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What Do Pictures Want?: The Lives and Loves of Images
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Items 401–500 of 1,001
L’histoire photographique de l’Amérique selon Robert Taft (Photography and the American Scene, 1938)
Brunet, F. (2011) · E-rea · doi:10.4000/erea.1777 · Cited by 3
Letting the Object of Study Lead: A Cultural Studies Ethic
Hall, R. (2013) · Text and Performance Quarterly · doi:10.1080/10462937.2013.846474 · Cited by 3
“To Make Many More Menachem Mendels”: Childlessness, Procreation, and Creation in Messianic Habad
Bilu, Y. (2012) · Contemporary Jewry · doi:10.1007/s12397-012-9084-0 · Cited by 3
The 1920s museum-sponsored expedition film: Beguiling encounters in an all-but-forgotten genre
Griffiths, A. (2011) · Early Popular Visual Culture · doi:10.1080/17460654.2011.621311 · Cited by 3
The long shadow of history: The paradoxes of iconographic reiteration in anti-slavery advocacy
Kurasawa, F. (2014) · American Journal of Cultural Sociology · doi:10.1057/ajcs.2013.14 · Cited by 3
Love, Truth, Orthodoxy, Reticence; or, What Edgar Wind Didn’t See in Botticelli’s Primavera
Zorach, R. (2007) · Critical Inquiry · doi:10.1086/526092 · Cited by 3
Intensyfikacja wyobraźni: o tożsamości osoby badacza i zawieszeniu bezwarunkowej obiektywności
Rapior, W. (2015) · Przegląd Socjologii Jakościowej · doi:10.18778/1733-8069.11.1.06 · Cited by 3
Social Web: Web 2.0 Technologies to Enhance Knowledge Communities
Ayanso, A., Herath, T. C., & Lertwachara, K. (2011) · Springer eBooks · doi:10.1007/978-3-642-19047-6_1 · Cited by 3
Grønstad, A. (2008) · Nordicom review/NORDICOM review · doi:10.1515/nor-2017-0166 · Cited by 3
‘Plus de figures!’ On Saussure’s use of images
Christensen, H. D. (2016) · Visual Communication · doi:10.1177/1470357215621886 · Cited by 3
Incarnations: The Materiality of the Religious Gazes in Hindu and Byzantine Icons
Gamberi, V. (2017) · Material Religion · doi:10.1080/17432200.2017.1291168 · Cited by 3
Pics or it didn’t happen: The artwork formerly known as heritage in Google Street Art
Isaac, J. E. (2017) · Convergence The International Journal of Research into New Media Technologies · doi:10.1177/1354856517714169 · Cited by 3
Coates, A. T. (2017) · Brill Research Perspectives in Religion and the Arts · doi:10.1163/24688878-12340002 · Cited by 3
Photographie et écologie aux États-Unis: l’image à contre-emploi
Brunet, F. (2017) · Transatlantica · doi:10.4000/transatlantica.8878 · Cited by 3
Slagle, A. A. (2019) · Material Religion · doi:10.1080/17432200.2019.1603068 · Cited by 3
Vital Signs for Instructional Design
Ley, K., & Gannon‐Cook, R. (2014) · Quarterly review of distance education · doi:10.1108/qrde-10-2014-0003 · Cited by 3
“THE FORGOTTEN IMAGE BETWEEN TWO SHOTS”:
Corrigan, T. J. (2008) · Duke University Press eBooks · doi:10.1215/9780822391432-004 · Cited by 4
Idology in Transcultural Perspective: Anthropological Investigations of Popular Idolatry
Aoyagi, H., Galbraith, P. W., & Kovačić, M. (2021) · Springer eBooks · doi:10.1007/978-3-030-82677-2_1 · Cited by 4
Florêncio, J., & Miller, B. (2022) · Radical History Review · doi:10.1215/01636545-9397115 · Cited by 3
Bushell, S. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108236300.015 · Cited by 3
Photographs on the Walls of the House of Fiction
Adams, T. D. (2008) · Poetics Today · doi:10.1215/03335372-2007-022 · Cited by 3
Of Internet born: idolatry, the Slender Man meme, and the feminization of digital spaces
Maddox, J. (2017) · Feminist Media Studies · doi:10.1080/14680777.2017.1300179 · Cited by 3
Callahan, S. (2019) · Arts and Humanities in Higher Education · doi:10.1177/1474022219885785 · Cited by 3
Hodge, J. J. (2020) · Wiley eBooks · doi:10.1002/9781119415480.ch14 · Cited by 3
Charon, R. (2021) · Springer eBooks · doi:10.1007/978-3-030-26825-1_36-1 · Cited by 7
Changing Play – writing, researching and learning in an early years arts project
Franks, A., & Thomson, P. (2019) · Ethnography & Education · doi:10.1080/17457823.2019.1579659 · Cited by 2
Baird, J. (2024) · Arts · doi:10.3390/arts13010017 · Cited by 2
Politics of photographs: construction and consolidation of identities during Assam movement
Kakoty, R. (2024) · Asian Ethnicity · doi:10.1080/14631369.2024.2326578 · Cited by 2
Dika, I. R. (2025) · Sustainability · doi:10.3390/su17146620 · Cited by 2
Connecting Things through the Visual Arts: Medieval Crescent Moon Pendants as Horse Ornaments
Immonen, V. (2013) · Norwegian Archaeological Review · doi:10.1080/00293652.2013.836679 · Cited by 2
Labuscagne, C. (2013) · Cultural Studies · doi:10.1080/09502386.2013.769150 · Cited by 2
Laine, T., & Strauven, W. (2009) · New Review of Film and Television Studies · doi:10.1080/17400300903047029 · Cited by 2
Wiens, B. E. (2015) · Presses universitaires du Septentrion eBooks · doi:10.4000/books.septentrion.8186 · Cited by 2
Goyal, Y. (2015) · Cambridge University Press eBooks · doi:10.1017/cco9781316018729.007 · Cited by 2
D. W. Winnicott, transitional objects, and the importance of materialization for religious belief
Gabel, S. (2018) · Journal of Spirituality in Mental Health · doi:10.1080/19349637.2018.1467813 · Cited by 2
Aprendiendo de la Farnsworth. Fotomontajes exploratorios y crítica visual
Serrano, I. B. (2019) · EGA Revista de expresión gráfica arquitectónica · doi:10.4995/ega.2019.11085 · Cited by 2
Inalienable Signs and Invited Guests: Australian Indigenous Art and Cultural Tourism
Butler, S. (2019) · Arts · doi:10.3390/arts8040161 · Cited by 2
Visualität und Internationale Beziehungen
Heck, A., & Schlag, G. (2020) · Horizonte der Internationalen Beziehungen · doi:10.1007/978-3-658-29971-2_1 · Cited by 2
Hekster, O. J. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108891714.011 · Cited by 2
Singh, R. S. (2021) · Visual Communication Quarterly · doi:10.1080/15551393.2021.1949998 · Cited by 2
(2010) · Duke University Press eBooks · doi:10.1215/9780822391623-001 · Cited by 2
Lamrani, M. (2022) · American Ethnologist · doi:10.1111/amet.13075 · Cited by 2
Way, L. C. S., & O’Halloran, K. L. (2022) · Multimodality & Society · doi:10.1177/26349795221146248 · Cited by 2
The material study of American Protestantism
Brummitt, J. L. (2022) · Religion Compass · doi:10.1111/rec3.12450 · Cited by 2
The Haitian zombie motif: against the banality of antiblack violence
Dubuisson, D. E. (2022) · Journal of Visual Culture · doi:10.1177/14704129221112976 · Cited by 2
The science of talismans today
Anderson, B. (2023) · History Compass · doi:10.1111/hic3.12761 · Cited by 2
Labyrinths of “Turns” in Contemporary Art: Linguistic, Iconic, Visual
Afanaseva, I. A. (2023) · Observatory of Culture · doi:10.25281/2072-3156-2023-20-2-188-196 · Cited by 2
Tresch, J. (2023) · Osiris · doi:10.1086/725185 · Cited by 2
Guzmán, F., Windus, A., Berg, L., et al. (2023) · Ethnohistory · doi:10.1215/00141801-10443429 · Cited by 2
Classical dance and Mediterranean imaginaries: Jia Ruskaja in Fascist Italy
Veroli, P. (2024) · Classical Receptions Journal · doi:10.1093/crj/clad024 · Cited by 2
Unlearning Imperialism Through Artistic Remediation: A Critical Pedagogy Approach
Mendes, A. C. (2024) · Critical Arts · doi:10.1080/02560046.2024.2312434 · Cited by 4
The jaguar and the hummingbird: Photo‐ethnography of the walls in Comuna 13 of Medellin
Riga, C. (2024) · Visual Anthropology Review · doi:10.1111/var.12321 · Cited by 3
Sounding of the idols. Visual deception and religious images in Brazil
Leaha, M. A., & Canals, R. (2024) · Visual Studies · doi:10.1080/1472586x.2024.2412605 · Cited by 2
Stim culture: Outlining anime's appeal to the autistic community
Rose, M. C., Galbraith, P. W., & Thomas-Parr, G. (2024) · International Journal of Cultural Studies · doi:10.1177/13678779241293159 · Cited by 2
Concevoir un dispositif numérique à 360° pour une expérience augmentée des œuvres au musée
Thiburce, J., Doulfaquar, S., & Lascar, J. (2024) · Etudes de communication/Études de communication · doi:10.4000/12uyc · Cited by 2
Lindström, T. (2025) · Current Swedish Archaeology · doi:10.37718/csa.2024.08 · Cited by 2
Envisioning Multispecies Tropical Futurity: Image-Making in North Maluku’s Frontier Zone
Nathaniel, D. (2025) · eTropic electronic journal of studies in the tropics · doi:10.25120/etropic.24.2.2025.4168 · Cited by 2
Imagining Communities in Dave Chappelle's Block Party
Ahad, B. S. (2015) · The Journal of Popular Culture · doi:10.1111/jpcu.12351 · Cited by 2
A Feminist Picture Atlas: Images of Lactation in Medieval and Early Modern Art
Sperling, J. G. (2018) · Early Modern Women An Interdisciplinary Journal · doi:10.1353/emw.2018.0055 · Cited by 2
Breaking the Surface. An Art/Archaeology of Prehistoric Architecture
Stobiecka, M. (2020) · Norwegian Archaeological Review · doi:10.1080/00293652.2020.1796779 · Cited by 2
Compasión colectiva, esfera digital e imágenes de pathos en tiempo de COVID-19
Gherlone, L. (2021) · Eikon / Imago · doi:10.5209/eiko.74138 · Cited by 2
Awad, S. H. (2021) · City · doi:10.1080/13604813.2021.1943233 · Cited by 2
Penser le sensible et l’émancipation
Ruby, C. (2014) · Questions de communication · doi:10.4000/questionsdecommunication.9039 · Cited by 2
‘Enchanted Traps?’ The Historiography of Art and Colonialism in Eighteenth‐century India
Eaton, N. J. (2012) · Literature Compass · doi:10.1111/j.1741-4113.2011.00863.x · Cited by 3
Sites of Dereliction: Beginnings and allies of performance
Smith, P. J. (2015) · Performance Research · doi:10.1080/13528165.2015.1049038 · Cited by 2
The Bill of Rights: ‘Icons’ of Liberty and Law in the Early Twenty-First Century
Kayman, M. A. (2011) · Law and Humanities · doi:10.5235/175214811798043649 · Cited by 2
Euthanasia's handkerchief; or, The object at the end of history
Hofkosh, S. (2009) · European Romantic Review · doi:10.1080/10509580903407845 · Cited by 2
What Does it Mean to “Consume” Images?
Jordan, G. (2010) · American Art · doi:10.1086/658206 · Cited by 2
Visual Itineraries of a Literary Form: Dutch Baroque Printmaking, a Source of the French Prose Poem
Rodic, V. (2011) · Dutch Crossing · doi:10.1179/155909011x13033128278551 · Cited by 2
Ec-statically Queer Images: Queering the Photographic through Fetal Photography
Cannon, K. L. (2014) · Photography and Culture · doi:10.2752/175145214x14153800235170 · Cited by 2
Reflections on Objects, Spirits and Photographs from a Present Becoming Damaged Future
Kalantzis, K. (2015) · History and Anthropology · doi:10.1080/02757206.2015.1081189 · Cited by 2
Show and Tell: Negotiating Self and Seeing inLes Photos d'Alixby Jean Eustache
Wilson, S. (2015) · Life Writing · doi:10.1080/14484528.2015.1086875 · Cited by 2
The Secret Life of Objects: The Audacity of Thingness and the Poignancy of Materiality
Morrison, S. S. (2015) · Palgrave Macmillan US eBooks · doi:10.1057/9781137394446_10 · Cited by 2
Kostelnick, C. (2012) · History and Technology · doi:10.1080/07341512.2012.771465 · Cited by 2
Kusnierz, M. (2016) · Mise au point · doi:10.4000/map.2077 · Cited by 2
Advertising and the Public in Britain during the First World War
Aulich, J. (2012) · Palgrave Macmillan UK eBooks · doi:10.1057/9780230393295_6 · Cited by 2
Weber, H., Ortlepp, A., Delitz, H., et al. (2014) · J.B. Metzler eBooks · doi:10.1007/978-3-476-05346-6_4 · Cited by 2
Armand, C. (2017) · Neohelicon · doi:10.1007/s11059-017-0370-4 · Cited by 2
Éléments critiques de la culture écranique
Fossali, P. B. (2018) · Interfaces numériques · doi:10.25965/interfaces-numeriques.2946 · Cited by 2
“DOES IT BUZZ?”: IMAGE AND TEXT IN EDWARD LEAR'S LIMERICKS
Hassett, C. W. (2017) · Victorian Literature and Culture · doi:10.1017/s106015031700016x · Cited by 2
Introduction. Sound and Vision: Intermediality and American Music
Mehring, F., & Redling, E. (2017) · European Journal of American Studies · doi:10.4000/ejas.12384 · Cited by 2
Constructions of the moving body: drawing and dancing
Haley, R. (2018) · Studies in Theatre and Performance · doi:10.1080/14682761.2018.1506966 · Cited by 2
BUILDINGS, LANDSCAPES AND REGIMES OF MATERIALITY
Whyte, W. F. (2018) · Transactions of the Royal Historical Society · doi:10.1017/s0080440118000075 · Cited by 2
Ristić, K. (2019) · Media War & Conflict · doi:10.1177/1750635219846857 · Cited by 2
Wordsworth’s ‘Preface’: A Manifesto for British Romanticism
Bushell, S. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108236300.004 · Cited by 2
Lechte, J. (2021) · Theory Culture & Society · doi:10.1177/0263276420986618 · Cited by 2
Chromatophony: A Potential Application of Living Images in the Pixel Era
Yokokawa, J., Masuda, N., & Jo, K. (2021) · Leonardo · doi:10.1162/leon_a_02107 · Cited by 2
Baker, G. (2008) · Duke University Press eBooks · doi:10.1215/9780822391432-013 · Cited by 32
Visual Studies and the Iconic Turn
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(2010) · Duke University Press eBooks · doi:10.1215/9780822391623-007 · Cited by 2
Brady, M. P. (2015) · Cambridge University Press eBooks · doi:10.1017/cco9781316018729.008 · Cited by 2
Khanna, R. (2009) · Duke University Press eBooks · doi:10.1215/9780822390978-005 · Cited by 2
Obrazy w procesach negocjacji światów społecznych
Frąckowiak, M., & Rogowski, Ł. (2011) · Przegląd Socjologii Jakościowej · doi:10.18778/1733-8069.7.1.04 · Cited by 2
FetishAgain? Southern Perspectives on the Material Approach to the Study of Religion
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Schneider, R. M. (2017) · Springer eBooks · doi:10.1007/978-3-319-66550-4_8 · Cited by 3
Functions of Visual Public Relations. On Visual Meaning-Making in PR Practice
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Ethnic ‘stereotypes’ in early modern Europe: Russian and Ottoman national costumes
Janžekovič, I. (2022) · History and Anthropology · doi:10.1080/02757206.2022.2132494 · Cited by 2
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Seiber, T. (2015) · Journal of Medical Humanities · doi:10.1007/s10912-015-9350-8 · Cited by 2
Metadata
- Authors
- Mitchell, W. J. T.
- Corresponding author
- Mitchell, W. J. T.
- ORCID
- Mitchell, W. J. T.
- Venue
- University of Chicago Press eBooks
- Publisher
- University of Chicago Press
- Published
- 2005
- OpenAlex
- W4249657864
- Cited by
- 1,508
- References
- 0
- Citations by year
- 2026: 82 · 2025: 119 · 2024: 89 · 2023: 93 · 2022: 104 · 2021: 73 · 2020: 148 · 2019: 154 · 2018: 93 · 2017: 67 · 2016: 47 · 2015: 76 · 2014: 47 · 2013: 67 · 2012: 47
- FWCI
- 113.34
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- University of Chicago Press eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Visual Culture and Art Theory
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art, Aesthetics, and Perception
- Social Sciences › Arts and Humanities › History › Photography and Visual Culture
- Keywords
- images, visual representation, image theory
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