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Sweet Anticipation: Music and the Psychology of Expectation
Abstract
The psychological theory of expectation that David Huron proposes in Sweet Anticipation grew out of the author's experimental efforts to understand how music evokes emotions. These efforts evolved into a general theory of expectation that will prove informative to readers interested in cognitive science and evolutionary psychology as well as those interested in music. The book describes a set of psychological mechanisms and illustrates how these mechanisms work in the case of music. All examples of notated music can be heard on the Web. Huron proposes that emotions evoked by expectation involve five functionally distinct response systems: reaction responses (which engage defensive reflexes); tension responses (where uncertainty leads to stress); prediction responses (which reward accurate prediction); imagination responses (which facilitate deferred gratification); and appraisal responses (which occur after conscious thought is engaged). For real-world events, these five response systems typically produce a complex mixture of feelings. The book identifies some of the aesthetic possibilities afforded by expectation, and shows how common musical devices (such as syncopation, cadence, meter, tonality, and climax) exploit the psychological opportunities. The theory also provides new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron traces the psychology of expectations from the patterns of the physical/cultural world through imperfectly learned heuristics used to predict that world to the phenomenal qualia we experienced as we apprehend the world. Bradford Books imprint
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Cited by
Emotional responses to music: The need to consider underlying mechanisms
Juslin, P. N., & Västfjäll, D. (2008) · Behavioral and Brain Sciences · doi:10.1017/s0140525x08005293 · Cited by 1,914
Brain correlates of music-evoked emotions
Koelsch, S. (2014) · Nature Reviews Neuroscience · doi:10.1038/nrn3666 · Cited by 1,544
Music and social bonding: “self-other†merging and neurohormonal mechanisms
Tarr, B., Launay, J., & Dunbar, R. I. M. (2014) · Frontiers in Psychology · doi:10.3389/fpsyg.2014.01096 · Cited by 548
Towards a neuroscience of active sampling and curiosity
Gottlieb, J., & Oudeyer, P.-Y. (2018) · Nature Reviews Neuroscience · doi:10.1038/s41583-018-0078-0 · Cited by 494
Statistical universals reveal the structures and functions of human music
Savage, P. E., Brown, S., Sakai, E., & Currie, T. E. (2015) · Proceedings of the National Academy of Sciences · doi:10.1073/pnas.1414495112 · Cited by 440
Current advances in the cognitive neuroscience of music
Levitin, D. J., & Tirovolas, A. K. (2009) · Annals of the New York Academy of Sciences · doi:10.1111/j.1749-6632.2009.04417.x · Cited by 278
A Joint Prosodic Origin of Language and Music
Brown, S. (2017) · Frontiers in Psychology · doi:10.3389/fpsyg.2017.01894 · Cited by 132
Predictive coding in auditory perception: challenges and unresolved questions
Denham, S. L., & Winkler, I. (2020) · European Journal of Neuroscience · doi:10.1111/ejn.13802 · Cited by 76
Pando‐Naude, V., Matthews, T. E., Højlund, A., Jakobsen, S., Østergaard, K., Johnsen, E., Garza‐Villarreal, E. A., Witek, M. A. G., Penhune, V., & Vuust, P. (2024) · European Journal of Neuroscience · doi:10.1111/ejn.16128 · Cited by 29
Gendron, M., Mesquita, B., & Barrett, L. F. (2020) · Culture, Mind, and Brain · doi:10.1017/9781108695374.010 · Cited by 20
Vocal mistuning reveals the origin of musical scales
Pfordresher, P. Q., & Brown, S. (2017) · Journal of Cognitive Psychology · doi:10.1080/20445911.2015.1132024 · Cited by 18
Metadata
- Authors
- Huron, D.
- Venue
- The MIT Press eBooks
- Publisher
- The MIT Press
- Published
- 2006-04-14
- OpenAlex
- W4238215782
- Cited by
- 1,332
- References
- 0
- FWCI
- 7.18
- Type
- book
- Language
- en
- Open access
- closed
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