered vs. Classical EducationAccording to Susan Mann, embroidery became an emblem of both purity and sexuality, especially for young women whose style of embroidery yielded sexual connotations and whose embroidery thus marked their sexual allure.
“and according to Susan Mann, it became an emblem of both purity (in the sense of moral refinement) and sexuality, especially for young women whose style of embroidery yielded sexual connotations and whose embroidery thus marked their sexual allure.14”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [14]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThese themes play out a fundamental cycle of human relationships: meeting, separating, uniting, separating (through death), and reuniting (through transformation).
“These themes play out a fundamental cycle of human relationships: meeting, separating, uniting, separating (through death), and reuniting (through transformation).”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationown data§ Friendship vs. LoveAlthough Zhu knows her studies will not lead to an official career, she pursues her education for her own fulfillment.
“Although she knows her studies will not lead to an official career, she pursues her education for her own fulfillment.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderThe themes of embroidery and weaving in Liang-Zhu are closely associated with the evolution of Zhu's subjectivity and desire, and the symbolic power of garments continues to be an important theme in later parts of the narrative.
“As I have shown, the themes of embroidery and weaving in Liang-Zhu are closely associated with the evolution of Zhu's subjectivity and desire, and the symbolic power of garments continues to be an important theme in later parts of the narrative.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderZhu's cross-dressing plays a critical role in her fulfillment of the da zhangfu ideal that she claims for herself.
“It also plays a critical role in her fulfillment of the da zhangfu ideal that she claims for herself.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationreasoning§ From Illusion to Reality: Embroidered vs. Classical EducationThese images all evoke what is absent in Zhu's life, helping us locate her hidden or unspoken desires.
“These images all evoke what is absent in her life, helping us locate her hidden or unspoken desires.6”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [6]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence.
Interpretationreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuHence Liang and Zhu are reincarnated as human models who give long-lasting impressions of human feelings and relationships.
“Hence Liang and Zhu are reincarnated as human models who give longlasting impressions of human feelings and relationships.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderIn the male garment, the fragments of desire scattered in Zhu's embroidery are woven together into a completed form.
“In this new garment, the fragments of desire scattered in her embroidery are woven together into a completed form.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ Friendship vs. LoveThe progression of the Liang-Zhu relationship from friends to lovers, developed primarily through episodes arising from their cohabitation, reflects the tastes of the audience with respect to gender relations.
“The progression of the Liang-Zhu relationship from friends to lovers, developed primarily through episodes arising from their cohabitation, reflects the tastes of the audience with respect to gender relations.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Friendship vs. LoveIn the Liang-Zhu story, the problem of gender becomes most noticeable as Zhu Yingtai builds her relationship with Liang Shanbo at the academy.
“In the Liang-Zhu story, the problem of gender becomes most noticeable as Zhu Yingtai builds her relationship with Liang Shanbo at the academy.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationnone given§ Friendship vs. LoveLiang's remarks on Zhu's appearance show that Liang likes Zhu because, at first sight, her looks are pleasant to him; his next reason is the practical advantage of friendship: mutual caring.
“Liang's remarks on Zhu's appearance show that Liang likes Zhu because, at first sight, her looks are pleasant to him.His next reason is the practical advantage of friendship: mutual caring.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:Local efforts devoid of the agency required to crystallize the story could hardly have produced fine versions that would enthrall audiences with a broader range of educational and cultural backgrounds as well as artistic sensibilities and standards.
“These local efforts, devoid of the agency required to crystallize the story, could hardly have produced fine versions that would enthrall audiences with a broader range of educational and cultural backgrounds as well as artistic sensibilities and standards.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderIn the Liang-Zhu story, Zhu's cross-dressing emerges as a means for her to overcome the inconveniences, threats, and tragedies brought about by gender disparity.
“In the story, Zhu's cross-dressing emerges as a means for her to overcome the inconveniences, threats, and tragedies brought about by gender disparity.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ Cross-Dressing, Deception, and Displaced GenderThe subversive message embedded in the Liang-Zhu story has been accentuated over the years.
“This subversive message embedded in the Liang-Zhu story has been accentuated over the years.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderZhu's demonstration of her talent for disguise underlines how responsive she is to her family's concerns and how scrupulously she has prepared for her journey.
“This demonstration of her talent for disguise underlines how responsive she is to her family's concerns and how scrupulously she has prepared for her journey.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationcitation§ Cross-Dressing, Deception, and Displaced GenderThe first three reasons for women's cross-dressing, regarded as beneficial to family, are socially tolerated or even praised; the latter two remain controversial because they embrace self-interest.
“The first three reasons, regarded as beneficial to family, are socially tolerated or even praised.The latter two, however, remain controversial because they embrace self-interest.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ Friendship vs. LoveGender continues to play an important role in the love relationship that later develops between Liang and Zhu, and in their tragic deaths.
“Gender continues to play an important role in the love relationship that later develops between Liang and Zhu, and in their tragic deaths.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Virginity Vows and Female SexualityZhu's body is bound day and night by the male uniform that sustains her identity, and she must constantly improvise to maintain her camouflage.
“Her body is bound day and night by the male uniform that sustains her identity, and she must constantly improvise to maintain her camouflage.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationcitation§ Friendship vs. LoveLiang and Zhu's friendship is based not only on utility and pleasure, but also on virtue, which resonates with the perfect model of friendship suggested by Aristotle.
“Their friendship is based not only on utility and pleasure, but also on virtue, which resonates with the perfect model of friendship suggested by Aristotle.2”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [2]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderThe male clothing comes to signify the entirety of Zhu's desire.
“The male clothing comes to signify the entirety of Zhu's desire.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationown data§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯This scene demonstrates that, disguised as a man, Zhu faces hard labor at the academy.
“This scene demonstrates that, disguised as a man, Zhu faces hard labor at the academy.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderCross-dressing has been widely practiced in almost every culture and era.
“Cross-dressing, which liberates people from their obligatory sex roles, 39 has been widely practiced in almost every culture and era.40”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites [39]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites [40]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may state two separate claims as one.
Interpretationcitation§ Friendship vs. LoveIn C. S. Lewis's terms, Liang and Zhu present a perfect model of companions, but not yet friends, even though they have sworn the brotherhood oath.
“In Lewis's terms, Liang and Zhu present a perfect model of companions, but not yet friends, even though they have sworn the brotherhood oath.”
Quote in the paperSubstantial claim0 of 3 sources checked- cites [15]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites [16]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites [17]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper may give no reason why it holds.
Interpretationnone given§ Friendship vs. LoveWithin the exclusively male environment of the academy, Zhu temporarily annihilates gender disparity by convincingly donning the garb of a male student.
“Within the exclusively male environment of the academy, Zhu temporarily annihilates gender disparity by convincingly donning the garb of a male student.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Virginity Vows and Female SexualityAt first glance, Zhu seems to succeed in expanding her space by escaping the inner quarters through transvestism, but over time her choice simply puts her under another yoke.
“At first glance, she seems to succeed in expanding her space by escaping the inner quarters through transvestism.Yet over time her choice simply puts her under another yoke.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationcitation§ Cross-Dressing, Deception, and Displaced GenderZhu's cross-dressing is subversive and resistant because it reveals the problematic and secondary nature of women's role and position in society.
“Zhu's cross-dressing is subversive and resistant because it reveals the problematic and secondary nature of women's role and position in society.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationnone given§ Friendship vs. LoveAs friends, Liang and Zhu develop a mutual affection built on their common interests and activities while living and studying together at the academy.
“As friends, Liang and Zhu develop a mutual affection built on their common interests and activities while living (tongju 同居) and studying together (tongxue 同學) at the academy.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence.
Interpretationreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuRegardless of themes, character focus, or embellishments, at its core Liang-Zhu is a story deeply concerned with the cycle of human relationships and the desperate will to overcome its limits.
“Regardless of what themes are represented, which character is the primary focus, or how beautifully the tale is embellished with other entertaining elements on stage and screen, at its core Liang-Zhu is a story deeply concerned with the cycle of human relationships and the desperate will to overcome its limits.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ If I lose my body [virginity] before I return home,The virginity theme is a later Chinese addition, particularly to versions performed in communal and didactic spaces, where more dramatic representation of female virtues could have increased profits and justified the performance.
“Although more research is needed to reach a conclusion, my theory is that the virginity theme is a later Chinese addition, particularly to those versions that were performed in communal and didactic spaces, where more dramatic representation of female virtues could have increased profits and justified the performance.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderThe tension derived from the arousal of romantic feelings eventually hinders Zhu's ability to study, even though study was her primary motivation for venturing into the male domain.
“It is this tension derived from the arousal of romantic feelings that eventually hinders her ability to study, even though study was her primary motivation for venturing into the male domain.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe shifting needs of audiences have filled the gaps between the lines and infused vivid energy into the characters.
“The shifting needs of audiences have filled the gaps between the lines and infused vivid energy into the characters.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderThe fact that Zhu's concealment prevents Liang from seeing her true sexual identity is a predictable cause of the initial failure of their romantic relationship.
“The fact that Zhu's concealment prevents Liang from seeing her true sexual identity is a predictable cause of the initial failure of their romantic relationship.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderZhu's needlework becomes a process of self-exploration as each thread brings a new image to the fabric.
“Her needlework becomes a process of selfexploration as each thread brings a new image to the fabric.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Friendship vs. LoveIn Liang-Zhu, the emotional depth of the protagonists' friendship intensifies over time, from their first encounter on the road to the academy through their moment of parting, and evolves from utility and pleasure into virtue and finally into a life-and-death friendship.
“In Liang-Zhu, the emotional depth of the protagonists' friendship intensifies over time, from their first encounter on the road to the academy through their moment of parting, and also evolves from a friendship from one of utility and pleasure into one of virtue, and, finally, into a life-and-death friendship (shengsi zhi jiao 生死之交).”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderWang Ningbang and Zhang Tingting suggest that Zhu's crossdressing is evidence of a proto-feminist strain in Chinese literature.
“Wang Ningbang and Zhang Tingting further suggest that Zhu's crossdressing is evidence of a proto-feminist strain in Chinese literature.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [61]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderThe story subtly suggests that when a society is so rigid that there is no room to define one's identity beyond a sex role, the temporary mobility and flexibility offered by gender-borrowing is understandably very tempting and effective.
“The story subtly suggests that when a society is so rigid that there is no room to define one's identity beyond a sex role, the temporary mobility and flexibility offered by gender-borrowing is understandably very tempting and effective.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderClothing functions as an indicator of a person's social, economic, and cultural standing.
“Since clothing functions as an indicator of a person's social, economic, and cultural standing, switching dress enables an individual to inhabit a spectrum of personas and identities without physical transformation.41”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [41]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ Friendship vs. LoveIt is the internal characteristics of both Liang and Zhu that delay Liang's discovery of Zhu's true gender and prevent his realizing his love for her until it is too late.
“It is the internal characteristics of both Liang and Zhu that delay Liang's discovery of Zhu's true gender and prevent his realizing his love for her until it is too late.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Friendship vs. LoveThe scene presents the mutual benefit of having an ally in their new environment as a sound reason for swearing brotherhood.
“The scene presents the mutual benefit of having an ally in their new environment as a sound reason for swearing brotherhood.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ Friendship vs. LoveDespite her initial intentions, Zhu ultimately spends as much time and energy experimenting with her contradictory gender roles as she does on her pursuit of academic fulfillment.
“Despite her initial intentions, Zhu ultimately spends as much time and energy experimenting with her contradictory gender roles as she does on her pursuit of academic fulfillment.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderZhu is portrayed as intelligent, strategic, and a bit flexible about rules.
“Zhu is portrayed as intelligent, strategic, and a bit flexible about rules.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe popular storytelling in the history of Liang-Zhu crosses national and cultural boundaries, just as the Sipch'osi version itself spans the borders of China and Korea and embraces the two.
“The popular storytelling in the history of Liang-Zhu even crosses national and cultural boundaries, just as the Sipch'osi version itself spans the borders of China and Korea and, in fact, embraces the two.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderZhu's cross-dressing holds an affirmative value so long as it enables her to initiate and pursue her studies.
“Zhu's cross-dressing holds an affirmative value so long as it enables her to initiate and pursue her studies.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Friendship vs. LoveBecause Liang and Zhu are both bound by their oath, the romantic relationship between them is forestalled.
“Furthermore, because Liang and Zhu are both bound by their oath, the romantic relationship between them is forestalled.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderIn this modern version, Zhu's inner belief is that she is indeed capable of performing the da zhangfu character, not in looks but in ideals.
“In this modern version, Zhu's inner belief is that she is indeed capable of performing the da zhangfu character, not in looks but in ideals.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Interpretationnone given§ Friendship vs. LoveLiang embodies two archetypal views of Chinese masculinity: the junzi (gentleman) and the caizi (talented scholar).
“Liang embodies two archetypal views of Chinese masculinity: the junzi (gentleman) and the caizi (talented scholar).”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Popular Liang-Zhu Storytelling, 14th-19th Centuries:These versions also undoubtedly built up an invaluable capital upon which new versions could draw.
“These versions also undoubtedly built up an invaluable capital upon which new versions could draw.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ If I lose my body [virginity] before I return home,The shift from virginity to obedience to parents in Korean versions is not a fundamental difference; both Chinese and Korean versions reflect a fear that Zhu will not achieve a good marriage.
“This shift of focus from virginity to obedience to one's parents is not a fundamental difference; both versions reflect a fear that Zhu will not achieve a good marriage.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationnone given§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe evolutionary path of the Liang-Zhu narrative suggests three essential themes: (1) a woman studying with a man, (2) the social conflicts of her relationship to that man, and (3) her death and transformation.
“The evolutionary path of the Liang-Zhu narrative suggests three essential themes in Liang-Zhu that have provided an impetus for its popularity: (1) a woman studying with a man, (2) the social conflicts of her relationship to that man, and (3) her death and transformation.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderWang Ningbang and Zhang Tingting interpret Zhu's disguise as a dauntless attempt to restore a matriarchal society, and argue that Zhu's attitude toward love and study has originated from her awareness of gender inequity, the very antithesis of what the traditional patriarchal society wants.
“They interpret Zhu's disguise as a dauntless attempt to restore a matriarchal society, and argue that Zhu's attitude toward love and study has originated from her awareness of gender inequity, the very antithesis of what the traditional patriarchal society wants.61”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [61]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Virginity Vows and Female SexualityEven though Zhu is justified by her pure motivation, she may feel guilt, shame, and ambiguity over the disparity between her appearance and reality.
“Even though she is justified by her pure motivation, she may feel guilt, shame, and ambiguity over the disparity between her appearance and reality.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Troubled Gender and SexualityConsidering that the version by Zhang Jin discussed in chapter 1 omits Zhu's internal life entirely, it is significant that most twentieth-century versions provide elaborate detail on her motivations and perspective.
“Considering that the version by Zhang Jin discussed in chapter 1 omits Zhu's internal life entirely, it is significant that most twentiethcentury versions provide elaborate detail on her motivations and perspective.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationcitation§ Troubled Gender and SexualityA new desire has superseded Zhu's hunger for learning.
“A new desire has superseded her hunger for learning.3”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [3]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ Troubled Gender and SexualityZhu Yingtai's journey is a premodern model for women who yearn to study abroad.
“Zhu Yingtai's journey is a premodern model for women who yearn to study abroad.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Cross-Dressing, Deception, and Displaced GenderZhu plays with gender with a keen understanding of the power of clothing as an indicator of identity.
“She plays with gender with a keen understanding of the power of clothing as an indicator of identity.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Friendship vs. LoveThe theme of studying together in Liang-Zhu is constructed to exemplify the strong bond between friends, particularly school-aged youths, in traditional Chinese society.
“The theme of studying together in Liang-Zhu is constructed to exemplify the strong bond between friends, particularly schoolaged youths, in traditional Chinese society.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Friendship vs. LoveThis emphasis on Zhu's academic performance demonstrates a thread of advocacy for women's education and for the benefits of the intellectual exchange between men and women.
“This emphasis on Zhu's academic performance demonstrates a thread of advocacy for women's education and for the benefits of the intellectual exchange between men and women.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ The Continued Storytelling: The Tragic Love and Transformation of Innocent Liang and Virgin ZhuThe death of heartbroken Liang demonstrates his humanity.
“The death of heartbroken Liang demonstrates his humanity.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ If I lose my body [virginity] before I return home,Zhu's situation erodes her autonomy and forces a severe concealment of her body.
“This situation erodes her autonomy and forces a severe concealment of her body.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationown data§ Friendship vs. LoveZhu plays a leading role in building a sworn brotherhood, and her use of the proverb about karmic affinity adds meaning to the encounter.
“Zhu plays a leading role in building a sworn brotherhood, and her use of the proverb about karmic affinity adds meaning to the encounter.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Cross-Dressing, Deception, and Displaced GenderRong Zhaozu divides women's cross-dressing into five categories of motivation: to become an official; to enter military service; to revenge a wrong; to find a husband; and to pursue personal goals such as religious enlightenment or learning.
“Rong Zhaozu 容肇祖 divides women's cross-dressing into five categories of motivation: to become an official; 50 to enter military service; 51 to revenge a wrong; 52 to find a husband; and, finally, to pursue personal goals such as religious enlightenment or learning.53”
Quote in the paperNot a substantial claim0 of 3 sources checked- cites [50]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites [51]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites [52]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds.
Interpretationnone given§ Chapter 4 From Sorrowful Separation to Convivial ExcursionThe core themes of the Liang-Zhu tale-the transition from friendship to love, and the ambiguities and conflicts between these emotional contexts-crystallize in this scene of parting.
“The core themes of the Liang-Zhu tale-the transition from friendship to love, and the ambiguities and conflicts between these emotional contexts crystallize in this scene of parting.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds.
Interpretationnone given§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThe heart of the tragedy of Liang-Zhu is the conflict that stems from dissimilar expectations of each ideal gender role in human relationships, in which human sentiment, or qing, is embodied.
“The heart of the tragedy of Liang-Zhu is the conflict that stems from dissimilar expectations of each ideal gender role in human relationships, in which human sentiment, or qing, is embodied.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Ideals of Junzi and CaiziLiang's character as a caizi, falling victim to his love, presupposes Zhu as a jiaren, a woman worthy of the love of a caizi.
“Liang's character as a caizi, falling victim to his love, presupposes Zhu as a jiaren, a woman worthy of the love of a caizi.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯By turning his physical strength to her assistance, Liang emerges as more than just a friend to Zhu.
“By turning his physical strength to her assistance, he emerges as more than just a friend to Zhu.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThe absence of a developed love plot is complemented by the addition of the caizi character and the rhetoric of the young, innocent couple, unversed in the ways of adult love.
“This absence of a developed love plot is complemented by the addition of the caizi character and the rhetoric of the young, innocent couple, unversed in the ways of adult love.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionZhu's love is not the same love that Liang experiences upon first seeing Zhu dressed in female clothing.
“What this means is that, in its breadth, Zhu's love is not the same love that Liang experiences upon first seeing Zhu dressed in female clothing.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisenone given§ Ideals of Junzi and CaiziThe most common caizi characterization combines good looks and literary talent with physical and emotional vulnerability.
“The most common caizi characterization combines good looks and literary talent with physical and emotional vulnerability.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziZhu and Liang cannot flout the authority of parents and society, and back in the real world the bonds of friendship do not hold up to familial and societal obligations.
“Zhu and Liang both strive to change the situation, but they cannot flout the authority of parents and society.Although Liang and Zhu's friendship was the most important relationship in each of their lives during their time at the academy, back in the real world the bonds of friendship do not hold up to familial and societal obligations.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityWhile scenes of Zhu studying with fellow students are necessary to the narrative, how she manages to conceal her identity is of utmost importance to the reader and to her status as a student.
“While scenes of her studying with fellow students are certainly necessary to the narrative, how she manages to conceal her identity is of utmost importance to the reader-and to her status as a student.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionZhu's gender play reads as an exploration of the limits of male-female relationship, and even of all existing human relationships.
“Zhu's gender play reads as an exploration of the limits of malefemale relationship, and even of all existing human relationships.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.Confucian writers attempted to lessen the importance of friendship and mitigate its perceived detrimental effects on hierarchy by defining it narrowly, as a bond that could help in fulfilling one's responsibilities to family and society, and in achieving moral perfection and Confucian study.
“Those writers attempted to lessen the importance of friendship and mitigate its perceived detrimental effects on hierarchy by defining it narrowly, as a bond that could help in fulfilling one's responsibilities to family and society, and in achieving moral perfection and Confucian study.37”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [37]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper may give no reason why it holds.
Interpretationnone given§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThe gendered code to which Zhu must adhere, if she is to continue her deep affection for Liang, means that she must secure a legitimate relationship through marriage.
“The gendered code to which Zhu must adhere, if she is to continue her deep affection for Liang, means that she must secure a legitimate relationship through marriage.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.Friendship for advantage, where social connections would serve as a networking ground vital to success, was particularly encouraged during the schooling period.
“Friendship for advantage, where social connections would serve as a networking ground vital to success, was particularly encouraged during the schooling period.39”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [39]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.Geng Song's study of Chinese male culture shows that a misogynist attitude and condemnation of heterosexuality are central to the homosocial/homosexual discourse in patriarchal Chinese society.
“Geng Song's study of Chinese male culture shows that a misogynist attitude and condemnation of heterosexuality are central to the homosocial/homosexual discourse in patriarchal Chinese society.45”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [45]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Ideals of Junzi and CaiziLiang's image as a junzi springs from his period at the academy, where he is a faithful scholar, official, and friend.
“Liang's image as a junzi springs from his period at the academy, where he is very much a faithful scholar, official, and friend.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. It may state two separate claims as one.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThe changing images of Liang and Zhu have allowed the narrative to construct gender differently in different times, and to perform the construction of gender both inside and outside the narrative.
“The changing images of Liang and Zhu have allowed the narrative to construct gender differently in different times, and to perform the construction of gender both inside and outside the narrative.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Premisecitation§ Making a Tragedy: The Continuing Dilemma between Body and EmotionPaola Zamperini argues that heroines in Ming and Qing literature use suicide to emphasize the strength of their passion.
“Paola Zamperini argues that heroines in Ming and Qing literature use suicide to emphasize the strength of their passion.114”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [114]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯This telepathic communication may be viewed as the ideal state that any close relationship strives to reach, and it is also used to solidify their companionship.
“This telepathic communication may be viewed as the ideal state that any close relationship strives to reach, and it is also used to solidify their companionship.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityZhu does not attempt extreme masculinity; what she persistently wants is knowledge and understanding of literary studies.
“In fact, Zhu doesn't ever attempt to achieve extreme masculinity.The narrative clearly shows that she is not a woman who excels in all that men do.Instead, what Zhu persistently wants to acquire is a knowledge and understanding of literary studies.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.In late imperial China, particularly during the late Ming period, friendship had great textual visibility; the male bond, both homosocial and homosexual, was viewed not merely as an aid to career success but as an outlet for moral, emotional, intellectual, sexual, and artistic demands.
“In late imperial China, particularly during the late Ming period, friendship had great textual visibility; the male bond, both homosocial and homosexual, was viewed not merely as an aid to career success but as an outlet for moral, emotional, intellectual, sexual, and artistic demands.40”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [40]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Chapter 4 From Sorrowful Separation to Convivial ExcursionThe scene reveals how two vulnerable adolescents cope with a complicated reality and with their uncertainties about the future by properly handling their emotions, a skill viewed as a necessary step toward adulthood.
“The scene reveals how two vulnerable adolescents cope with a complicated reality and with their uncertainties about the future by properly handling their emotions, a skill viewed as a necessary step toward adulthood.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Making a Tragedy: The Continuing Dilemma between Body and EmotionRoland Altenburger insists that Zhu's act of gender bending plays a significant role in the development of emotions between Liang and Zhu.
“Concerning the transition of Liang's feelings from friendship to love, Altenburger insists that Zhu's act of gender bending plays a significant role in the development of emotions between Liang and Zhu.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Altenburger
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionZhu's acute self-awareness, seen in her active decision to travel to the academy and enter a brotherhood oath with Liang, is undervalued in readings that emphasize male bonding.
“By the same token, Zhu's acute self-awareness, as seen in her active decision to travel to the academy and enter into a brotherhood oath with Liang Shanbo, is undervalued in readings that emphasize male bonding.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityLiang deals with Zhu's lies and his own suspicions according to trust and emotion, and remains moral, never trespassing the boundary Zhu has drawn.
“Liang deals with Zhu's lies and his own suspicions according to trust and emotion.He is judicious enough to choose his own position in dealing with the matter, and remains a moral man, never trespassing over the boundary Zhu has drawn.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence.
Interpretationnone given§ Making a Tragedy: The Continuing Dilemma between Body and EmotionViewed through folk-religious belief in karmic affinity, rebirth, and immortality, Zhu's death can signify a positive action performed to earn a just reward.
“Viewed through the lens of folk-religious belief in people's karmic affinity, rebirth, and immortality, Zhu's death can signify a positive action, performed to earn a just reward.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziLiang's failure to marry Zhu indicates the institutional force of arranged marriage and illuminates traits of Liang's character not always fleshed out earlier.
“Liang's failure to marry Zhu not only indicates the institutional force of arranged marriage, but also illuminates traits of Liang's character that are not always fleshed out in the earlier part of the story.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯Liang and Zhu's relationship has, by this point, achieved a deeper mental and spiritual connection than mere friendship.
“Their relationship has, by this point, achieved a deeper mental and spiritual connection than mere friendship.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziThe shift in gender construction of the protagonists channels the story toward heterosexual love and contributes to the construction of Liang-Zhu as a sometimes preposterous but culturally revealing romance.
“This shift in the gender construction of the protagonists not only chan-nels the story toward heterosexual love but contributes to the construction of Liang-Zhu as a sometimes preposterous but culturally revealing romance.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯Zhu's affection for Liang is based not on admiration for his academic accomplishments, which are less impressive than her own, but on his excellent character.
“Zhu's affection for Liang is based not on admiration for his academic accomplishments, which are less impressive than her own, but on his excellent character.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. It may state two separate claims as one.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionZhu's suicide symbolizes her unvanquished will and passion-the same will and passion that launched her academic journey and her friendship with Liang-and is a more coherent view to Zhu.
“It symbolizes her unvanquished will and passion-the same will and passion that launched her academic journey and her friendship with Liang-and is surely a more coherent view to Zhu.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionAltenburger's reading overlooks that Zhu Yingtai's feelings for Liang are a complex combination of male bonding and romantic love that she built and maintained by her own strong will.
“Altenburger's reading overlooks the fact that Zhu Yingtai's feelings for Liang are a complex combination of male bonding and romantic love that she has built up and maintained by her own strong will.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationcitation§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThe desexualization of the female protagonist, along with the feminization of the male protagonist, certainly played a role in constructing and appraising an ideal love-and an ideal woman-in the caizi-jiaren stories and other Chinese imaginations of passionate love.
“The desexualization of the female protagonist, along with the feminization of the male protagonist, certainly played a role in constructing and appraising an ideal love-and an ideal woman-in the caizi-jiaren stories and other Chinese imaginations of passionate love.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityZhu's improvised excuse demonstrates her intelligence and talent for rhetoric.
“Her improvised excuse, far-fetched as it may seem, therefore demonstrates her intelligence and talent for rhetoric.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationnone given§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityZhu's ongoing efforts to disarm Liang's suspicions about her identity are another key element of Liang and Zhu's coresidence at the academy.
“Zhu's ongoing efforts to disarm Liang's suspicions about her identity are another key element of Liang and Zhu's coresidence at the academy.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationnone given§ Making a Tragedy: The Continuing Dilemma between Body and EmotionLiang's perception of bonding is reserved for the purely homosocial and, in some sense, symbolic homosexual world.
“Liang's perception of bonding is, in contrast, reserved for the purely homosocial and, in some sense, symbolic homosexual world.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionZhu's suicide after Liang's death, whether voluntary or not, should be read as a result of her emotional tie to Liang.
“Zhu's suicide after Liang's death, whether voluntary or not, should therefore be read as a result of her emotional tie to Liang.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Chapter 4 From Sorrowful Separation to Convivial ExcursionLiang-Zhu's parting scene helps reveal the poetics and aesthetics of Chinese parting culture, as well as how the elaborate representation of parting rituals in Liang-Zhu, both emotionally and spatially, was one of the reasons for the story's popularity in the past.
“Liang-Zhu's parting scene helps reveal the poetics and aesthetics of Chinese parting culture, as well as how the elaborate representation of parting rituals in Liang-Zhu, both emotionally and spatially, was one of the reasons for the story's popularity in the past.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.Research on male bonding during the Ming and Qing dynasties has revealed a strong undercurrent of heterosexual norms being ignored or resisted.
“Research on male bonding during the Ming and Qing dynasties has revealed a strong undercurrent of heterosexual norms being ignored or resisted.46”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [46]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Premisenone given§ Ideals of Junzi and CaiziIn Chinese literature, particularly popular vernacular fiction and drama, the ideal of the junzi character gradually yielded to that of the caizi character.
“In Chinese literature, particularly popular vernacular fiction and drama, the ideal of the junzi character gradually yielded to that of the caizi (talented scholar) character.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziIf Liang made any real effort to ascertain Zhu's true sex, or if he pursued heterosexual or homosexual love with her, his character as a junzi would collapse.
“If Liang Shanbo made any real effort to ascertain Zhu's true sex, or if he pursued heterosexualor homosexual-love with her, his character as a junzi would collapse.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThroughout the narrative, Zhu's relationship with Liang demonstrates the extent to which women could engage men and the male world.
“Throughout the narrative, Zhu's relationship with Liang demonstrates the extent to which women could engage men and the male world.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityBecause this image of Liang was seen as too naive and unrealistic, attempts emerged in popular storytelling to portray him as more perceptive, which altered and challenged Liang's basic image.
“Because this image of Liang was seen as too naive and unrealistic, attempts emerged in popular storytelling to portray him as more perceptive, which altered and challenged Liang's basic image.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionAltenburger's interpretation of Zhu's death is androcentric, passive, and nonreligious, ignoring Zhu Yingtai's active role as a loveseeker and partner and the meaning of death in folk culture.
“I suggest that his interpretation of Zhu's death represents, to some degree, an androcentric, passive, and nonreligious reading of Liang-Zhu, ignoring Zhu Yingtai's active role as a loveseeker and a partner, as well as the meaning of death in folk culture.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziIn extended versions of Liang-Zhu, Zhu's sexuality is stressed to the extent that her body invites the male gaze, and she becomes a desirable wife in an erotic sense.
“In extended versions of Liang-Zhu, Zhu's sexuality is stressed to the extent that her body invites the male gaze.Now imbued with the eroticism of a jiaren, Zhu becomes a desirable wife in an erotic sense.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionIn Zhu's mind, the two emotions-male bonding and heterosexual love-are connected and not antithetical.
“But in Zhu's mind, the two emotions-male bonding and heterosexual love-are connected and not antithetical.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionFor Zhu, there is no clear demarcation between heterosexual love and male bonding.
“For Zhu, there is no clear demarcation between heterosexual love and male bonding.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Premisecitation§ Ideals of Junzi and CaiziAccording to Geng Song, the caizi is a temporary stage of a junzi's life before he enters the official world; the caizi belongs to the yin world while the junzi is of the yang world.
“According to Geng Song, the caizi is a temporary stage of a junzi's life before he enters the official world.The caizi belongs to the yin world while the junzi is of the yang world.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Geng Song
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityThe tension surrounding Zhu's gender identity is manifested in Liang and Zhu's dialogues, whether initiated by Liang or by Zhu.
“The tension surrounding Zhu's gender identity is manifested in Liang and Zhu's dialogues, whether initiated by Liang or by Zhu.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziLiang would not be able to accept cohabitation with a female Zhu, so Zhu's true gender must remain hidden to maintain their friendship and brotherhood.
“He would certainly not be able to accept cohabitation with a female Zhu, so Zhu's true gender must remain hidden in order to maintain their friendship and their brotherhood.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯The difficult situations Zhu faces reveal Liang Shanbo as a strong, active man.
“The difficult situations Zhu faces reveal Liang Shanbo as a strong, active man.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionTo Liang Shanbo, disrupted male companionship is the fatal loss, meaning Zhu's death is the only means by which this sacred bond can be restored.
“To Liang Shanbo, disrupted male companionship is the fatal loss, which means that Zhu's death is the only means by which this sacred bond can be restored.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityThe suspicion aroused by Zhu's feminine looks and behavior makes her feel constantly in danger, and she relies almost entirely on words to diffuse suspicion.
“The suspicion aroused by her persistently feminine looks and behavior means that Zhu feels constantly in danger, and she relies almost entirely on words to diffuse suspicion.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯Zhu hopes that, like Fan Shi and Zhang Shao, she and Liang will be reunited someday.
“She hopes that, like Fan Shi and Zhang Shao, she and Liang will be reunited someday.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationcitation§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯With this twisted and intensified plot, Feng's version uses the friends' mutual death to signify the sincerity of their friendship, suggesting that it must be maintained even beyond the grave.
“With this twisted and intensified plot, Feng's version uses the friends' mutual death to signify the sincerity of their friendship, suggesting that it must be maintained even beyond the grave.33”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [33]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionEfforts to maintain Liang's junzi character foreshadow the suppression of his love.
“Efforts to maintain Liang's junzi character foreshadow the suppression of his love.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionZhu's journey from the female world to male symbolic order shows that she understands both the homosocial and the homosexual/heterosexual worlds, as demonstrated by her two oaths, one of brotherhood and one of virginity.
“Zhu's journey from the female world to male symbolic order, however, shows that she understands both the homosocial and the homosexual/heterosexual worlds, as she demonstrates by her two oaths, one of brotherhood and one of virginity.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThrough the interplay of the narratives of male bonding and love/marriage, the story touches upon the fundamental problems of human relations.
“Through this interplay of the narratives of male bonding and love/marriage, the story touches upon the fundamental problems of human relations.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisereasoning§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.This emphasis on the utility of friendship allowed it to coexist with order in family and state, specifically as an analogy to the three most basic relationships: the ruler-subject relationship, the parent-child relationship, and the husband-wife relationship.
“This emphasis on the utility of friendship allowed it to coexist with order in family and state, specifically as an analogy to the three most basic relationships: the rulersubject relationship, the parentchild relationship, and the husband-wife relationship.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityLiang's affection for Zhu is devoid of heterosexual love and is rooted in Zhu's assertion of her male gender during their time together.
“But still his affection for Zhu is devoid of any connotations of heterosexual love, rooted as it is in Zhu's assertion of her male gender during their time together.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds.
Interpretationnone given§ Chapter 4 From Sorrowful Separation to Convivial ExcursionAlthough the theme of parting may be universal, its development over time as a ritual in Liang-Zhu brings insight to the intersection of natural human emotion and the culturally shaped values that structure its expression.
“Although the theme of parting may be universal, its development over time as a ritual in Liang-Zhu brings insight to the intersection of natural human emotion and the culturally shaped values that structure its expression.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Making a Tragedy: The Continuing Dilemma between Body and EmotionSuo Shaowu correctly notes that modern popular versions do not develop the love between Liang and Zhu in a discernible way.
“Suo correctly notes that modern popular versions do not develop the love between Liang and Zhu in a discernible way.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [116]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯Liang is also portrayed as valuing friendship over study, not hesitating to expend his energy in helping.
“Liang is also portrayed as valuing friendship over study, not hesitating to expend his energy in helping.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziThe junzi-caizi transformation earned Liang-Zhu a new role as popular reading material and gained its entrance into the book market.
“Given that for many centuries the story either circulated orally or was performed on stage, it is significant that the junzicaizi transformation earned Liang-Zhu a new role as popular reading material and thus gained its entrance into the book market.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Ideals of Junzi and CaiziThe hunger for women's education in modern times has further enriched the original bold and challenging image of Zhu; Zhu embodies feminist ideas in these modern adaptations.
“The hunger for women's education in modern times has further enriched the original bold and challenging image of Zhu; Zhu embodies feminist ideas in these modern adaptations.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityZhu's use of their relationship to dispel Liang's doubts is effective.
“Zhu's use of their relationship to dispel Liang's doubts turns out to be effective.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityZhu's love for Liang is not inimical to their male bonding and may deepen her attachment by adding romance.
“Zhu's love for Liang is therefore not inimical to their male bonding.In fact it may deepen her attachment by adding the element of romance.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationnone given§ Making a Tragedy: The Continuing Dilemma between Body and EmotionZhu's act of gender bending plays a significant role in the development of emotions between Liang and Zhu.
“Zhu's act of gender bending plays a significant role in the development of emotions between Liang and Zhu.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityAlthough Zhu's male friendship with Liang continues based on her male persona, her feelings gradually change into love as she spends time with him.
“Although Zhu's male friendship with Liang continues based on her male persona, it is implied that her feelings gradually change into love as she spends time with him.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Ideals of Junzi and CaiziThe fragile, sentimental, and effeminate scholarly image of the caizi resonates with Liang Shanbo in the latter part of the story, first with his frustration over inability to marry Zhu, and later in his emotional poems, illness, and death from lovesickness.
“The fragile, sentimental, and even effeminate scholarly image of the caizi resonates with that of Liang Shanbo in the latter part of the story, first with Liang's frustration over his inability to marry Zhu, and later in the excessively emotional poems he sends her and his subsequent illness and death from lovesickness.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Ideals of Junzi and CaiziZhu's acknowledgment of her parents' authority in marriage decisions demonstrates that she has sublimated her own desire to the normative power to which male-coded elements and values are central.
“Zhu's acknowledgment of her parents' authority in marriage decisions demonstrates that she has sublimated her own desire to the normative power to which male-coded elements and values are central.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯The relationship between Fan and Zhang provides a clear model for Zhu's vision of male friendship.
“The relationship between Fan and Zhang provides a clear model for Zhu's vision of male friendship.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityZhu's use of pseudoscientific language lends her words authority and credibility.
“Zhu's use of pseudoscientific language lends her words a certain authority and credibility.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯Liang often acts as a guardian angel to Zhu.
“Liang often acts as a guardian angel to Zhu.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Ideals of Junzi and CaiziLiang's apparent lack of interest in female sexuality while maintaining his sworn brotherhood with Zhu shows that he suppresses his desire or controls his private concerns in order to adhere to the virtue of ren.
“Liang's apparent lack of interest in female sexuality while he works to maintain his sworn brotherhood with Zhu shows that he suppresses his desire or controls his private concerns in order to adhere to the virtue of ren.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziLiang's character has gradually been filled out as the story evolved, and a gender shift has taken place to varying degrees depending on the version.
“This fragile but love-oriented image of Liang reveals that Liang's character has gradually been filled out as the story evolved, and that a gender shift has also taken place, to varying degrees depending on the version of the story.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziZhu was already a jiaren before her study at the academy; she temporarily suppresses this nature to study, but resumes it as soon as she finishes her journey and returns home, undergoing three phases: jiaren, junzi/shunü, and once again jiaren.
“In this light, Zhu was already a jiaren before her study at the academy.She temporarily suppresses this nature in order to study, but resumes it as soon as she finishes her journey and returns to her home.In this sense, Zhu undergoes three phases: jiaren, junzi/ shunü, and once again, jiaren.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯This rendering of Liang Shanbo reflects the image of him discussed in chapter 1: that of a humble, sincere, and good-hearted youth.
“This rendering of Liang Shanbo reflects the image of him discussed in chapter 1: that of a humble, sincere, and good-hearted youth.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence.
Interpretationcitation§ Making a Tragedy: The Continuing Dilemma between Body and EmotionZhu's suicide should be understood as a deliberate expression of her passion and free will.
“In light of this view, Zhu's suicide should be understood as a deliberate expression of her passion and free will.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityLiang's presence alleviates Zhu's fear of living with unknown youths, but Zhu still needs to assure Liang of her fake identity.
“Liang's presence alleviates her fear of living with unknown youths, but Zhu still needs to assure Liang of her fake identity.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThis labeling is strongly influenced by the popularity of the later extended versions, which firmly established the story as a romantic and erotic icon.
“This labeling is strongly influenced by the popularity of the later extended versions, which firmly established the story as a romantic and erotic icon.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Interpretationreasoning§ Ideals of Junzi and CaiziDespite the incompatibility of publicly displaying both junzi and shunü ideals, Zhu simultaneously pursues ideal masculinity and ideal femininity.
“Despite the incompatibility of publicly displaying both junzi and shunü ideals, Zhu simultaneously pursues ideal masculinity and ideal femininity.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationcitation§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯Reciprocity is portrayed as the essence of an ideal relationship, and the mutual trust and emotional bond that have grown between Liang and Zhu now allow them to sense each other's distress from a distance.
“Reciprocity is portrayed as the essence of an ideal relationship, 24 and the mutual trust and emotional bond that have grown between them now allow them to sense each other's distress from a distance.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [24]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationnone given§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityThe brotherhood oath makes Zhu feel that Liang is a friend who will always be on her side.
“The brotherhood oath makes Zhu feel that Liang is a friend who will always be on her side.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityZhu's female sex places male bonding in a vulnerable position, and her friendship with Liang clandestinely harbors the seeds of romantic love.
“As I previously mentioned, the very fact of Zhu's female sex places male bonding in a vulnerable position; Zhu and Liang's friendship clandestinely harbors the seeds of romantic love.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ and particularly by Feng's version of the Fan-Zhang story written around the seventeenth century.The analogy to the husband-and-wife relationship also theoretically permits the growth of an erotic sensibility within friendship, and of social tolerance toward it.
“The analogy to the husband-and-wife relationship also theoretically permits the growth of an erotic sensibility within friendship, and of social tolerance toward it.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Ideals of Junzi and CaiziLiang's sincere acceptance of everything Zhu tells him and his adherence to social regulations exemplify his junzi character.
“Liang's sincere acceptance of everything Zhu tells him and his adherence to social regulations exemplify his junzi character.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Making a Tragedy: The Continuing Dilemma between Body and EmotionThe homosocial feelings and values embedded in Liang-Zhu resonate with the call for freely determined love and marriages.
“The homosocial feelings and values embedded in Liang-Zhu resonate with the call for freely determined love and marriages.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Ideals of Junzi and CaiziLiang's persistent avoidance of Zhu's sexuality demonstrates that his character is suitable to the junzi ideal.
“But, in particular, Liang's persistent avoidance of Zhu's sexuality demonstrates that his character is suitable to the junzi ideal.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯While it may be quite ordinary for friends to help each other, in this case the help takes on a special meaning to both Zhu and the audience, who know how help in desperate moments builds trust and attachment.
“While it may be quite ordinary for friends to help each other, in this case the help takes on a special meaning to both Zhu and the audience, who know how help in desperate moments builds trust and attachment.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationnone given§ Not a Girl: Killing Suspicions and Oppressing HeterosexualityLiang's unwavering belief in Zhu's words continues as long as Zhu performs a male identity.
“His unwavering belief in Zhu's words continues as long as Zhu performs a male identity.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ 一天一次把柴抱,轮著担水把缸添.内有英台气力小,山伯Liang reveals his feelings about Zhu not through complex reflections but through simple, everyday actions.
“Liang reveals his feelings about Zhu not through complex reflections but through simple, everyday actions.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Premisecitation§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsTime is by nature fleeting whereas space is relatively stable, and thus it is in space, not time, that memory is securely fixed and becomes increasingly sound.
“Time is by nature fleeting whereas space is relatively stable, and thus it is in space, not time, that memory is securely fixed and becomes increasingly sound.33”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [33]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsWhat is most significant about their parting journey is the interaction of the two separate emotional spaces that Liang and Zhu create, which move in parallel, on both imaginary and material levels, toward their individual goals, until the parting space is finally exhausted.
“What is most significant about their parting journey is the interaction of the two separate emotional spaces that Liang and Zhu create, which move in parallel, on both imaginary and material levels, toward their individual goals, until the parting space is finally exhausted.”
Quote in the paperSubstantial claimProbably not a substantial claim.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material Worlds'Shiba xiangsong' shows how the parting space represented on the stage evokes and houses emotions and memories.
““Shiba xiangsong,” in particular, shows how the parting space represented on the stage evokes and houses emotions and memories.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ Leaving Together for Our ParentsIt also underlines the existing linguistic and emotional gap between Liang and Zhu.
“It also underlines the existing linguistic and emotional gap between Liang and Zhu.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe characters' past bursts into a metaphoric flight of butterflies in the minds of the audience observing the scene.
“the characters' past bursts into a metaphoric flight of butterflies in the minds of the audience observing the scene.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsTheir rekindled memories blend loss and sadness with a growing hope for the continuance of their attachment and new memories to come.
“Their rekindled memories blend loss and sadness with a growing hope for the continuance of their attachment and new memories to come.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Leaving Together for Our ParentsBy leaving alongside with Zhu, Liang does not have to return to the academy alone, nor does he have to be haunted by memories of his friend.
“By leaving alongside with Zhu, Liang does not have to return to the academy alone, nor does he have to be haunted by memories of his friend.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ "Seeing Off": Acting Out the Sense of PartingHowever, it is still favored in certain literary and cultural spaces that are reserved for expressive emotions.
“However, it is still favored in certain literary and cultural spaces that are reserved for expressive emotions.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Leaving Together for Our ParentsIf we compare Liang's situation to Zhu's, however, Liang's response doesn't sound quite reasonable.
“If we compare Liang's situation to Zhu's, however, Liang's response doesn't sound quite reasonable.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsParting becomes a space that Liang and Zhu can physically enter and explore, creating meaning and memories that help them accept the separation.
“Instead, parting becomes a space that Liang and Zhu can physically enter and explore, creating meaning and memories that help them accept the separation.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe parting space is protected, for Zhu, by Liang's presence as well as by their common memories.
“The space is protected, for her, by Liang's presence as well as by their common memories.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Leaving Together for Our ParentsMoreover, Liang's decision to join Zhu in her departure cannot help but impress upon Zhu's heart a strong sense of the friendship bond between them.
“Moreover, Liang's decision to join Zhu in her departure cannot help but impress upon Zhu's heart a strong sense of the friendship bond between them.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe parting scene invites audiences to make sense of the inevitable meetings and partings in the ebb and flow of human affairs.
“The parting scene invites audiences to make sense of the inevitable meetings and partings in the ebb and flow of human affairs.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationown data§ Leaving Together for Our ParentsZhu makes use of these favorable conditions, testing Liang's character and opening her mind to him, although in an indirect manner, using riddles to hint at the relationship she wants to build with him.
“Zhu makes use of these favorable conditions, testing Liang's character and opening her mind to him, although in an indirect manner, using riddles to hint at the relationship she wants to build with him:”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsComponents of the material world spur recollections of certain moments, places, and events, and it is in this way that the audience is able to connect with Liang and Zhu on a deeper level.
“Components of the material world spur recollections of certain moments, places, and events, and it is in this way that the audience is able to connect with Liang and Zhu on a deeper level.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Leaving Together for Our ParentsLiang's action of going back to the academy to get the answer is revealing; although it may seem unnecessary to the audience, it demonstrates his studiousness, simplicity, and sincerity.
“Liang's action of going back to the academy to get the answer is revealing; although it may seem unnecessary to the audience, it demonstrates his studiousness, simplicity, and sincerity.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipThough Liang doesn't say much about their parting, this shared ritual and Zhu's tears show their sadness at parting in a concrete and direct way, and their words assuring each other of their shared affection increase that sense of emotion.
“Though Liang doesn't say much about their parting, this shared ritualand Zhu's tearsshow their sadness at parting in a concrete and direct way, and their words assuring each other of their shared affection increase that sense of emotion.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipBoth versions' minimizing of men's emotional expression also suggests that the narrator does not intend to draw audiences' sympathy exclusively to Liang's sense of loss.
“Both versions' minimizing of men's emotional expression also suggests that the narrator does not intend to draw audiences' sympathy exclusively to Liang's sense of loss.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationnone given§ Leaving Together for Our ParentsOver the course of their journey, as they visit places and exchange words, Zhu becomes more and more sure of Liang's character and decides to marry him, but the gap in understanding persists.
“Over the course of their journey, as they visit places and exchange words, Zhu becomes more and more sure of Liang's character and decides to marry him, but the gap in understanding persists.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationcitation§ Chapter 4 From Sorrowful Separation to Convivial ExcursionThe downplaying of the parting scene can also be understood as a reflection of the tendency in traditional Chinese culture to value emotional restraint so as to minimize tension in relationships.
“The downplaying of the parting scene can also be understood as a reflection of the tendency in traditional Chinese culture to value emotional restraint so as to minimize tension in relationships.6”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [6]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ The Physical and Emotional Distance of Parting: Seeing You Off over Eighteen LiThe tensions that are unpacked and examined along the way merge with the beautiful backdrop and a cheerful mood interlaced with dramatic irony.
“The tensions that are unpacked and examined along the way merge with the beautiful backdrop and a cheerful mood interlaced with dramatic irony.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. It may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe parting informs how Zhu and Liang will remember each other and their connection, and allows the audience to participate in the couple's remembrance of each other and exploration of their love.
“The parting therefore informs how Zhu and Liang will remember each other and their connection, and allows the audience to participate in the couple's remembrance of each other and exploration of their love.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ Leaving Together for Our ParentsThe reason Zhu can't tell the truth in a direct way, and Liang can't ask her the meaning of the riddle directly, can be found in the character ideals that Liang and Zhu represent.
“The reason Zhu can't tell the truth in a direct way, and Liang can't ask her the meaning of the riddle directly, can be found in the character ideals that Liang and Zhu represent (see chapter 3).”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Premisecitation§ 祝英台(唱):青青荷叶清水塘,鸳鸯成对又成双.梁兄啊!英Ducks are a common symbol of happy marriage in Chinese culture, allowing Zhu to introduce the idea of marriage to Liang.
“Ducks are a common symbol of happy marriage in Chinese culture, allowing Zhu to introduce the idea of marriage to Liang.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [38]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ "Seeing Off": Acting Out the Sense of PartingThey are viewed as rituals for psychological satisfaction and ethical perfection.
“They are viewed as rituals for psychological satisfaction and ethi-cal perfection.15”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [15]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim.
Interpretationreasoning§ "Seeing Off": Acting Out the Sense of PartingThis version of Liang, sensitive to private and personal emotions, is not the masculine ideal of orthodox Confucian thought that frequently appears in public spaces.
“This version of Liang, sensitive to private and personal emotions, is not the masculine ideal of orthodox Confucian thought that frequently appears in public spaces.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsAs the journey becomes dislocated from their previous academic lives, the sense of time's passing becomes subjective, and the space created by the distance of eighteen li becomes the absolute duration of the journey.
“As the journey becomes dislocated from their previous academic lives, the sense of time's passing becomes subjective, and the space created by the distance of eighteen li becomes the absolute duration of the journey.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe road reminds them of their previous journey filled with excitement and anticipation.
“The road reminds them of their previous journey filled with excitement and anticipation.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationnone given§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipAlthough this version portrays their relationship as that of friends, there is still a trace of Zhu's hidden intent in asking Liang to visit her home; she wants to reveal her identity and transform her relationship with Liang-to anchor their affection in marriage when they meet again.
“And although this version portrays their relationship as that of friends, there is still a trace of Zhu's hidden intent in asking Liang to visit her home; she wants to reveal her identity and transform her relationship with Liang-to anchor their affection in marriage when they meet again.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipBecause Liang remains mute, the parting scene proceeds in a way that emphasizes the desire to continue the friendship, allowing sadness to soften in light of the promise and hope of reunion.
“Because Liang remains mute, the parting scene proceeds in a way that emphasizes the desire to continue the friendship, allowing sadness to soften in light of the promise and hope of reunion.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ "Seeing Off": Acting Out the Sense of PartingHere, the reversal casts Liang as the more emotional character of the two; indeed, his anguish at their parting is clearly apparent in this version.
“Here, the reversal casts Liang as the more emotional character of the two; indeed, his anguish at their parting is clearly apparent in this version.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Premisecitation§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsLefebvre notes that, in a social sense, space exists both empirically and symbolically through our activities, and that each society has its own spatial practice.
“Lefebvre notes that, in a social sense, space exists both empirically and symbolically-through our activities, such as walking or traveling-and that each society has its own spatial practice”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [35]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationnone given§ The Physical and Emotional Distance of Parting: Seeing You Off over Eighteen LiThe predominant emotion that audiences see, feel, and amplify in the popular scene of parting is not the protagonists' fear of separation but their joy in being together.
“The predominant emotion that audiences see, feel, and amplify in the popular scene of parting is not the protagonists' fear of separation but their joy in being together.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationreasoning§ Leaving Together for Our ParentsAlthough it is not explicitly articulated in either of the two versions, it is not unreasonable to surmise that Liang's fear of losing his friend is the main reason he decides to leave.
“Although it is not explicitly articulated in either of the two versions, it is not unreasonable to surmise that Liang's fear of losing his friend is the main reason he decides to leave.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Leaving Together for Our ParentsHence, Liang's decision to leave with Zhu, ignoring his clear academic duties, casts doubt upon his judgment even though his words appear to prioritize filial piety above all else.
“Hence, Liang's decision to leave with Zhu, ignoring his clear academic duties, casts doubt upon his judgment even though his words appear to prioritize filial piety above all else.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Chapter 4 From Sorrowful Separation to Convivial ExcursionThis minimal treatment of the parting scene makes sense in light of the didactic nature of its genre; official accounts are more concerned with communicating normative values and concepts embedded in a given tale than with exploring its emotional aspects.
“This minimal treatment of the parting scene makes sense in light of the didactic nature of its genre; official accounts are more concerned with communicating the normative values and concepts embedded in a given tale than with exploring its emotional aspects.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationcitation§ "Seeing Off": Acting Out the Sense of PartingThis parting ritual enacted a wish for the safe travel of the one departing, but it also helped people better handle the impending separation by providing a specific time and space in which to process and accept the change.
“This parting ritual enacted a wish for the safe travel of the one departing, 14 but it also helped people better handle the impending separation by providing a specific time and space in which to process and accept the change.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [14]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Chapter 4 From Sorrowful Separation to Convivial ExcursionThe parting simultaneously functions as a sanctioned event for overcoming unfulfilled hopes and as a space for working out the accompanying emotional residue.
“The parting simultaneously functions as a sanctioned event for overcoming unfulfilled hopes and as a space for working out the accompanying emotional residue.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ Leaving Together for Our ParentsBut the scene is also meant to draw laughter from the audience.
“But the scene is also meant to draw laughter from the audience.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipBecause Zhu is expressive in her emotions, she can propose a chance to be united with Liang in a changed relationship.
“Because Zhu is expressive in her emotions, she can propose a chance to be united with Liang in a changed relationship.”
Quote in the paperSubstantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe pair's psychological attachment to the parting space, and the material objects within it, protects them and constitutes a communion of memory and imagery that reinforces their affection for each other.
“The pair's psychological attachment to the parting space, and the material objects within it, protects them and constitutes a communion of memory and imagery that reinforces their affection for each other.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationreasoning§ "Seeing Off": Acting Out the Sense of PartingThe distance over which the parting ritual is performed in Liang-Zhu varies, but this mode of parting discloses, in a culturally engaged way, the transition from denial to acceptance that characterizes separation.
“The distance over which the parting ritual is performed in Liang-Zhu varies, but this mode of parting discloses, in a culturally engaged way, the transition from denial to acceptance that characterizes separation.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Leaving Together for Our ParentsLiang's decision to abandon his studies, though it is cloaked in the filial piety of Confucian ethics, nevertheless transmits the message that the highly regarded enterprise of pursuing an official career could be compromised by other values and situations.
“Liang's decision to abandon his studies, though it is cloaked in the filial piety of Confucian ethics, nevertheless transmits the message that the highly regarded enterprise of pursuing an official career could be compromised by other values and situations.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe parting allows each of them to map the geography of their relationship onto the material realm.
“It allows each of them to map the geography of their relationship onto the material realm.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper may give no reason why it holds.
Interpretationnone given§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsParting forms a temporary, imaginary space in which the couple can come to understand each other's inner self.
“Parting forms a temporary, imaginary space in which the couple can come to understand each other's inner self.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipThe lack of any explicit verbal expression of Liang's emotions in both these versions may be partly attributed to Zhu's active, expressive, and versatile character, but it can be more broadly understood in the context of gender differences.
“The lack of any explicit verbal expression of Liang's emotions in both these versions may be partly attributed to Zhu's active, expressive, and versatile character, but it can be more broadly understood in the context of gender differences.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationcitation§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsMemories of times and places they have shared, reflected in everything they touch or pass by, serve as 'marks of intimacy' for them, and the journey becomes a unique space for performing their togetherness.
“Memories of times and places they've shared, reflected in everything they touch or pass by, serve as “marks of intimacy” 37 for them, and the journey becomes a unique space for performing their togetherness.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [37]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationnone given§ Leaving Together for Our ParentsThis time, the road is long, and it feels even more so as his newly awakened romantic feelings for Zhu mix with bitter regret.
“This time, the road is long, and it feels even more so as his newly awakened romantic feelings for Zhu mix with bitter regret.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsBy recalling the years they have spent together as friends, Liang and Zhu begin to explore their feelings for each other.
“By recalling the years they've spent together as friends, they begin to explore their feelings for each other.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationcitation§ "Seeing Off": Acting Out the Sense of PartingIn contrast to the earlier Liang, stoic and mute about his emotions, this new image signals his effemination; this Liang overtly reveals the so-called womanly emotions that have rendered him vulnerable and powerless.
“In contrast to the earlier Liang, stoic and mute about his emotions, this new image signals his effemination; this Liang overtly reveals the socalled womanly emotions that have rendered him vulnerable and powerless.21”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [21]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds.
Interpretationnone given§ Leaving Together for Our ParentsAt each of these sites, the natural and architectural environments and the material objects they encounter help them engage deeply with nature and with their innermost selves.
“At each of these sites, the natural and architectural environments and the material objects they encounter help them engage deeply with nature and with their innermost selves.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Leaving Together for Our ParentsBoth Liang and Zhu may have unspoken reasons to leave the academy, and filial devotion serves to legitimize the choice for both of them.
“Both Liang and Zhu may have unspoken reasons to leave the academy, and filial devotion serves to legitimize the choice for both of them.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe representation of the parting journey in Liang-Zhu has always been concerned with constructing and reliving memory, for the main characters as well as for the audience.
“The representation of the parting journey in Liang-Zhu has always been concerned with constructing and reliving memory, for the main characters as well for the audience.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationnone given§ Leaving Together for Our ParentsShe is attempting, in her way, to tell him the truth, but instead only manages to deceive him yet again, with an undesirable result.
“She is attempting, in her way, to tell him the truth, but instead only manages to deceive him yet again, with an undesirable result.”
Quote in the paperNot a substantial claimIt may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsTheir imminent separation may make them worry about the future of their relationship, but their travel together strengthens their confidence and helps them overcome their fear.
“Their imminent separation may make them worry about the future of their relationship, but their travel together strengthens their confidence and helps them overcome their fear.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Leaving Together for Our ParentsLiang's mention of his parents seems not so much real concern as a justification for an unexpected, early departure.
“Liang's mention of his parents seems not so much real concern as a justification for an unexpected, early departure.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Leaving Together for Our ParentsThe amusing scenarios that play out along the road give the characters license to enjoy their journey while holding at bay the tears and sorrow that lurk in the background.
“The amusing scenarios that play out along the road give the characters license to enjoy their journey while holding at bay the tears and sorrow that lurk in the background.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe duration of the parting on stage may represent the time it takes for Liang and Zhu to search their own and each other's inner worlds.
“Indeed, the duration of the parting on stage may represent the time it takes for Liang and Zhu to search their own and each other's inner worlds.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. The paper may give no reason why it holds. It may state two separate claims as one.
Interpretationnone given§ Chapter 4 From Sorrowful Separation to Convivial ExcursionAs Liang and Zhu's relationship extends beyond the physical boundaries of the academy, a unique tension develops that both simplifies and complicates the emotional intricacy of the traditional parting scene.
“As Liang and Zhu's relationship extends beyond the physical boundaries of the academy, a unique tension develops that both simplifies and complicates the emotional intricacy of the traditional parting scene.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Leaving Together for Our ParentsBy interweaving the sentimental elements of the theme with humor that counterbalances the sorrowful tone of parting, this version created a new model for Liang and Zhu's parting that quickly gained popularity over the earlier, forlorn parting scenes.
“By interweaving the sentimental elements of the theme with humor that counterbalances the sorrowful tone of parting, this version created a new model for Liang and Zhu's parting that quickly gained popularity over the earlier, forlorn parting scenes.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Premisecitation§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsBachelard maintains that space is everything, and is more important than time in retrieving memories.
“Gaston Bachelard maintains that space is everything, and is more important than time in retrieving memories.32”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [32]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationnone given§ Leaving Together for Our ParentsEven though they will have to go separately to their own villages after their journey, now they are given a prolonged time to spend happily together before parting.
“Even though they will have to go separately to their own villages after their journey, now they are given a prolonged time to spend happily together before parting.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationnone given§ The Physical and Emotional Distance of Parting: Seeing You Off over Eighteen LiThey take advantage of the opportunity to explore their emotions through the sights they encounter, as if they were writing a poem.
“They take advantage of the opportunity to explore their emotions through the sights they encounter, as if they were writing a poem.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ 祝英台(唱):青青荷叶清水塘,鸳鸯成对又成双.梁兄啊!英For Zhu, the ducks become a symbolic expression of a coveted marriage; for Liang, however, they merely reconfirm a gender restriction.
“For Zhu, the ducks become a symbolic expression of a coveted marriage; for Liang, however, they merely reconfirm a gender restriction”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe parting scene evokes nostalgia by playing on the audience's emotional experiences and memories of everyday places and objects, through which the couple's inner worlds are connected to the audience.
“The parting scene evokes nostalgia by playing on the audience's emotional experiences and memories of everyday places and objects, through which the couple's inner worlds are connected to the audience.”
Quote in the paperNot a substantial claim- Rests on an assumption: The audience has emotional experiences and memories of everyday places and objects that the parting scene can play on to evoke nostalgia.
Probably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe parting scene of 'Shiba xiangsong' features an array of material objects that not only offer Liang and Zhu a joyful and exciting form of sightseeing but also help them explore each other's innermost reflections.
“The parting scene of “Shiba xiangsong” features an array of material objects that not only offer Liang and Zhu a joyful and exciting form of sightseeing but also help them explore each other's innermost reflections.”
Quote in the paperSubstantial claimIt may state two separate claims as one.
Interpretationreasoning§ "Seeing Off": Acting Out the Sense of PartingThese rituals vary by generation, but all serve to lessen the sorrow of those facing a separation through the sharing of time and space.
“These rituals vary by generation, but all serve to lessen the sorrow of those facing a separation through the sharing of time and space.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationcitation§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipSince the Sipch'osi version may have omitted the prose part of the text, it is difficult to believe that Zhu's remarks quoted above make up the whole description of the parting scene in this version.
“Since the Sipch'osi version may have omitted the prose part of the text, 11 it is difficult to believe that Zhu's remarks quoted above make up the whole description of the parting scene in this version.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [11]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
It may state two separate claims as one.
Premisecitation§ "Seeing Off": Acting Out the Sense of PartingOn the chosen day, close family members and friends escort the departing person to a nearby river to embark and then hold a farewell party for them; after the party, the departing person returns in the boat, and the actual departure takes place on a different day.
“On the chosen day, close family members and friends escort the departing person to a nearby river to embark and then hold a farewell party for them.After the party is over, the departing person returns in the boat, and the actual departure takes place on a different day.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [13]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Leaving Together for Our ParentsThe leaving-together mode presents a model that is focused on Liang and Zhu sharing their thoughts and actions.
“The leaving-together mode presents a model that is focused on Liang and Zhu sharing their thoughts and actions.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may be too vague to check against evidence. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Leaving Together for Our ParentsThese episodes make the excursion a bright composition of farewell words and actions that exhaust the emotional residue of parting and create a festive interlude during which Liang and Zhu enjoy their last moments of being together.
“These episodes make the excursion a bright composition of farewell words and actions that exhaust the emotional residue of parting and create a festive interlude during which Liang and Zhu enjoy their last moments of being together.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Premisecitation§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsLefebvre points out that time can only become visible when inscribed in space.
“Henri Lefebvre agrees, pointing out that time can only become visible when inscribed in space.34”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [34]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipThese two elements may blur the underlying conflict of emotions about separation but they never erase it.
“These two elements may blur the underlying conflict of emotions about separation but they never erase it.”
Quote in the paperNot a substantial claim- The authors state this as an assumption: The simplest model of the parting scene would have consisted of two main thematic elements: filial emotions as the cause for separation, and the hope of reunion as emotional compensation for having to part.
It may state two separate claims as one.
Interpretationreasoning§ Chapter 4 From Sorrowful Separation to Convivial ExcursionShao's parting scene ties together several plot points left loose in earlier official narrations, demonstrating that popular opinion had begun to influence official accounts.
“Shao's parting scene ties together several plot points left loose in earlier official narrations, demonstrating that popular opinion had begun to influence official accounts.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationnone given§ Leaving Together for Our ParentsLiang's support for Zhu's decision and his voluntary decision to follow Zhu show that Liang is actualizing his sworn brotherhood with Zhu to the best of his ability.
“Liang's support for Zhu's decision and his voluntary decision to follow Zhu show that Liang is actualizing his sworn brotherhood with Zhu to the best of his ability.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe virtual space of parting contains their hidden emotions, thoughts, and understandings, while the actual space they are traversing serves as a pathway joining her inner world to his.
“That virtual space contains their hidden emotions, thoughts, and understandings, while the actual space they are traversing serves as a pathway joining her inner world to his.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ "Seeing Off": Acting Out the Sense of PartingThe mention of Liang's broken heart suggests that the enduring ritual of seeing off is not enough to lessen the feeling of sorrow and loss.
“The mention of Liang's broken heart suggests that the enduring ritual of seeing off is not enough to lessen the feeling of sorrow and loss.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipCompared to the Sipch'osi version, this folk song provides a certain space for pouring out sadness at the moment of parting, marking the story's engagement with the common notion of parting and its cultural practice.
“Compared to the Sipch'osi version, this folk song provides a certain space for pouring out sadness at the moment of parting, marking the story's engagement with the common notion of parting and its cultural practice.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationcitation§ Leaving Together for Our ParentsThe enjoyment of this pleasant excursion may explain why the parting journey of Liang and Zhu tends to be characterized by a cheerful mood.
“The enjoyment of this pleasant excursion may explain why the parting journey of Liang and Zhu tends to be characterized by a cheerful mood.27”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [27]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationown data§ "Seeing Off": Acting Out the Sense of PartingWith their repeated good-byes and drawn-out sending-off process, this version captures a quality common in the parting: neither one can bear to leave the other first.
“With their repeated good-byes and drawn-out sending-off process, this version captures a quality common in the parting: neither one can bear to leave the other first.”
Quote in the paperNot a substantial claimProbably not a substantial claim. It may state two separate claims as one.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsEverything that catches the couple's attention carries cultural connotations, and their encounters with these objects speak for them, generating meaningful opportunities.
“Everything that catches the couple's attention carries cultural connotations, and their encounters with these objects speak for them, generating meaningful opportunities”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipBy implying Zhu's marriage scheme, the parting scene in this earlier version presages the tension and conflict in later versions between Zhu's secret love for Liang and Liang's brotherly affection toward his friend.
“By implying Zhu's marriage scheme, the parting scene in this earlier version presages the tension and conflict in later versions between Zhu's secret love for Liang and Liang's brotherly affection toward his friend.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Remembrance and Exploration: The Interplay of Emotional and Material WorldsThe parting journey in these opera versions is a more active exploration of the exclusive, separate space that Liang and Zhu come to occupy in the material world.
“The parting journey in these opera versions is a more active exploration of the exclusive, separate space that Liang and Zhu come to occupy in the material world”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationown data§ "Seeing Off": Acting Out the Sense of PartingThe expressive language of suffering from separation renders this depiction of Liang and Zhu's parting distinct.
“The expressive language of suffering from separation renders this depiction of Liang and Zhu's parting distinct.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Interpretationreasoning§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipThe narrator's perspective on Liang and Zhu's differing capacities for expressing emotion reveals the underlying belief that a person's emotions are so intrinsically attached to his or her body that Zhu's imitation of masculinity cannot mask her female emotional abilities.
“The narrator's perspective on Liang and Zhu's differing capacities for expressing emotion reveals the underlying belief that a person's emotions are so intrinsically attached to his or her body that Zhu's imitation of masculinity cannot mask her female emotional abilities.”
Quote in the paperSubstantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationcitation§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipAs such, the sadness of separation is not so much expressed through language and action in this version as it is implied to exist beneath the obligations of a son.
“As such, the sadness of separation is not so much expressed through language and action in this version as it is implied to exist beneath the obligations of a son.”
Quote in the paperNot a substantial claimProbably not a substantial claim.
Premisecitation§ Sorrowful Separation: Conflicting Emotions between Filial Piety and FriendshipMaram Epstein points out that filial devotion toward one's parents was the one area of traditional Chinese culture in which the expression of extreme emotions was socially and culturally encouraged.
“Maram Epstein points out that filial devotion toward one's parents was the one area of traditional Chinese culture in which the expression of extreme emotions was socially and culturally encouraged.10”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [10]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim. The paper’s conclusions may not depend on it.
Interpretationreasoning§ "Seeing Off": Acting Out the Sense of PartingThis ritual illuminates the notion that parting is an important and difficult matter to confront.
“This ritual illuminates the notion that parting is an important and difficult matter to confront.”
Quote in the paperNot a substantial claimProbably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.
Interpretationreasoning§ "Seeing Off": Acting Out the Sense of PartingBecause of Liang's affection and concern for Zhu, seeing her off seems a natural and necessary event to him; he accompanies Zhu until he can go no further, reaching as far as the riverbank at Qiantang, where Zhu finally leaves.
“Because of Liang's affection and concern for Zhu, seeing her off seems a natural and necessary event to him; he accompanies Zhu until he can go no further, reaching as far as the riverbank at Qiantang, where Zhu finally leaves:”
Quote in the paperNot a substantial claim
The paper relies on this without support.
The needs and desires of audiences in different eras and regions can be inferred from the emotional stories and their evolution.
“this common genderspecific imagery has evolved by way of a range of emotional stories that invert traditional notions of gender, continually morphing them to reflect the needs and desires of audiences in different eras and regions.”
The paper relies on this without support.
The selected Liang-Zhu versions are representative of the broader tradition and its audiences.
“when I analyze the tale's core themes, such as gender, female education, friendship, and love, I focus primarily on versions from late imperial China (ca.1550-1920) to mid-twentieth-century China whose dates and timelines have been fixed or estimated by previous scholarship.51”
The paper relies on this without support.
The narrative versions of Liang-Zhu reflect the sociocultural contexts and values of the people who told and heard them.
“I strategically define the Liang-Zhu tale as a cultural and lit-erary”
The paper relies on this without support.
The categories of gender and emotion are appropriate analytical lenses for understanding the tale's themes and values.
“By employing gender and emotion to look at the essential themes and values of the tale and the cultures that produced it, I demonstrate that the story's capacity to embody the innate conflicts of human relations and emotions is the fundamental reason the tale has continued to attract audiences across time and distance.”
The paper relies on this without support.
Historically and even today, wielding self-determination against various obstacles has not been as feasible for most women as it has been for men.
“Historically, and even today, wielding selfdetermination against various obstacles has not been as feasible for most women as it has been for men.”
The paper relies on this without support.
In the Confucian mindset, Zhu is viewed as a woman who helps a man keep his integrity.
“In the Confucian mindset, Zhu is viewed as a woman who helps a man keep his integrity-a requisite quality for the ideal partner of such an honorable man.”
The paper relies on this without support.
The cults of particular human-gods were more often than not sponsored by local authorities as a way to promulgate normative Confucian values beneficial to their governance.
“The cults of particular human-gods were more often than not sponsored by local authorities as a way to promulgate the normative (Confucian) values beneficial to their governance, and Li's engagement in local worship of the loyal official Liang is no different.”
The paper relies on this without support.
To yearn for the forbidden is human nature.
“To yearn for the forbidden is human nature. 1”
The paper relies on this without support.
Rebellion against gender roles is always costly, primarily because of the salient gap between sociological gender and biological sex.
“Rebellion against such gender roles is always costly, primarily because of the salient gap between (sociological) gender and (biological) sex.”
The paper relies on this without support.
For some people, crossing gender boundaries remains desirable despite the price exacted.
“Yet despite the price exacted, for some, crossing those boundaries remains desirable.”
The paper relies on this without support.
A woman traveling alone incurred the chance of robbery or rape.
“Realistically, a woman traveling alone incurred the chance of robbery or rape.”
The paper relies on this without support.
In premodern China, a young woman's virginity affected not only her own marriageability but her family's reputation as well.
“In premodern China, a young woman's virginity was not just an individual matter: it affected not only her own marriageability but her family's reputation as well.”
The paper relies on this without support.
Keeping the body unpolluted was viewed as a crucial measure for a girl.
“Keeping the body unpolluted was viewed as a crucial measure for a girl.”
The paper relies on this without support.
It was not unusual for women to resort to extreme measures to present themselves as unblemished adherents to Confucian norms.
“It was not unusual, therefore, for women to resort to extreme measures to present themselves as unblemished adherents to the Confucian norms.”
The authors state this as an assumption.
In the Liang-Zhu story, everyone aside from Liang Shanbo already has suspicions about Zhu's identity, particularly the master and his wife, who at times exert their authority to assist Zhu in her deception.
“It is assumed that everyone aside from Liang Shanbo already has their suspicions about Zhu's identity, particularly the master and his wife, who at times exert their authority to assist Zhu in her deception.”
The paper relies on this without support.
Social norms sharply defined male and female character ideals and acceptable male-female relationships.
“Given that social norms sharply defined male and female character ideals and acceptable male-female relationships, there is no rational, moral way to save both their relationship and their lives.”
The paper relies on this without support.
The audience's real feelings cannot be dictated by the norms represented in the story.
“These norms do not, however, prevent the audience from supporting the characters' relationship; the audience's real feelings cannot be dictated by the norms represented in the story, and the tension between normative and popular values adds to the tale's excitement.”
The paper relies on this without support.
The authors and audiences of Liang-Zhu do not want Zhu to become entirely a man and are more interested in her witty escapes than in her full masculinization.
“Neither the author nor the audience of Liang-Zhu would want to see Zhu become entirely a man.They are more interested in seeing how she escapes difficult situations with a flash of wit.”
The paper relies on this without support.
A sizable and devoted group of people were interested in this type of romance, comparable to a contemporary population interested in paranormal romances.
“We can, nonetheless, be sure that a sizable and devoted group of people were interested in this type of romance, just as a comparable population today is interested in paranormal romances.”
The authors state this as an assumption.
The simplest model of the parting scene would have consisted of two main thematic elements: filial emotions as the cause for separation, and the hope of reunion as emotional compensation for having to part.
“Based on what is preserved, we can assume that the simplest model of the parting scene would have consisted of two main thematic elements: filial emotions as the cause for separation, and the hope of reunion as emotional compensation for having to part.”
The paper relies on this without support.
The Liang-Zhu story circulated orally for some time before it was transcribed.
“It is unclear when the parting scene was first integrated into Liang-Zhu because the story circulated orally for some time before it was transcribed.”
The paper relies on this without support.
Few scholars have focused on parting as a literary trope or as a culturally distinct ritual performance of emotion.
“However, despite the pervasiveness of this theme in Chinese literature, poetry, and culture, few scholars have focused on parting as a literary trope or as a culturally distinct ritual performance of emotion.”
The paper relies on this without support.
The audience has emotional experiences and memories of everyday places and objects that the parting scene can play on to evoke nostalgia.
“The parting scene evokes nostalgia by playing on the audience's emotional experiences and memories of everyday places and objects, through which the couple's inner worlds are connected to the audience.”
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
Each contradiction between two passages listed here was confirmed by an independent check.
Conflicting end dates for the Daguan reign
MinorThe text gives the Daguan period as 1107-10 in one place but 1107-110 in another.
“the first year of the Daguan reign [1107-110]”
“the first year of the Daguan period (1107-10)”
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Flagged first, then by citations
1 of the 230 references couldn’t be matched to a known paper.
Research works printed but not linked: 219
- In Liang Zhu wenhua daguan (4 vols., Beijing: Zhonghua shuju, 1999; hereaf- ter LZWD) and Liang Zhu wenku (4 vols., Beijing: Zhonghua shuju, 2007; hereafter LZWK)-the two collections of Liang-Zhu texts and study edited by Zhou Jingshu- there are about 300 different versions: 112 folktales and legends; 99 folk songs, includ- ing narrative poem or folk ballads (叙事歌) and prose songs (散歌); 25 versions in performance art forms (quyi 曲藝); and 65 local opera and screen adaptations. But nonanthologized Chinese and Korean versions are not included in these two collec- tions, and when we add those found in Taiwan, the total number of Liang-Zhu ver- sions is much higher. In fact, Xu Duanrong states that he has located 878 versions; see his Liang Zhu gushi yanjiu, vol. 1, 6.
- The success of modern Liang-Zhu adaptations features elegant performances by all-female troupes, such as yueju 越剧 musical theater troupes in Shanghai and Zhejiang areas. These performances with females playing all the parts, both female and male, further elaborate the dynamics and intricacies of Liang-Zhu's gender deception through the effects of situational and dramatic ironies. For the history of these yueju adaptations and their reception, see Jin Jiang, Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai (Seattle: University of Washington Press, 2009);
- see also Shi Lijuan, "Liang Shanbo yu Zhu Yingtai zhi dangdai gaibian yanjiu" (MA thesis, East China Institute of Technology, 2015).
- Lu Shijun, "Dui yueju fazhan juyou zhongda yingxiang de yi chuxi: yi bai nian yueju hua Liang Zhu," Xiwen 1 (2007): 6-7;
- Both Mao Zedong and Zhou Enlai became fans of Liang-Zhu in the 1950s, after watching the Yue opera version. There are many stories about these leaders' relationship with Liang-Zhu. See Li Linda, "Mao Zedong yu Zhejiang Xiju," Jinri Zhejiang 24 (2006): 50-51;
- James M. Hargett's research points out that, during the Song period, educa- tion emerged as one of the important reasons for the compilation of local gazetteers; see his "Song Dynasty Local Gazetteers and Their Place in The History of Difangzhi Writing," Harvard Journal of Asiatic Studies 56.2 (1996), 405-42.
- This resonates with the fact that women's names were lost in adulthood, when they were represented by the names of their husbands and sons. See Rubie S. Watson, "The Named and the Nameless: Gender and Person in Chinese Society," American Ethnologist 13.4 (1986): 619.
- Wang Xiangzhi, Yudi jisheng, in vol. 2 of Song Yuan dili zhi congkan 宋元地理 志叢刊 (Chengdu: Sichuan daxue chubanshe, 2005), 658.
- Zhang Shiche notes in relation to the grave that "[o]ld records referred to it as the grave of a righteous wife, but since Yingtai never married, its name was changed to the present one" (舊志稱曰義婦塚,然英臺尙未成婦,故改今名也). See Zhang Shiche, "Yin" 鄞, in vol. 17 of Ningbo fuzhi 寧波府志 (Gazetteer of Ningbo Prefec- ture), 2.
- For the original text of the inscription, see Wen Xingdao 聞性道, "Jingyang kao" 敬仰攷, vol. 9 of Kangxi Yinxianzhi 康熙鄞縣志, in vol. 18 of Zhongguo difang- zhi jicheng: Zhejiang fu xian zhi ji (Shanghai: Shanghai shu dian, 1993), 377. 31. LZWDGG, 289.
- In Xuanshi zhi, for example, Liang and Zhu hailed from the same places, as in Li Maocheng's account. The account in Xuanshi zhi, though it ends with Zhu being kwa chimyŏng ŭl chungsim ŭro," Chungguksa yŏn'gu 64 (2010): 43-67;
- Cho Yŏngnok, ed., Han-Chung munhwa kyoryu wa nambang haero (Seoul: Kukhak charyowŏn, 1997). For religious exchange, see Robert E. Buswell, ed., Currents and Countercur- rents: Korean Influences on the East Asian Buddhist Traditions (Honolulu: University of Hawai'i Press, 2005). See also my discussion of the influence of the Guanyin cult from Ningbo areas on Korean religious tales: Cho, "Within and between Cultures," 226-29.
- Regarding the Korean embassies in Ningbo and the exchange between Song and Koryŏ, see Pak Hyŏn'gyu, "Chŏltong yŏnhaean esŏ Koryŏin ŭi suro kyot'ong"; Lin Shimin, Zaixian xiri de wenming. 57. Ch'a Kwangho presents detailed examples of the southern sea-route exchange-such as the sites where Korean-related names such as Silla or Koryŏ were used, records of Chinese merchants who worked with Koreans, and records of Chinese and Silla/Koryŏ immigrants-as evidence of the China-Korea maritime exchange dur- ing the Tang-Song period. Ch'a, "Koryŏ wa Chungguk namdong haean chiyŏk kwa ŭi haesang kyoryu rŭl t'onghae pon 11 segi Hwanghae haero pyŏn'gyŏng," Han'guk munmyŏng kyoryu yŏn'gu 2 (2011): 107-39.
- The other three side (literally, "four virtues") are womanly virtue (fude 婦德), womanly speech (fuyan 婦言), and womanly bearing (furong 婦容). Ban Zhao 班 昭 (ca. 45-ca. 116), in her "Admonitions for Women" (Nü jie 女戒), inscribed the preexisting four aspects (virtue, work, speech, and bearing) as standard examples of women's learning. See Wilt L. Idema and Beata Grant, The Red Brush: Writing Women of Imperial China (Cambridge: Harvard University Asia Center, 2004), 17-42.
- For a translation of this episode, see Anne B. Kinney, trans. and ed., "Jing Jiang of the Ji Lineage of Lu," in Exemplary Women of Early China: The Lienü zhuan of Liu Xiang (New York: Columbia University Press, 2014), 12-16.
- Though qiaonü literally means "skillful women," in Chinese folk narrative it refers to women of high morality and talent (wisdom), which reflects the demand that women find a balance between virtues and talents; see Peng Qin, "Minjian xushi zhong qiaonü xingxiang de daode yiwen," Tongren xueyuan xuebao 1.5 (2007): 55-56.
- according to Wai-yee Li, gardens were also favored settings for theatrical performances during the late Ming and early Qing periods, which encouraged the increasing use of the garden for romantic affairs, as in the case of Mudan ting. See Li, "Gardens and Illusions from Late Ming to Early Qing," Harvard Journal of Asiatic Studies 72.2 (2012): 295-336.
- Beatrice Spade's research on women's education during the Southern Dynasties shows that during the fifth and sixth centuries, women's education was practiced for the aforementioned purposes, and that the qualifications of an ideal woman included a certain level of scholarship and intellect. Spade also maintains that during this period there was even a social venue where educated women could put their talents to good use. This research raises the possibility that Zhu Yingtai's character is based on the perception of limitation in women's education during Southern Dynasties, for some scholars (mostly Chinese) believe that the Liang-Zhu story originated in this period. See Spade, "The Education of Women in China during the Southern Dynasties," Jour- nal of Asian History 13.1 (1979): 15-35.
- Jacques Lacan, Écrits: A Selection, trans. Alan Sheridan (London: Tavistock, 1977), 2. 34. Ibid., 2, 4.
- Louis Althusser, Lenin and Philosophy and Other Essays, trans. Ben Brewster (New York: Monthly Review Press, 1971), 142-46.
- However, Beata Grant warns against any simplistic interpretation of women's mutilations or their efforts to become "a great gentleman" (da zhangfu) as just "look- ing like a man." In scrutinizing the uses of the term da zhangfu in Buddhist monas- tic practice, she points out that discarding feminine characteristics (e.g., emotional weakness) was more important to becoming "a great gentleman" (Buddhist teachers) than cultivating a non-effeminate appearance; see Grant, "Da Zhangfu: The Gen- dered Rhetoric of Heroism and Equality in Seventeenth-Century Chan Buddhist Discourse Records," Nan Nü: Men, Women and Gender in Early and Imperial China 10.2 (2008): 177-211.
- Examples are Luce Irigaray (mimicry) and Barbara Babcok (symbolic inversion). Their terms for coding strategies belong, in a broader sense, to the category of "appro- priation," a term used by Joan N. Rader and Susan S. Lanser to mean an adaptation "to feminist purposes" of "forms or materials normally associated with male culture or with androcentric images of the feminine." See Radner and Lanser, "Strategies of Coding in Women's Cultures," in Feminist Messages: Coding in Women's Folk Culture, ed. Joan Newlon Radner (Urbana: University of Illinois Press, 1993), 10-13.
- The exception to this rule is the theater. For example, in Renaissance theater, cross-dressing on stage received cultural approval, and became a necessary part of com- edy, such as the Italian commedia dell'arte; see Laura Giannetti, "On the Deceptions of the Deceived: Leila and the Pleasures of Play," MLN 116.1 (2001): 54-55.
- The record is seen in substatutes of "Jinzhi shiwu xieshu" 禁止師巫邪術, in vol. 18
- Angela Zito and Tani E. Barlow (Chicago: University of Chicago Press, 1994), 233-36.
- Wang Ningbang and Zhang Tingting, "Lun Liang Zhu xiqu zhong de nüquan- zhuyi jingshen," Fujian luntan: Renwen shehui kexue ban 4 (2006): 100-103.
- Altenburger, "Is It Clothes that Make the Man?," 172. This article presents an in-depth analysis on Zhu's cross-dressing and its hidden, disruptive quality, with most of which I agree. In this chapter, I also look at Zhu's motivations in light of some fundamental issues that complicate the gender issues of Liang-Zhu, for example Zhu's aspiration for study and autonomy. 63. "Jieyi gongshu," in LZWDGG, 544.
- In Xixiang ji, for example, peonies are used as a literary trope to announce the advent of spring and the sparking of sexual desire: "Spring has come to the realm of men, flowers sport their color! / Gently she adjusts her willowy waist / And lightly splits the flower's heart: / Dew drips; the peony opens" (春至人間花弄色.將柳 腰款擺,花心輕拆,露滴牡丹開. ). "Flower heart" (花心) refers to the vagina. Translation from Stephen H. West and Wilt L. Idema, The Story of the Western Wing (Berkeley: University of California Press, 1995), 228.
- See Sherry J. Mou's introduction to her Presence and Presentation: Women in the Chinese Literati Tradition (New York: St. Martin's Press, 1999), xix. Ban Zhao's works are said to have inspired women from later periods to write moral primers themselves. These include the Song sisters' (Song Ruoxin 宋若莘 and Song Ruozhao 宋若昭) Nü Lunyü 女論語 (Analects for Women) and Mrs. Zheng's 鄭氏 Nü Xiaojing 女孝經 (The Classic of Filial Piety for Women) from the Tang dynasty; Neixun 內訓 (Teach- ings for the Inner Quarters, 1404) by Empress Xu 徐后 (or Renxiao 仁孝皇后) from Ming China; and Naehun 內訓 (Teachings for the Inner Quarters, 1475) by Queen Sohye (1437-1504) from Chosŏn Korea.
- Paolo Santangelo explores the allusive power of classical poetry in evoking and transmitting emotions in relation to the development of the cult of passionate love during the Ming dynasty. See his "The Cult of Love in Some Texts of Ming and Qing Literature," East and West 50.1 (2000): 439-99.
- The employment of dreams, believed to have no influence on reality, is widely acknowledged as a safe device for fulfilling sexual desire in this play; see Santangelo, "Cult of Love in Some Texts of Ming and Qing Literature," 495. In her analysis of the dream and awakening motifs of Mudan ting, Tina Lu points out that the use of dreams to represent an individual's interiority ("what happens inside a person" as opposed to "what happens outside") was a popular trend in the late Ming and early Qing periods; see her Persons, Roles, and Minds: Identity in "Peony Pavilion" and "Peach Blossom Fan" (Stanford: Stanford University Press, 2001), 66.
- The emergence of this tendency under the influence of Neo-Confucian phi- losophy during the Song dynasty can be seen in the records of county gazetteers hon- oring exemplary local women, as discussed in chapter 1. This binary thinking was further reinforced during late imperial China through the nationwide employment of elaborate judicial sanctions and social rewards systems. See Susan Mann, "Widows in 20. "Yingtai hen," in LZWDGG, 451. This version originated in Henan Province and has long been performed by local entertainers. Although it departs from the ver- sions from Zhejiang and Jiangsu Provinces in its employment of different perspectives and episodes, it follows the popular ending of Liang-Zhu, featuring Liang and Zhu's tragic deaths and butterfly transformation. 21. Ibid., 433. 22. Ibid., 435. 23. Ibid.
- Menglong, Yushi mingyan, 239-45. According to Kimberly Besio, this vernacular short story intensifies the theme of reciprocity embedded in the earlier version of Soushen ji to such an extreme that both parties give up their lives to embody a true sense of friendship, thus displaying true Confucian virtue (moral heroism) in the face of a failed political system. For more information of the evolution of the Fan-Zhang story, see Besio, "A Friendship of Metal and Stone: Representations of Fan Juqing and Zhang Yuanbo in the Ming Dynasty," Nan Nü: Men, Women and Gender in Early and Imperial China 9.1 (2007): 111-45.
- Martin Huang presents an increased mobility during the sixteenth century (due largely to the commercialization and development of transportation systems) as important for the popularity of friendship; see Martin Huang, "Male Friendship and Jiangxue (Philosophical Debates) in Sixteenth-Century China," Nan Nü: Men, Women and Gender in Early and Imperial China 9.1 (2007): 149-50. The term "homosocial" is analogous to "homosexual" in that it can imply erotic desire for the same sex, as found in Eve Kosofsky Sedgwick's phrase "the potential unbrokenness of a continuum between homosocial and homosexual." I nevertheless use each term with a different focus, with "homosexual" indicating the sexual desire and practice, and "homosocial" focusing more on mental and emotional bonding with someone of the same sex that may also involve erotic desire. For Sedgwick's discussion of homosocial desire, see the introduction to her Between Men: English Literature and Male Homosocial Desire (New York: Columbia University Press, 1985), 1.
- The term "public construction of relationship" is borrowed from folklor- ist Richard Bauman's intriguing analysis of the storytelling of a hound dog, which shows how lying comes into play in the performance of oral narratives. Bauman points out that "the lying is overwhelmingly licensed as part of the fundamental ethos of sociability," granting another party who does not challenge it (i.e., its truth- fulness) the same license. See Bauman, "Any Man Who Keeps More'n One Hound'll Lie to You: A Contextual Study of Expressive Lying," in his Story, Performance, and Event: Contextual Studies of Oral Narrative (Cambridge: Cambridge University Press, 1986), 11-32.
- The former plot seems more popular. However, some popular versions have Zhu reveal her identity before she leaves, either in her parting poem to Liang, which Liang reads after seeing Zhu off (see "Yingtai ge quanben," for example) or through the words of her master or the master's wife, who tells Liang the truth after Zhu's departure (see "Liang Shanbo yu Zhu Yingtai" in yueju, for example). The important thing is that Liang doesn't know the truth until he comes back to the academy after seeing Zhu off; this "parting journey" is discussed in chapter 4.
- Lunyu 論語 (The Analects), 12:1. Translation from James Legge, The Chinese Classics: With a Translation, Critical, and Exegetical Notes, Prolegomena, and Copious Indexes (Hong Kong: Hong Kong University Press, 1960).
- In both East and West, the sublimation of the sexual drive is viewed as proof that social aims have been placed higher than individual sexual ones. In Freud's terms, this is the demand of civilization and the important disposition of the noblest human. See Sigmund Freud, The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. James Strachey et al. (London: Hogarth Press, 1953- 74), 2347.
- According to Kam Louie, the vulnerable character of caizi culminates in an exaggerated representation of the effeminate male character sheng (生) on stage. Louie also presents a framework of the dyad of wen (cultural attainment) and wu (martial valor) in the discourse of Chinese masculinity, instead of the binary conception of femininity and masculinity. See Louie, Theorising Chinese Masculinity: Society and Gen- der in China (Cambridge: Cambridge University Press, 2002), 9-21.
- Scholars have construed the caizi's feminization as echoing the cultural trend of blurring gender boundaries and revalorizing the notion of qing that took place dur- ing the seventeenth century and that was caused largely by the expansion of female mobility and courtesan culture. The cultural trend that underlies the effeminate caizi image reveals defiance of power and hegemony in social and moral order, and, accord- ing to Zhou Zuyan, is indicative of the marginalization of the literati authors of the period. See Kang-I Sun Chang, The Late-Ming Poet Ch'en Tzu-lung: Crises of Love and Loyalism (New Haven: Yale University Press, 1991), 11-13;
- Janice A. Radway, Reading the Romance: Women, Patriarchy, and Popular Litera- ture (Chapel Hill: University of North Carolina Press, 1984), 62.
- As previously discussed, the extended versions have been harshly criticized for their blind espousal of traditional values. However, Rey Chow, in her discussion of the Mandarin Duck and Butterfly (yuanyang hudie 鴛鴦胡蝶) school, which deals with the classical caizi-jiaren love stories, tries to find the meaningful challenge in these popular romantic stories. She argues that although these romances reaffirm traditional Confucian ideology, they also contain a rupture or iterability that can invoke a differ- ent discourse. Though Chow's argument is somewhat compromised by her view of Confucianism as a singular entity, it does suggest a rationale for further study of these neglected Liang-Zhu versions. See Chow, Woman and Chinese Modernity: The Politics of Reading between West and East (Minneapolis: University of Minnesota Press, 1991), 34-83.
- This point is also addressed in chapter 1, which discusses the basic format that ties the different Liang-Zhu versions together. 98. In modern versions such as "Liu yin ji" (chuanju), for example, Zhu articulates her confidence in her scholarly ability: "There are women superior to men" 也有女比 男儿强 (LZWDXY, 199). Zhu also enters into debates about several Confucian terms concerning women, such as "petty man/woman" vs. "gentleman/gentlewoman" (ibid., 148).
- Suo Shaowu, "Dui Liang Zhu gushi kancheng Zhongguo di yi aiqing chuan- suo de zhiyi," Xibei minzu daxue xuebao, no. 5 (2004): 125-28. 117. Santangelo, "The Cult of Love in Some Texts of Ming and Qing Literature," 488. Chapter 4
- Fei-Wen Liu, for example, demonstrates that popular changben (songbook) ballad versions of Liang-Zhu contain "emotional niches of articulation, transposition and empowerment." This generic feature allows the story to embrace and accommo- date more dissenting voices, rites, emotions, and other demands from the audience. See her "Narrative, Genre, and Contextuality: The Nüshu-Transcribed Liang-Zhu Ballad in Rural South China," Asian Ethnology 69.2 (2010): 245. notes to pages 115-22 • 231
- The Sipch'osi version has several parts marked as "yunyun" 云云 (et cetera), which seems to indicate that it omits some passages. See chapter 1.
- Yaozhuang (also known as 遙裝 or 搖樁) is said to date from the period of Northern and Southern Dynasties (386-589) and to have been popular until the Ming dynasty. Its practice also appears in literature, for example, in the poet and critic Shen Yue's 沈約 (441-513) poem "Que dong xi men xing" (卻東西門行): "搖裝非 短晨,還歌豈明發," and in the Yuan dramatist Ma Zhiyuan's 馬致遠 (1250-1321) play Hangong qiu 漢宮秋, act 3: "早是俺夫妻悒快,小家兒出外也搖裝." See Huang Yishu, "Nanxi zhong de minsu wenhua yanjiu" (MA thesis, Wenzhou Univer- sity, 2011), 7-8. 14. Ibid., 8.
- "Jieyi gongshu," in LZWDGG, 556. 17. Ibid. 18. Ibid. 19. Ibid., 555; see also chapter 3.
- For a detailed discussion of the ways that powerless, vulnerable, and sad emo- tions are culturally attached more to women than to men, see Leslie R. Brody, "The Socialization of Gender Differences," in Gender and Emotion: Social Psychological Per- spectives, ed. Agneta Fischer (Cambridge: Cambridge University Press.
- Stephen Owen, "Introduction: The Lure and Its Origin," in his Remembrances: The Experience of the Past in Classical Chinese Literature (Cambridge: Harvard Univer- sity Press, 1986), 3.
- Tan Ye, Historical Dictionary of Chinese Theatre (Plymouth, MA: Scarecrow Press, 2008), 294. 44. Ibid., xxx, 4-5.
- For more information on the famous romantic couple Lü Bu and Diaochan, see chapter 2, n. 21.
- See Gene Kritsky and Ron Cherry, Insect Mythology (New York: Writers Club Press, 2000), 9; see also Gibson, Signs and Symbols, 115.
- The original text is from "Zhuang Zhou Dreamed He Was a Butterfly" 莊周 夢蝶, in Qiwulun 齊物論 (Uniformity Theory), chapter 2 of Zhuangzi; "昔者莊周夢 為蝴蝶,栩栩然蝴蝶也.自喻適其志與,不知周也.俄而覺,則蘧蘧然周 也.不知周之夢為蝴蝶與,蝴蝶之夢為周與,周與蝴蝶則必有分矣.此之 謂物化. " For a full translation of this text, see Burton Watson, trans., The Complete Works of Chuang Tzu (New York: Columbia University Press, 1968), 49.
- Hans-Georg Möller, "Zhuan zi's 'Dream of the Butterfly': A Daoist Interpreta- tion," Philosophy East and West 49.4 (1999): 439-50. 18. Ibid., 443-47.
- The full title of this play is Bao daizhi sankan hudie meng 包待制三勘蝴蝶夢 (Judge Bao Thrice Ponders the Butterfly Dream). A full English transition of the earli- est text included in the collection titled Yuankan zaju sanshi zhong 元刊雜劇三十種 (Thirty Zaju in Yuan Edition) is available in Wilt Idema and Stephen H. West, eds. and trans., Monks, Bandits, Lovers, and Immortals: Eleven Early Chinese Plays (India- napolis, IN: Hackett, 2010), 37-76.
- The spell is as follows: "Yan Sanbok (Liang Shanbo), Yang Sanbok! It's me, Su Yangdae (Zhu Yingtai)! So please open the door!" (복아복아 양산복아, 수양대 내 왔네. 문이나 좀 열어주소!); see "P'atchosi wa kyemo," in vol. 7 of Han'guk kubi munhak taegye (Sŏngnam: Han'guk chŏngsin munhwa yŏn'guwŏn, 1980-88), 6:196- 99. In the tale of "P'atchosi wa kyemo" (from Yŏngdŏk, Kyŏngsang Province, collected in 1980), the heroine is brutally abused by her stepmother and stepsister. On a cold 56. Li, Cross-Dressing in Chinese Opera, 117.
- Raymond To Kwok-wai's 1998 musical The Lover depicts Liang as gay. In a later musical version directed by Yan Yan Mak in 2005, Zhu is rendered as a man. 57. The increased use of the butterfly as a symbol of homosexuality is especially salient in contemporary films (e.g., Yan Yan Mak's 2005 film Butterfly). For more infor- mation, see Howard Chiang and Ari Larissa Heinrich, eds., Queer Sinophone Cultures (New Work: Routledge, 2014), esp. 201-20.
- Some scholars interpret this scene as an expression of Chach'ŏngbi's outrage at Mun's belated appearance; see O Chŏngmi, "Yŏsŏng ŭi hwansang munhak Segyŏng pon p'uri," Kyŏrye ŏmunhak 37 (2006): 216.
- See Kim Sŏngnye, "Han'guk mosok e nat'anan yŏsŏng ch'ehŏm," Han'guk yŏsŏnghak 7 (1991): 7-43.
- See Kang Chŏngsik, "Cheju muga igongbon ŭi kubi sŏsajŏk sŏnggyŏk" (MA thesis, Chŏngsin munwa yŏn'guwŏn, 1987).
- During the Yuan dynasty, the Mongol rule of China had great influence on Korea, prompting "Monggol p'ung" 몽골風 (Mongolian customs) to become popu- lar among Korean people. Concomitantly, Korean (Koryŏ) culture, known as "Gaoli yang(zi)" 高麗樣(子) (Koryŏ style), became fashionable in China. Chŏn Yŏngjun's recent research on the local history of Cheju Island shows that during the Yuan dynasty marriage between Chinese (immigrants) and Korean people was popular not only in the upper class, but even among commoners. It is likely that under the enhanced cultural exchange between the two countries the numbers of Chinese immigrants may have been much greater than was previously thought. See Chŏn Yŏngjun, "Koryŏ hugi Cheju igŏ Wŏn ijumin kwa t'onghon," Tamunhwa k'ont'ench'ŭ yŏn'gu 15 (2013): 395-425.
- The scope of the literary activities of the common people, including shamans, in spite of their limited literacy, is astounding. The huge scope of raw literary sources notes to pages 179-84 • 247
- See Wang Xin, "Jingcai Chaoban Liang-Zhu Zhongguo zhi xing zai Qing wanman luomu," Zouxiang shijie (Openings) no. 2 (2012): 36-41; see also http://ent. sina.com.cn/j/2011-10-26/12093461071.shtml. For a local advertisement for the performance, see http://ent.ifeng.com/a/20111116.10691016_0.shtml
- Li Yongchun and Wen Zichun, "Xu Yulan, Wang Wenjuan zai Chaoxian zhan- chang shang," Dangshi wenhui, no. 2 (2001): 45-46.
- Jacques Lacan, Écrits: A Selection, trans. Alan Sheridan (London: Routledge, 2001), 215-22. 7. Ibid., 217.
- Collins, Black Feminist Thought, 18. This concept of intersectionality is used by Crenshaw to highlight the fact that the forms of oppression are not separable or exclusive; see Kimberlé W. Crenshaw, "Mapping the Margins: Intersectionality, Iden- tity Politics, and Violence against Women of Color," Stanford Law Review 43.6 (1991): 1244. I use this notion to denote the complexity and intertwining of the forms of oppression enacted upon the character of Zhu Yingtai. 11. Jacques Derrida, Of Grammatology, trans. Gayatri Chakravorty Spivak (Balti- more: Johns Hopkins University Press, 1976), 143.
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Metadata
- Authors
- Cho, S.
- Affiliations
- Seoul National University (KR)
- Corresponding author
- Cho, Sookja
- Venue
- University of Michigan Press eBooks
- Publisher
- University of Michigan Press
- Published
- 2018
- OpenAlex
- W4239873523
- Semantic Scholar
- d56aea2ec6a7674d2842c2104b6d66424e58ade2
- Cited by
- 8
- References
- 230
- Citations by year
- 2026: 1 · 2025: 2 · 2024: 3 · 2023: 1 · 2020: 1
- FWCI
- 0.90
- Type
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- Language
- en
- Open access
- hybrid
- doi.org
- Locations
- University of Michigan Press eBooks (publishedVersion, cc-by)
- BiblioBoard Library Catalog (Open Research Library) (submittedVersion, public-domain)
- OAPEN (The OAPEN Foundation) (submittedVersion, cc-by-nc-nd)
- Project Muse (Johns Hopkins University) (submittedVersion)
- Directory of Open access Books (OAPEN Foundation) (submittedVersion, cc-by)
- Funders
- Princeton University
- Arizona State University
- Johns Hopkins University
- University of Hawai'i
- Temple University
- Hong Kong Baptist University
- Topics
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Folklore, Mythology, and Literature Studies
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Comparative and World Literature
- Social Sciences › Arts and Humanities › Literature and Literary Theory › Historical, Literary, and Cultural Studies
- Keywords
- Liang Shanbo and Zhu Yingtai, Chinese folk tales, gender norms, emotions, transgression, cultural transmission, traditional China, Korean literature
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