What Do Pictures Want?: The Lives and Loves of Images

Taking Images Seriously, How to Analyze Them?

Cohen, C., & Ramel, F. (2017) · Springer eBooks · doi:10.1007/978-3-319-61979-8_4 · Cited by 2

Photography and the Unseen

Lynteris, C., & Stasch, R. (2019) · Visual Anthropology Review · doi:10.1111/var.12174 · Cited by 2

Art and messages of visual merchandising

Nikolić, J. (2019) · Tekstilna industrija · doi:10.5937/tekstind1904053n · Cited by 2

Architecture of the Image: Photography Acting in Urban Landscapes

Nastasi, M. (2020) · Springer eBooks · doi:10.1007/978-3-030-23925-1_8 · Cited by 2

Ghost Stories for Grown-Ups: Pictorial Matters in Times of War and Conflict

Aulich, J., & Ikoniadou, M. (2020) · Humanities · doi:10.3390/h9020044 · Cited by 2

La photographie comme méta-image

Beyaert-Geslin, A. (2020) · Signata · doi:10.4000/signata.2749 · Cited by 2

The Chaotic Behavior of ICT Users

Sumiyana, S., & Sriwidharmanely, S. (2020) · IntechOpen eBooks · doi:10.5772/intechopen.94443 · Cited by 2

« Danser le visage » : une exploration des modalités

Beyaert-Geslin, A. (2022) · Signata · doi:10.4000/signata.3503 · Cited by 2

Painted Visions Under Rebel Domination

Förster, T. (2013) · doi:10.1002/9781118515105.ch27 · Cited by 2

INTRODUCTION

Beckman, K., & Ma, J. (2008) · Duke University Press eBooks · doi:10.1215/9780822391432-001 · Cited by 2

Dislocations

Guerin, F. (2012) · doi:10.1002/9781444345605.ch19 · Cited by 2

Rearranging Things: How Protestant attitudes shake the objects in the piety of Eastern Christian Women

Nasrallah, R., Brinkman, M. E., den Berg, H. M., et al. (2016) · Material Religion · doi:10.1080/17432200.2015.1120088 · Cited by 1

A Juggler on the Moon: How Sounds Think in Tom Stoppard's Darkside

Verma, N. (2018) · Recherches sémiotiques · doi:10.7202/1051184ar · Cited by 1

Ecocritical Approaches toLyrical Ballads

McKusick, J. C. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108236300.019 · Cited by 1

Lyric Voice and Ballad Voice

Newbon, P. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108236300.007 · Cited by 1

Mimesis and Iconoclasm

(2013) · Duke University Press eBooks · doi:10.1215/9780822395935-007 · Cited by 1

Zweck und Grenzen von Sichtbarkeit

Yekani, E. H. (2022) · Springer eBooks · doi:10.1007/978-3-658-38757-0_4 · Cited by 1

Researching culture and organization; what possibilities?

Letiche, H. (2023) · Culture and Organization · doi:10.1080/14759551.2023.2256443 · Cited by 3

Screens’r’us: From Bodies with Prostheses to Bodies as “Quasi-Prostheses”?

Carbone, M., & Lingua, G. (2023) · Springer eBooks · doi:10.1007/978-3-031-30816-1_6 · Cited by 2

Walter Pater and Persons

Cheeke, S. (2024) · doi:10.1093/9780198920298.001.0001 · Cited by 1

Designing Meaning: The Construct of Sustainability in Brand Identities

Jākobsone, L., & Ločmele, J. (2024) · Lecture notes in computer science · doi:10.1007/978-3-031-60441-6_4 · Cited by 1

Visualising the universe: The role of pictures in mediating people's relationship with outer space

Sabatini, D. (2024) · Journal of Material Culture · doi:10.1177/13591835241298064 · Cited by 1

Murdered and missing: description, art, and human rights

Weinstein, T. I., & Garnsey, E. (2024) · International Politics · doi:10.1057/s41311-024-00601-9 · Cited by 1

Christian Revelation in the Photographic Arts: Urban Warfare, Light as a Borrowed Metaphor, and Roman Bordun’s The Apartment After the Artillery Bombardment in Ukraine

Phillips, V. (2025) · Religions · doi:10.3390/rel16020236 · Cited by 1

Ephemeral literacies: reflecting on the impermanence of maize reading divination

Gracida, A. R. M. (2025) · Visual Studies · doi:10.1080/1472586x.2025.2507600 · Cited by 1

The office as a site of management control: an historical film elicitation study

Parker, L. D. (2025) · Accounting Auditing & Accountability Journal · doi:10.1108/aaaj-01-2025-7673 · Cited by 1

Enredando repertórios visuais

Valle, L. D. (2024) · EDUFBA eBooks · doi:10.7476/9786556308821.0018 · Cited by 1

German Hermeneutics of Racecraft in Thomas Ostermeier’s Othello (2010)

Galland, N. (2025) · Cambridge University Press eBooks · doi:10.1017/9781009647564.016 · Cited by 1

The Role of Visual Communication in Enhancing Business Branding Strategies

Abir, A. A., Amir, A., Hasan, C. K. S., Lameya, A., Sadia, A., Ismil, I. M., Bukharee, K. M., & Abdul, M. K. (2026) · Learning Policies and Strategies · doi:10.64907/xkmf.v5i1.lps.3 · Cited by 1

The COLD WAR Concept in Visual English-Language Political Discourse: Semiotic Representation and Pragmatics of Internet Memes and Political Cartoons (2020–2025)

Kovalev, N. A. (2026) · Linguistics & Polyglot Studies · doi:10.24833/2410-2423-2026-1-46-8-28 · Cited by 1

ART-HISTORICAL APPROACHES IN CONTEMPORARY MEDIA AND MARKETING: A COMPARATIVE CASE STUDY

Simić, J. (2026) · SCIENCE International Journal · doi:10.35120/sciencej0501001s · Cited by 1

Photojournalism Coverage of University Mass Shootings: A Comparative Analysis of Visual Coverage Over Time

Sheridan, T., & Jeon, G. (2026) · Visual Communication Quarterly · doi:10.1080/15551393.2026.2624818 · Cited by 1

Drawing in Cosmopolitics: Corals, Spirits, and Other Things Less Than Two on a Papuan Reef

Bubandt, N. (2026) · Ethnos · doi:10.1080/00141844.2026.2650477 · Cited by 1

Prompt Culture: From Lines to Surfaces in AI Image Generation

Musih, N. (2026) · Theory Culture & Society · doi:10.1177/02632764261455347 · Cited by 1

Memory and Affective Technologies in the Argentine Comic Book Series Cybersix

King, E. G. (2013) · Palgrave Macmillan US eBooks · doi:10.1057/9781137338761_6 · Cited by 1

Former l’oeil et l’âme

Paquette, G. (2012) · Anthropologie et Sociétés · doi:10.7202/1011726ar · Cited by 1

The Work and the Rights of the Documentary Protagonist

Panse, S. (2014) · Palgrave Macmillan UK eBooks · doi:10.1057/9781137378613_9 · Cited by 1

The Cave and the Mind: Towards a Sculptural and Experimental Approach to Upper Palaeolithic Art

Jones, A. M. (2013) · One world archaeology · doi:10.1007/978-1-4614-8990-0_3 · Cited by 1

Losing Perspective in the Age of News

Tamarkin, E. (2010) · PMLA/Publications of the Modern Language Association of America · doi:10.1632/pmla.2010.125.1.192 · Cited by 1

El Paraiso Distante: La Experiencia Religiosa En Los Cuadernos De Vivian Scheihing

Singler, C. (2012) · Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes · doi:10.1080/08263663.2012.10817026 · Cited by 1

“A little God whom they had just sent over”: Robert Southey’sThe Curse of Kehamaand the Museum of the Bristol Baptist College

White, D. E. (2010) · Nineteenth Century Contexts · doi:10.1080/08905495.2010.493441 · Cited by 1

Orbiting Data

Senior, K., & Solomon, Y. (2013) · Culture Studies ↔ Critical Methodologies · doi:10.1177/1532708613487874 · Cited by 1

Soft Body Dynamics After 9/11

Warren-Crow, H. (2009) · Animation · doi:10.1177/1746847709104644 · Cited by 1

Mobile lives: totems, cell phones, and symbolism in India

Reddy, D. S. (2015) · Contemporary South Asia · doi:10.1080/09584935.2015.1092501 · Cited by 1

Introduction

Calbi, M., & Parlati, M. (2011) · European Journal of English Studies · doi:10.1080/13825577.2011.553809 · Cited by 1

“The physical anxiety of the form itself”: A Haptic Reading of Phil Solomon’s Experimental Films

Aldouby, H. (2016) · Projections · doi:10.3167/proj.2016.100109 · Cited by 1

Seeing through race: Der Fokus auf die eigene Rezeptionsgewohnheit als Ansatzpunkt rassismuskritischer Bildungsarbeit mit dem Medium Bild

Wolfgarten, T. (2016) · Springer eBooks · doi:10.1007/978-3-658-14721-1_54 · Cited by 1

The Worlds of Black Literary Modernism

Bell, K. (2015) · Cambridge University Press eBooks · doi:10.1017/cco9781316018729.006 · Cited by 1

The Environmental Unconscious

Levin, L. (2014) · Palgrave Macmillan UK eBooks · doi:10.1057/9781137274250_4 · Cited by 1

The Diasporic Rasa of Suffering: Notes on the Aesthetics of Image and Sound in Indo-Caribbean and Sikh Popular Art

Nijhawan, M., & Schultz, A. (2014) · Palgrave Macmillan US eBooks · doi:10.1057/9781137426086_8 · Cited by 1

Introduction: Not Quite Divine—Co‐stars and Supporting Casts in South Asian Religions

Pechilis, K., & Dempsey, C. G. (2016) · The Journal of Hindu Studies · doi:10.1093/jhs/hiw017 · Cited by 1

The Uncanny Lives of Data Commodities

Ebeling, M. F. E. (2016) · Palgrave Macmillan US eBooks · doi:10.1057/978-1-137-50221-6_6 · Cited by 1

The Polaroid and the Cross. Media-Reflexivity and Allegorical Figurations in Lucian Pintilie’sThe Oak(1992)

Sándor, K. (2016) · Acta Universitatis Sapientiae Film and Media Studies · doi:10.1515/ausfm-2016-0003 · Cited by 1

Melania Mazzucco’s Vanishing Heroines: The Visual inMedusa’s KissandLimbo

Alù, G. (2016) · Critique Studies in Contemporary Fiction · doi:10.1080/00111619.2016.1253540 · Cited by 1

Challenging portrait conventions: ‘Types’, masks and the series in South African portraiture

Barnard, A. (2016) · de arte · doi:10.1080/00043389.2016.1176379 · Cited by 1

Wenche Larsen: Dramatiske forvandlinger. Bildet som teatralt virkemiddel i Cecilie Løveids skuespill Balansedame. Fødsel er musikk og Barock Friise eller kjærligheten er en større labyrint - Doktordisputas, Universitetet i Oslo, 18. september 2015. Doktorandens presentasjon av avhandlingen

Larsen, W. (2016) · Edda · doi:10.18261/issn.1500-1989-2016-03-05 · Cited by 1

The Road Map to Brave New World: Cartography and Fordism from Gulf Oil to Google

Ström, T. E. (2018) · Culture Unbound Journal of Current Cultural Research · doi:10.3384/cu.2000.1525.1793307 · Cited by 1

moving painting

Stefanoff, L. (2018) · Visual Anthropology Review · doi:10.1111/var.12152 · Cited by 1

Activist videos: montage as a creative tool for student reflections on their role as spectators

Liosi, M. (2018) · Video Journal of Education and Pedagogy · doi:10.1186/s40990-018-0024-0 · Cited by 1

Histoire(s) de l’art

O’Dwyer, J. (2019) · Alphaville Journal of Film and Screen Media · doi:10.33178/alpha.16.04 · Cited by 1

Building a History of Citizen Photography: the TAFOS Story

Fairey, T. (2019) · Photography and Culture · doi:10.1080/17514517.2019.1569867 · Cited by 1

Narratology and Imagology

Wojtyna, M. (2018) · Tekstualia · doi:10.5604/01.3001.0013.5156 · Cited by 1

The IndigenousLyrical Ballads

Hessell, N. (2020) · Cambridge University Press eBooks · doi:10.1017/9781108236300.021 · Cited by 1

Exploring Intimacy in Collaborative Photographic Narratives of Breast Cancer

Sile, A. (2020) · Humanities · doi:10.3390/h9010027 · Cited by 1

Weltanschauungen. Visual Culture, Macht und Gegenmacht in den globalen Nord-Süd-Beziehungen

Bogerts, L. K. (2020) · Horizonte der Internationalen Beziehungen · doi:10.1007/978-3-658-29971-2_2 · Cited by 1

Short-Term Phenomena and Long-Lasting Places: The Altars of the Lares Augusti and the Compita in the Streets of Ancient Rome

Rieger, A. (2020) · Journal of Urban Archaeology · doi:10.1484/j.jua.5.121532 · Cited by 1

Exhibiendo el rito

Pazos-López, Á. (2019) · Eikon / Imago · doi:10.5209/eiko.73445 · Cited by 1

Visual Representation, Propaganda and Cyberspace: The Case of the Palestinian Islamist Movements

Kovacs, A. (2015) · CyberOrient · doi:10.1002/j.cyo2.20150901.0005 · Cited by 1

Sposoby życia przedmiotów. O trwałości dóbr materialnych

Krajewski, M. (2010) · Kultura i Społeczeństwo · doi:10.35757/kis.2010.54.1.2 · Cited by 1

Miradas y usos del lenguaje fotográfico del alumnado de Magisterio

Rodríguez, M. C., Ligorred, V. M., Vallecillo, N. R., & Carrasco, Á. R. (2021) · Tercio Creciente · doi:10.17561/rtc.20.6293 · Cited by 2

The Beholder’s Freedom: Critical Remarks on the “Will to See”

Halawa-Sarholz, M. A. (2021) · Springer eBooks · doi:10.1007/978-3-030-71830-5_35 · Cited by 1

La monetización del selfie en las culturas participativas: Una aproximación transdisciplinaria a campañas publicitarias globales en el 2014.

González, V. F. (2021) · Pensar la Publicidad Revista Internacional de Investigaciones Publicitarias · doi:10.5209/pepu.75978 · Cited by 1

From making visible to hiding. Visual representations of financial markets as tools of manipulation and active and living agents

Krawczyk, M. M. (2021) · Visual Studies · doi:10.1080/1472586x.2021.1963829 · Cited by 1

Dada’s Event

Demos, T. J. (2009) · Duke University Press eBooks · doi:10.1215/9780822390978-006 · Cited by 1

Citizen Cursor

Joselit, D. (2009) · Duke University Press eBooks · doi:10.1215/9780822390978-007 · Cited by 1

Race and Reproduction in Camera Lucida

(2013) · Duke University Press eBooks · doi:10.1215/9780822378266-003 · Cited by 1

Neither Vitalism nor Mechanism

(2010) · Duke University Press eBooks · doi:10.1215/9780822391623-005 · Cited by 1

Xerographers of the Mind

(2014) · Duke University Press eBooks · doi:10.1215/9780822376767-004 · Cited by 1

Contemporaneity's Heterochronicity

(2013) · Duke University Press eBooks · doi:10.1215/9780822395935-004 · Cited by 1

Personifying Art

Soucek, B. (2008) · Palgrave Macmillan UK eBooks · doi:10.1057/9780230227453_12 · Cited by 1

Shifting Ways of Knowing in the Digital Age: Contextualising the Found Image Through the Lens of Reverse Reification

Liu, H., Miller, M., & Gutierrez, L. (2022) · [ ] With Design: Reinventing Design Modes · doi:10.1007/978-981-19-4472-7_12 · Cited by 1

Iconoclasm, Violent Interpretation, and the Desiring Image: Sculptures on a University Campus in South Africa

Villiers–Human, S. D. (2022) · Critical Arts · doi:10.1080/02560046.2023.2169728 · Cited by 1

Musik im Blick

Baldassarre, A. (2023) · Böhlau Verlag eBooks · doi:10.7767/9783205216674.49 · Cited by 1

Visual studies, a new opportunity for the theoretical thinking of the architectural lighting design

Caratti-Zarytkiewicz, R. (2023) · doi:10.1109/ls1858153.2023.10170083 · Cited by 1

Histoire générique et clichés de l’histoire : la Farm Security Administration revue et corrigée par Lars von Trier

Aubert, D. (2011) · Presses Sorbonne Nouvelle eBooks · doi:10.4000/books.psn.7688 · Cited by 1

Welfare in-between artistic expressions and communities: Deanna Dikeman's exhibition "Leaving and Waving"

D’Ambrosio, M., Palladino, S., & Mitra, P. (2023) · WELFARE E ERGONOMIA · doi:10.3280/we2023-001006 · Cited by 1

L’œuvre d’art « augmentée » et ses formes de vie

Colas-Blaise, M. (2023) · Signata · doi:10.4000/signata.4711 · Cited by 1

Livestock Rendered: Animal Painting, Meatpacking and the Founding Collection of the Frye Art Museum

Chapman, K. G. (2024) · European Journal of American Studies · doi:10.4000/ejas.21617 · Cited by 1

Can you hear the image speak? Primitivism, imagespeech, and audienceship

Isabella, B. (2024) · World Art · doi:10.1080/21500894.2024.2338944 · Cited by 1

Mural as a Living Element of Urban Space: Seasonal Dynamics and Social Perception of “The Four Seasons with Kora” in Warsaw

Cywiński, A., & Karyń, A. (2024) · Arts · doi:10.3390/arts13040117 · Cited by 1

Portrait of a Girly Girl: When Recording a Video Selfie is a Feminist Practice

Pirandello, S. (2024) · Cinema & cie/Cinéma & Cie · doi:10.54103/2036-461x/22083 · Cited by 1

“Creatures of kek:” Affordance and enregisterment within “kek” on 4chan's “/pol/” board

Ludemann, D. (2024) · Journal of Linguistic Anthropology · doi:10.1111/jola.12443 · Cited by 1

Affect, Repetition, and Eroticized State Violence in El Salvador's Prisons

Nichols, D. (2024) · Social Text · doi:10.1215/01642472-11369764 · Cited by 1

As imagens também morrem?

Zacarias, G. F. (2024) · Revista de História da Arte e da Cultura · doi:10.20396/rhac.v5i2.20054 · Cited by 1

Organisationale Arbeitspraktiken digitaler Nomad:innen vermittelt im medialen bildlichen Diskursraum

Rundel, S. (2025) · MedienPädagogik Zeitschrift für Theorie und Praxis der Medienbildung · doi:10.21240/mpaed/67/2025.11.25.x · Cited by 1

Truly modelling reality...? - Let’s improve our cognitive maps with a bastard mix of algorithms to “undo” pictures, isometric mapping, high-density diagrams and comic culture as integral sign posts for software development in cartography

Fritsche, N.-C. (2011) · Lecture notes in geoinformation and cartography · doi:10.1007/978-3-642-12272-9_5 · Cited by 1

Immagini per il presente. L'evento catastrofico nei Twitter online (visual) data

Artieri, G. B., Gemini, L., Farci, M., & Zurovac, E. (2015) · SOCIOLOGIA DELLA COMUNICAZIONE · doi:10.3280/sc2015-049005 · Cited by 2

Idolâtrie, idéologie, iconologie

Dekoninck, R. (2012) · Appareil · doi:10.4000/appareil.1458 · Cited by 1

Regionalism in the American Modernist Novel

Stecopoulos, H. (2015) · Cambridge University Press eBooks · doi:10.1017/cco9781316018729.003 · Cited by 1

The Tarob and the Sacred Oath. Liminal Spirits and Stories Creating Heterotopic Spaces in Dusun Culture

Potter, M. (2017) · eTropic electronic journal of studies in the tropics · doi:10.25120/etropic.16.1.2017.3569 · Cited by 1

ФОРМИРОВAНИЕ ГОТОВНОСТИ БУДУЩИХ ПЕДAГОГОВ К ОРГAНИЗAЦИИ РAБОТЫ ПО РAЗВИТИЮ ВAЛЕОЛОГИЧЕСКОЙ КУЛЬТУРЫ ШКОЛЬНИКОВ

БАЗАРБАЕВА, Ә. А., Майгельдиева, Ш. М., & ЖҮНДІБАЕВА, Т. Н. (2023) · Pedagogy and Psychology · doi:10.51889/2077-6861.2023.1.30.016

चितलवाना पंचायत समिति में मानव गरीबी सूचकांक - 2016 ( à¤à¤• गà¥à¤°à¤¾à¤® सà¥à¤¤à¤°à¥€à¤¯ à¤à¥Œà¤—ोलिक अधà¥à¤¯à¤¯à¤¨ )

Gaurav, S. K., & Swarnkar, P. (2017) · International research journal of multidisciplinary studies

FEATURES AND DIFFERENCES OF ADEQUATE AND EQUIVALENT TRANSLATION

Кенжебaевa, У., Nadirova, G. E., & Seitmetova, Z. (2018) · DOAJ (DOAJ: Directory of Open Access Journals)

Коммуникaтивно- прaгмaтический aнaлиз дипломaтических бумaг (нa основе вербaльных нот)

Кaмирдиновa, Н., & Кaлиевa, Ш. С. (2018) · DOAJ (DOAJ: Directory of Open Access Journals)

DETERMINING QUALITY REQUIREMENTS AT THE UNIVERSITIES TO IMPROVE THE QUALITY OF EDUCATION

Mustafa, N. H., Kelesbayev, D., & Alibekova, Z. D. (2018) · The Journal of Economic Research & Business Administration · doi:10.26577/be-2018-2-2141