The DOI matches its DataCite record.
Fourteen years of nime: the value and meaning of 'community' in interactive music research
Open accessAbstract
This paper examines the notion of community as commonly employed within NIME discourses. Our aim is to clarify and define the term through the community of practice framework. We argue that through its formal use and application, the notion of community becomes a significant space for the examination of emergent musical practices that could otherwise be overlooked. This paper defines community of practice, as originally developed in the social sciences by Lave and Wegener, and applies it within the NIME context through the examination of existing communities of practice such as the laptop performance community, laptop orchestras, as well as the Satellite CCRMA and Patchblocks communities.
Overview
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
Principles of participatory design have only recently started to enter the mainstream of DMI research.
“Principles of participatory design have only recently started to enter the mainstream of DMI research [149].”
From Hands-Free Accessible Digital Musical Instruments: Conceptual Framework, Challenges, and Perspectives (2020) · cites this paper as [149]
Citations
Cited by
Sorted by citations
Davanzo, N., & Avanzini, F. (2020) · IEEE Access · doi:10.1109/access.2020.3019978 · Cited by 16
Metadata
- Authors
- Marquez-Borbon, A., & Stapleton, P.
- Venue
- Zenodo
- Publisher
- Zenodo
- Published
- 2015-06-01
- OpenAlex
- W6930149170
- Cited by
- 8
- References
- 0
- Citations by year
- 2022: 3 · 2021: 3 · 2019: 1 · 2017: 1
- FWCI
- 0.29
- Type
- journal article
- Language
- en
- Open access
- green
- doi.org
- Licence
- Locations
- Zenodo (CERN European Organization for Nuclear Research) (cc-by)
- Topics
- Social Sciences › Arts and Humanities › Music › Music Technology and Sound Studies
- Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
- Social Sciences › Arts and Humanities › Music › Diverse Musicological Studies
- Keywords
- Nîmes, communities of practice, interactive music, laptop performance, laptop orchestra, community definition, Lave and Wenger
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review