How Images Think
Abstract
The transformation of images in the age of new media and the digital revolution.Digital images are an integral part of all media, including television, film, photography, animation, video games, data visualization, and the Internet. In the digital world, spectators become navigators wending their way through a variety of interactive experiences, and images become spaces of visualization with more and more intelligence programmed into the very fabric of communication processes. In How Images Think, Ron Burnett explores this new ecology, which has transformed the relationships humans have with the image-based technologies they have created. So much intelligence has been programmed into these image-dependent technologies that it often seems as if images are "thinking"; ascribing thought to machines redefines our relationship with them and enlarges our ideas about body and mind. Burnett argues that the development of this new, closely interdependent relationship marks a turning point in our understanding of the connections between humans and machines.After presenting an overview of visual perception, Burnett examines the interactive modes of new technologies—including computer games, virtual reality, digital photography, and film—and locates digital images in a historical context. He argues that virtual images occupy a "middle space," combining the virtual and the real into an environment of visualization that blurs the distinctions between subject and object—part of a continuum…
Integrity signals
Registry
Cites
Statistics
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
The shift to the digital has shown that photographs are simply raw material for an endless series of digressions.
“The shift to the digital has shown that photographs are simply raw material for an endless series of digressions.… As images, photographs encourage viewers to move beyond the physical world even as they assert the value of memory, place, and original moments.”
From Digital photography: communication, identity, memory (2008) · cites this paper as Burnett 2004
Digital cameras give rise to new social practices in which pictures are considered visual resources in the microcultures of everyday life.
“Indeed, digital cameras give rise to new social practices in which pictures are considered visual resources in the 'microcultures' of everyday life (Burnett 2004: 62).”
From Digital photography: communication, identity, memory (2008) · cites this paper as Burnett 2004
Cited by
Sorted by citations
Digital photography: communication, identity, memory
van Dijck, J. (2008) · Visual Communication · doi:10.1177/1470357207084865 · Cited by 508 · see citing works
- Authors
- Burnett, R.
- Corresponding author
- Burnett, Ron
- ORCID
- Burnett, Ron
- Venue
- The MIT Press eBooks
- Publisher
- The MIT Press
- Published
- 2004
- OpenAlex
- W4251899711
- Cited by
- 130
- References
- 0
- Citations by year
- 2026: 2 · 2025: 2 · 2024: 3 · 2023: 1 · 2022: 2 · 2021: 3 · 2020: 3 · 2019: 7 · 2018: 3 · 2017: 4 · 2016: 11 · 2015: 7 · 2014: 6 · 2013: 5 · 2012: 7
- FWCI
- 31.38
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- The MIT Press eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Visual Culture and Art Theory
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art, Technology, and Culture
- Social Sciences › Arts and Humanities › History and Philosophy of Science › Cybernetics and Technology in Society
- Keywords
- digital images, new media, human-machine interaction, visual perception, virtual reality, video games, digital photography, cinema, interactive media, visualization, subject-object distinction, mind-body problem, spectatorship
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review