Incorporating Culture: How Indigenous People Are Reshaping the Northwest Coast Art Industry
Abstract
Fragments of culture often become commodities when the tourism and heritage business showcases local artistic and cultural practice. And frequently, this industry develops without the consent of those whose culture is commercialized. What does this say about appropriation, social responsibility, and intercultural relationships? And what happens when communities become more involved in this cultural marketplace? Incorporating Culture examines how Indigenous artists and entrepreneurs are cultivating more equitable relationships with the companies that reproduce their designs on everyday objects, slowly modifying a capitalist market to make room for Indigenous values and principles. Moving beyond an interpretation of cultural commodification as necessarily exploitative, Solen Roth discusses how communities can treat culture as a resource in a way that nurtures rather than depletes it. She deftly illustrates the processes by which Indigenous people have been asserting control over the Northwest Coast art industry by reshaping it to reflect local models of property, relationships, and economics.
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To this day, products with Native aesthetics from southerly realms remain much more widely circulated in North America than do designs from the North Pacific Coast.
“Indeed, to this day, products with Native aesthetics from southerly realms remain much more widely circulated in North America than do designs from the North Pacific Coast (Duffek 2013, p. 603;Roth 2018, p. 76).”
From Local Fabric: Mid-Century Modernisms, Textile and Fashion Design, and the Northwest Coast, 1940–1967 (2024) · cites this paper as Roth 2018, p. 76
The Society for the Furtherance of BC Indian Arts and Crafts promoted commercial use of Northwest Coast Native designs but also gave designs to non-Native corporations with little direct benefit to Native communities.
“The society had been promoting commercial use of Northwest Coast Native designs, but inasmuch as it aimed to support Native makers, it also gave designs to non-Native corporations with little direct benefit to Native communities (Roth 2018, pp. 45-54).”
From Local Fabric: Mid-Century Modernisms, Textile and Fashion Design, and the Northwest Coast, 1940–1967 (2024) · cites this paper as Roth 2018
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Local Fabric: Mid-Century Modernisms, Textile and Fashion Design, and the Northwest Coast, 1940–1967
Allen, L. J. (2024) · Arts · doi:10.3390/arts13020052 · Cited by 1 · see citing works
- Authors
- Roth, S.
- Corresponding author
- Roth, Solen
- Venue
- University of British Columbia Press eBooks
- Publisher
- University of British Columbia Press
- Published
- 2018-11-01
- OpenAlex
- W4385599252
- Cited by
- 3
- References
- 0
- Citations by year
- 2025: 1 · 2024: 1 · 2018: 1
- FWCI
- 0.65
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- University of British Columbia Press eBooks (publishedVersion)
- Topics
- Social Sciences › Cultural Studies › Cultural Identity and Heritage
- Social Sciences › Urban Studies › Cultural Industries and Urban Development
- Social Sciences › Cultural Studies › Social Issues and Sustainability
- Keywords
- Indigenous artists, indigenous entrepreneurship, cultural commodification, Northwest Coast art, indigenous design, cultural appropriation, social responsibility, intercultural relations, indigenous property rights, Indigenous economic development
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